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Number of items at this level: 433.

Article

Allington-Wood, TE; (2016) Jeffrey Jerome Cohen, Stone: An Ecology of the Inhuman, University of Minnesota Press, Minneapolis, 2015. Object , 18 pp. 69-71.

Angelova, L; Ormsby, B; Richardson, E; (2016) Diffusion of water from a range of conservation treatment gels into paint films studied by unilateral NMR: Part I: Acrylic emulsion paint. Microchemical Journal , 124 (Jan) pp. 311-320. 10.1016/j.microc.2015.09.012.

Arabindan-Kesson, Anna; Caragol, Taina; Carby, Hazel; Chua, Lawrence; Mehretu, Julie; Pfeiffer, Paul; Gikandi, Simon; ... Tejada, Roberto; + view all Arabindan-Kesson, Anna; Caragol, Taina; Carby, Hazel; Chua, Lawrence; Mehretu, Julie; Pfeiffer, Paul; Gikandi, Simon; Heddaya, Mostafa; Lobo, Nicole-Ann; Macharia, K'eguro; Pierce, Joseph M; Mathur, Saloni; Noel, Samantha A; Noriega, Chon; Ong, Aihwa; Ray, Sugata; Rizvi, Kishwar; Schwartz, Stephanie; Tejada, Roberto; - view fewer (2023) A Questionnaire on "Diaspora and the Modern". October (186) pp. 98-105. 10.1162/octo_a_00500.

Bonzon, J; (2019) Sipho Gongxeka’s Skeem’ Saka: composing masculinity and protest in contemporary Soweto. Object 10.14324/111.2396-9008.036.

Cahill, Nicholas; Bruce, William; Kroll, John H; Frank, Emily B; Kim, Jennifer; Castriota, Brian; Grant, Ameya; ... Erdal, Yilmaz Selim; + view all Cahill, Nicholas; Bruce, William; Kroll, John H; Frank, Emily B; Kim, Jennifer; Castriota, Brian; Grant, Ameya; Şimşek, H Suheyla; Güngör, Izel; Erdal, Yilmaz Selim; - view fewer (2025) A New Find of Croeseid Coins from Sardis. Hesperia: The Journal of the American School of Classical Studies at Athens , 94 (2) pp. 143-183. 10.2972/hes.2025.a963374.

Castriota, Brian; (2021) Object trouble: constructing and performing artwork identity in the museum. ArtMatters: International Journal for Technical Art History , 2021 (1) pp. 12-22.

Cliffe, MJ; Castillo-Martinez, E; Wu, Y; Lee, J; Forse, AC; Firth, FCN; Moghadam, PZ; ... Grey, CP; + view all Cliffe, MJ; Castillo-Martinez, E; Wu, Y; Lee, J; Forse, AC; Firth, FCN; Moghadam, PZ; Fairen-Jimenez, D; Gaultois, MW; Hill, JA; Magdysyuk, OV; Slater, B; Goodwin, AL; Grey, CP; - view fewer (2017) Metal-Organic Nanosheets Formed via Defect-Mediated Transformation of a Hafnium Metal-Organic Framework. Journal of The American Chemical Society , 139 (15) pp. 5397-5404. 10.1021/jacs.7b00106.

Cucci, C; Bartolozzi, G; Marchiafava, V; Picollo, M; Richardson, E; (2016) Study of semi-synthetic plastic objects of historic interest using non-invasive total reflectance FT-IR. Microchemical Journal , 124 pp. 889-897. 10.1016/j.microc.2015.06.010.

Da Fonseca, Anais; (2022) Paintings, Painters, and Patrons Institutional Interventions in the Lives of Cheriyal Paintings. Asian Ethnology , 81 (1-2) pp. 125-148.

Dege-Müller, Sophia; Gnisci, Jacopo; Pisani, Vitagrazia; (2023) A Handlist of Illustrated Early Solomonic Manuscripts in German Public Collections. Aethiopica , 25 pp. 59-98. 10.15460/aethiopica.25.0.1910.

Demos, TJ; (2013) The Art and Politics of Ecology in India. Third Text , 27 (1) 151 - 161. 10.1080/09528822.2013.752201.

Deutsch, Allison; (2016) ‘Splendour and Misery. Pictures of Prostitution, 1850–1910’, Musée d’Orsay, Paris, 22 September 2015 – 17 January 2016. Object , 18 (1) pp. 71-73.

Deutsch, A; (2018) The Flesh of Painting: Caillebotte’s Modern Olympia. Dix-Neuf , 22 (1-2) pp. 1-22. 10.1080/14787318.2017.1381371.

Deutsch, A; (2015) Good taste: metaphor and materiality in nineteenth-century art criticism. Object 10.14324/111.2396-9008.002.

Dias Ramos, A; Imageless in Angola – Appropriating Photography.

Doucet, Emily; Hunter, Matthew C; Robbins, Nicholas; (2021) Editors' Introduction: The Aerial Image. Grey Room , 83 pp. 6-23. 10.1162/grey_a_00318.

Dumitriu, Anna; May, Alex; Velios, Athanasios; Sakki, Zoi; Korakidou, Veroniki; Marçal, Hélia; Panagiaris, Georgios; (2021) Unruly objects: NFTs, blockchain technologies and bio-conservation. Technoetic Arts , 19 (3) pp. 383-397. 10.1386/tear_00076_1.

Easterby-Smith, Sarah; McClive, Cathy; Taws, Richard; Walton, Charles; (2024) Colin Jones: Fox and Hedgehog Historian of Francex. French History , 38 (1) pp. 2-10. 10.1093/fh/crad063.

Eaton, NJ; (2017) Photobook Aesthetics and Shadows Beyond “An Eye for the Tropics”. British Art Studies , 7 10.17658/issn.2058-5462/issue-07/neaton/001.

Eaton, NJ; (2004) Between mimesis and alterity: Art, gift and diplomacy in colonial India, 1770-1800. Comparative Studies in Society and History , 46 (4) pp. 816-844.

Falecka, KW; (2017) Violent Erasures: Atrocity, Photographic Archives and the Algerian War of Independence (1954–62). Object , 19 pp. 7-28. 10.14324/111.2396-9008.022.

Floyd, E; (2021) The word as object in colonial Spanish South America: Juan María de Guevara y Cantos’s corona de la divinissima María (Lima, 1644). Material Religion: the journal of objects, art and belief , 17 (2) pp. 202-227. 10.1080/17432200.2021.1897281.

Floyd, Emily; Stratton-Pruitt, Suzanne; (2023) Juan Francisco Rosa: Engraver to the Elite in Eighteenth-Century Lima. Print Quarterly , XL (1) pp. 33-51.

Floyd, Emily C.; (2025) Luz y oscuridad: la imprenta y el negro como color, experiencia, y raza en el virreinato del Perú. Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America , 102 pp. 377-405. 10.1080/14753820.2025.2468086.

Floyd, E; (2021) Tras los pasos de un artista en blanco y negro: identidad y agencia en los grabadores limeños del siglo XVIII. Latin American and Latinx Visual Culture , 3 (3) pp. 106-114. 10.1525/lavc.2021.3.3.106.

Floyd, E; Kusunoki, R; (2020) The Virgin in Lima: A Frontispiece by Gregorio Fosman and its Afterlife. Print Quarterly , XXXVII (4) pp. 432-443.

Freeman, KM; (2016) Iron and bone: the skeleton architecture of the Oxford University Museum of Natural History. Object , 18

Garb, T; (2020) Painting/Politics/Photography: Marlene Dumas, Mme Lumumba and the Image of the African Woman. Art History , 43 (3) pp. 588-611. 10.1111/1467-8365.12507.

Garb, T; (2019) Falling and Rising: In the Wake of Cecil John Rhodes. Nka Journal of Contemporary African Art , 2019 (44) pp. 24-37. 10.1215/10757163-7547418.

Garb, T; (2018) The Saturated Image. Parkett -Zurich , 100 (101) pp. 171-179.

Garside, Paul; Walker, Olivia; (2015) The Formation of Microenvironments in Polyester Enclosures. Journal of Conservation and Museum Studies , 13 (1) 10.5334/jcms.1021223.

Ghigo, Tea; (2021) Where science meets Victorian Art. Ashmolean Magazine , 82 pp. 40-42.

Ghigo, Tea; Bone, Daniel; Howell, David; Domoney, Kelly; Gironda, Michele; Beeby, Andy; (2022) Material Characterisation of William Burges’ Great Bookcase within the Disruption of a Global Pandemic. Studies in Conservation 10.1080/00393630.2022.2153463. (In press).

Ghigo, Tea; Cockcroft, Jane; (2023) 'Pigments revealed': Engaging visitors with colour materiality. Ashmolean Magazine , 86 pp. 44-46.

Ghigo, Tea; Hirschle, Christian; (2024) Painting the Past in the 19th Century: Materials, Methods, and Perspectives in Watercolour Replicas. Heritage , 7 (8) pp. 4300-4322. 10.3390/heritage7080203.

Ghigo, Tea; Nodar Dominguez, Alberto; (2023) Revealing Scribal Practices: Inks and Support of Documents from Oxyrhynchus. Egyptian Archaeology , 62 pp. 37-39.

Giachet, MT; Schilling, M; Mazurek, J; Khanjian, H; Learner, T; McCormick, K; Richardson, E; (2014) Assessment of the composition and condition of animation cels made from cellulose acetate. Polymer Degradation and Stability , 107 223 - 230. 10.1016/j.polymdegradstab.2014.03.009.

Gnisci, J; (2021) A Contextual Reading of Ethiopian Crosses through Form and Ritual. [Review]. Aethiopica: Internationale Zeitschrift fuer Aethiopistik , 23 (2020) pp. 256-268. 10.15460/aethiopica.23.0.1457.

Gnisci, J; (2020) Constructing Kingship in Early Solomonic Ethiopia: The David and Solomon Portraits in the Juel-Jensen Psalter. The Art Bulletin , 102 (4) pp. 7-36. 10.1080/00043079.2020.1765629.

Gnisci, Jacopo; (2024) Raymond Silverman and Neal Sobania. Ethiopian Church Art: Painters, Patrons, Purveyors. Los Angeles: TSEHAI Publishers, 2022. 332 pp. Illustrations. $74.95. Hardback. ISBN: 978-1-59907-290-6. [Review]. African Studies Review pp. 1-3. 10.1017/asr.2024.86. (In press).

Gnisci, Jacopo; (2023) Annegret Marx, When Images Travel to Ethiopia … Impact of the Evangelium Arabicum printed 1590 in Rome on a 17th Century Ethiopian Gospel: Documentation and Synoptic Presentation of their Images. [Review]. Aethiopica , 25 pp. 269-272. 10.15460/aethiopica.25.0.1857.

Gnisci, Jacopo; Lusini, Gianfrancesco; Villa, Massimo; Bottari, Gioia; (2022) Savona, Archivio Storico Diocesano: Atti dei martiri. Catalogo Nazionale dei Manoscritti Etiopici in Italia , 3

Gnisci, Jacopo; Merchán-Hamann, César; (2023) Ethiopic Manuscripts at the Bodleian Libraries. [Magazine_article]. Pitt Rivers Museum: Members Magazine , 108 p. 10.

Gnisci, Jacopo; Salvadore, Matteo; Deresse Ayenachew Woldetsadik; Harrison, Ainslie; (2023) A Multidisciplinary Perspective on an Enigmatic Ethiopian Processional Cross at the Bargello National Museum, Florence. Northeast African Studies , 23 (1) pp. 31-70.

Gnisci, Jacopo; Villa, Massimo; (2022) Evidence for the History of Early Solomonic Ethiopia from Tämben: Part II: Yoḥanni Däbrä ʿAśa. Rassegna di Studi Etiopici , 6 (53) pp. 97-119.

Gnisci, J; (2017) Towards a Comparative Framework for Research on the Long Cycle in Ethiopic Gospels: Some Preliminary Observations. Aethiopica , 20 pp. 70-105. 10.15460/aethiopica.20.1.972.

Gnisci, J; Villa, M; (2020) Evidence for the History of Early Solomonic Ethiopia from Tämben Part I: Gäbrǝʾel Wäqen. Rassegna di Studi Etiopici , 66 pp. 89-109.

Green, M; (2020) ‘Joan Jonas: In the Trees II’, Amanda Wilkinson Gallery, London, 1 October 2018 – 17 November 2018. [Review]. OBJECT: graduate research and reviews in the history of art and visual culture 10.14324/111.2396-9008.045.

Grindle, N; Marie, J; Mills, R; Fisher, T; (2020) Staff-student interviews for better feedback literacy. Educational Developments , 20 (4) pp. 14-18.

Gujral, D; (2019) Painters with a Camera (1968/69): In search of an Indian photography exhibition. Object , 20 (20) pp. 33-58. 10.14324/111.2396-9008.035.

Gupta, Vivek; (2024) Routes of Translation: Connected Book Histories and al-Jazari’s Robotic Wonders from the Mamluks to Mandu. South Asian Studies , 39 (2) pp. 207-228. 10.1080/02666030.2023.2287840.

Gupta, Vivek; (2022) Arabic in Hindustan: Comparative Poetics in the Eighteenth Century and Azad Bilgrami’s The Coral Rosary. Journal of South Asian Intellectual History , 4 (2) pp. 181-222. 10.1163/25425552-12340034.

Gupta, Vivek; (2021) Images for Instruction: A Multilingual Illustrated Dictionary in Fifteenth-Century Sultanate India. Muqarnas Online , 38 (1) pp. 77-112. 10.1163/22118993-00381p04.

Gupta, Vivek; (2021) Remapping the World in a Fifteenth-Century Cosmography: Genres and Networks Between Deccan India and Iran. Iran , 59 (2) pp. 151-168. 10.1080/05786967.2021.1911755.

Gupta, Vivek; (2017) Review of Cultural Exchange in Eighteenth-Century India: Poetry and Paintings from Kishangarh by Heidi Pauwels. caa.reviews 10.3202/caa.reviews.2017.175.

Hayes, R; (2020) Consuming animals in print: being a live cow on Victorian cattle ships. Object , 21 pp. 30-50. 10.14324/111.2396-9008.043.

Hendrickx, R; Ferreira, ESB; Boon, JJ; Desmarais, G; Derome, D; Angelova, L; Mannes, D; ... Richardson, E; + view all Hendrickx, R; Ferreira, ESB; Boon, JJ; Desmarais, G; Derome, D; Angelova, L; Mannes, D; Kaestner, A; Huinink, H; Kuijpers, K; Voogot, B; Richardson, E; - view fewer (2017) Distribution of moisture in reconstructed oil paintings on canvas during absorption and drying: a neutron radiography and NMR study. Studies in Conservation , 62 (7) pp. 393-409. 10.1080/00393630.2016.1181899.

Hölling, Hanna B; (2023) Conserving Active Matter—Activating Conservation? Zeitschrift für Kunstgeschichte , 86 (3) pp. 426-432. 10.1515/zkg-2023-3008.

Hölling, Hanna B; (2022) Post-Preservation: Paik's Virtual Archive, Potentially. NJP Reader , 11 pp. 2-18.

Hölling, Hanna B; (2021) Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia. Afterall , 52 pp. 106-119. 10.1086/719773.

Hölling, HB; (2021) Caring For Performance: Recent Debates. CeROArt : Conservation, Exposition, Restauration d'Objets d'Art , 12 10.4000/ceroart.8119.

Holling, HB; (2021) Unpacking the Score: Fluxus and the Material Legacy of Intermediality. On Curating: Fluxus Special Issue , 52 pp. 64-81.

Hölling, H; (2021) Assembling a Work of Art: An Annotated History of Fluxfilm No. 1. MAP – Media | Archive | Performance , 11

Holling, H; (2020) Archival Activations: Writings by Nam June Paik. Metropolis M

Hölling, H; (2020) Archiefactiveringen. Metropolis M , 41 (1) pp. 42-45.

Holling, H; (2016) Transitional media: duration, recursion, and the paradigm of conservation. Studies in Conservation , 61 (Suppl.2) pp. 79-83. 10.1080/00393630.2016.1181929.

Hölling, HB; (2021) Keeping Time: On Museum, Temporality and Heterotopia. ArtMatters: International Journal for Technical Art History , SI (1) pp. 47-54.

Holling, HB; (2018) Archive and Documentation. Art and Documentation (17) pp. 19-28.

Holling, HB; (2017) The technique of conservation: on realms of theory and cultures of practice. Journal of the Institute of Conservation , 40 (2) pp. 87-96. 10.1080/19455224.2017.1322114.

Holling, HB; (2017) Reflections on the Impossibility of Material Continuation. The Moving Image: The Journal of the Association of Moving Image Archivists , 17 (1) pp. 163-166. 10.5749/movingimage.17.1.0163.

Holling, HB; (2016) Lost in Museums? Changeable Media, Their World, and Performance. Museum History Journal , 10 (1) pp. 97-111. 10.1080/19369816.2017.1257873.

Ingrams, CV; (2019) 'A kind of fissure': Forma (1947-1949). Object 10.14324/111.2396-9008.034.

Ireland, Libby; (2022) Learning through the Acquisition and Display of Works by Ima-Abasi Okon: Enacting Radical Hospitality through Deliberate Slowness. Tate Papers , 35 pp. 1-25.

Kanta, A; (2016) Décoll/age. bulletin aktueller ideen: a manual for navigating the interstitial spaces between surviving and living. Object Magazine (18) pp. 45-68.

Karlsson, Jonas; Gnisci, Jacopo; Dege-Müller, Sophia; (2023) A Handlist of Illustrated Early Solomonic Manuscripts in British Public Collections. Aethiopica , 26 pp. 159-225. 10.15460/aethiopica.26.2106.

Kavda, S; Richardson, E; Golfomitsou, S; (2017) The Use of Solvent-Gel Systems for the Cleaning of PMMA. MRS Advances , 2 (39-40) pp. 2179-2187. 10.1557/adv.2017.249.

Khan, M; (2021) Notes On A (Dis)continuous Surface. [Magazine_article]. Stages , 9

King, SL; (2019) ‘A1: Britain on the Verge’, Art Bermondsey Project Space, London, 16 January 2018 – 20 January 2018. [Review]. Object 10.14324/111.040.

Kinsey, Cadence; (2024) In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976-77). Grey Room (In press).

Kinsey, C; (2020) Fluid Dynamics: On the Representation of Water and Discourses of the Digital. Art History , 43 (3) pp. 510-537. 10.1111/1467-8365.12483.

Kissane, CD; (2016) Review: Caravaggio’s Pitiful Relics by Todd P. Olson. Object , 18 pp. 73-75.

Knapp, I; (2020) A betamale is being beaten. Object 10.14324/111.2396-9008.044.

Kumar, Aparna; (2024) Notes on a Fragment: Zarina’s Dividing Line. Art History , 47 (2) pp. 246-279. 10.1093/arthis/ulae015.

Kumar, Aparna; (2023) Infrastructure, Nation, and Excess. [Review]. Art History , 46 (3) pp. 612-618. 10.1111/1467-8365.12738.

Kumar, Aparna; (2021) Narrating South Asian Partition: Oral History, Literature, Cinema. By Anindya Raychaudhuri. Oxford: Oxford University Press, 2019. ix, 223 pp. ISBN: 9780190249748 (cloth). [Review]. The Journal of Asian Studies , 80 (4) pp. 1114-1115. 10.1017/s0021911821001947.

Kumar, A; Bouquet, M; Woodall, A; Wallace, P; Aziz, A; Edwards, E; Mosmann, P; (2015) Exhibitions: Exhibition Review Essays [Unsettling the National in South Asia]. Museum Worlds , 3 (1) pp. 142-186. 10.3167/armw.2015.030110.

Lawson, L; Finbow, A; Marçal, H; (2019) Developing a strategy for the conservation of performance-based artworks at Tate. Journal of the Institute of Conservation , 42 (2) pp. 114-134. 10.1080/19455224.2019.1604396.

Lee, SN; The disruption of mythological space.

Macedo, R; Marcal, H; (2019) Conservação ou Gestão de Mudança: Time-based media no museu. Revista de Museus , 1 (2) pp. 212-223.

Madeira, C; Salazar, D; Marçal, H; (2018) Performance art temporalities: relationships between Museum, University, and Theatre. Museum Management and Curatorship , 33 (1) pp. 79-95. 10.1080/09647775.2017.1419828.

Magagnoli, P; (2013) Capitalism as Creative Destruction. Third Text , 27 (6) 723 - 734. 10.1080/09528822.2013.857899.

Marcal, H; (2021) Becoming Difference: on the Ethics of Conserving the In-between. Studies in Conservation 10.1080/00393630.2021.1947074. (In press).

Marçal, H; (2021) Hélia Marçal reviews: Critical Perspectives on Cultural Memory and Heritage: Construction, Transformation and Destruction, edited by Veysel Apaydin, London, UCL Press, 2020, 336 pp., (paperback). ISBN 9781787354845. Journal of the Institute of Conservation , 44 (2) pp. 153-155. 10.1080/19455224.2021.1929579.

Marcal, H; (2021) Situated knowledges and materiality in the conservation of performance art. Art Matters: International Journal for Technical Art History

Marcal, Helia; (2024) A few thoughts on the future of collections and their histories. Journal of the History of Collections 10.1093/jhc/fhae049. (In press).

Marçal, Hélia; (2024) 作为媒介的博物馆 Museum as Medium. 画刊 Art Monthly (9) pp. 48-51. (In press).

Marçal, H; (2019) Diffracting Histories of Performance. Performance Research , 24 (7) pp. 39-46. 10.1080/13528165.2019.1717863.

Marçal, H; (2019) Public engagement towards sustainable heritage preservation. Protection of Cultural Heritage , 8 pp. 185-209. 10.35784/odk.1084.

Marcal, H; (2018) Rites of passage: a conservator’s perspective on the incorporation of performance artworks into museological collections. Revista de História da Arte , 06 pp. 116-124.

Marçal, H; Macedo, R; Nogueira, A; Duarte, A; (2013) Whose decision is it? Reflections about a decision making model based on qualitative methodologies. CeROArt 10.4000/ceroart.3597.

Marcal, H; Nogueira, A; (2015) The challenges of documenting Francisco Tropa’s oeuvre : variability and interartworks relationships. Revista de História da Arte , 2015 (4) pp. 65-76.

Marçal, H; Nogueira, A; Macedo, R; (2018) Materializing the intangible: The documentation of "Luís Vaz 73" (1975), by Jorge Peixinho and Ernesto de Sousa. Conservar Patrimonio (27) pp. 13-22. 10.14568/cp2016042.

Marçal, HP; (2017) Conservation in an era of participation. Journal of the Institute of Conservation , 40 (2) pp. 97-104. 10.1080/19455224.2017.1319872.

Marinelli, A; (2020) 'Utrecht, Caravaggio and Europe', Centraal Museum Utrecht, 16 December 2018 - 24 March 2019. Catalogue: Eds. Bernd Ebert and Liesbeth M. Helmus, Munich, 2018, 304 pages, hardback, ISBN: 978-3-7774-3133-8, £45.00. [Review]. Object , 21 pp. 73-75. 10.14324/111.2396-9008.047.

Mills, Robert; (2025) Thinking in Black and White: Histories of Color and Premodern Race Making. Exemplaria 10.1080/10412573.2025.2510795. (In press).

Mills, Robert; (2022) Elliott, Dyan. The Corrupter of Boys: Sodomy, Scandal, and the Medieval Clergy. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2020. viii+378 pp. $45.00 (cloth). [Review]. The Journal of Religion , 102 (3) pp. 421-423. 10.1086/719734.

Mills, R; (2020) Seen from Behind: Perspectives on the Male Body and Renaissance Art. Patricia Lee Rubin. New Haven, CT: Yale University Press, 2018. 288 pp. $60. Renaissance Quarterly , 73 (3) pp. 1010-1011. 10.1017/rqx.2020.135.

Mills, R; (2018) Visibly Trans? Picturing Saint Eugenia in Medieval Art. Transgender Studies Quarterly , 5 (4) pp. 540-564. 10.1215/23289252-7090017.

Mills, R; (2017) Robert S. Sturges, The Circulation of Power in Medieval Biblical Drama: Theaters of Authority. (The New Middle Ages.) New York: Palgrave Macmillan, 2015. Pp. xvi, 230. $95. ISBN: 978-0-230-11578-1. [Review]. Speculum , 92 (3) 10.1086/692041.

Mills, R; (2016) Tom Linkinen, Same-sex Sexuality in Later Medieval English Culture. [Review]. Mirator , 17 (1) pp. 40-43.

Mladentseva, A; (2022) Responding to obsolescence in Flash-based net art: a case study on migrating Sinae Kim’s Genesis. Journal of the Institute of Conservation , 45 (1) pp. 52-68. 10.1080/19455224.2021.2007412.

Montero Sabin, I; (2016) 'All the World's Futures': 2015 Venice Biennale. Object (18) pp. 79-81.

Moore, R; (2015) Paper Cuts: The Early Modern Fugitive Print. Object

Morris, SE; ‘The Institute of Sexology: Undress Your Mind’, Wellcome Collection, London, 20 November 2014–20 September 2015. Catalogue: Shereen El-Feki, Alyce Mahon, Christopher Turner, Wellcome Collection, London, 2014.

Nixon, M; (2014) Louise Lawler: No Drones. October , 147 pp. 20-37. 10.1162/octo_a_00164.

Nugent, G; (2019) Mining Time in Sammy Baloji's Mémoire. African Arts , 52 (3) pp. 62-71. 10.1162/afar_a_00482.

Nugent, G; (2017) Filip De Boeck and Sammy Baloji, Suturing the City: Living Together in Congo’s Urban Worlds, Autograph ABP, London, 2016, 330 pages, hardback, ISBN 9781899282197, £30.00. [Review]. Object , 19 pp. 120-122. DOI.ORG/10.14324/111.2396-9008.027.

Pankhurst, Alula; Gnisci, Jacopo; (2025) The Return of a Looted Processional Cross from Magdala. Rassegna di studi Etiopici , 8 (3a) pp. 199-210.

Paskins, Jacob; (2025) The zone: An alternative history of Paris by Justinien Tribillon, London and New York: Verso, 2024, 204 pp., £18 (paperback). [Review]. Planning Perspectives 10.1080/02665433.2025.2518683. (In press).

Paskins, Jacob; (2022) Reconstructing and Teaching Medieval Paris in the Digital Age. Architectural Histories , 10 (1) pp. 10-15. 10.16995/ah.8756.

Pollitt, Ben; (2025) Coals for the Study: Reading Fire in William Westall’s Views of Australia. Oxford Art Journal , 47 (3) pp. 407-429. 10.1093/oxartj/kcae032.

Pollitt, Ben; (2025) Clocking Mai: A Study of Time in Reynolds’ Polynesian Portrait. Art History , 48 (2) pp. 298-318. 10.1093/arthis/ulaf014.

Pollitt, Ben; (2024) The sympathetic cannibal. Res: Anthropology and Aesthetics , 81-82 pp. 163-183. 10.1086/731701.

Pollitt, BH; (2017) The Cost of Sympathy: Towards a Visual Economics of John Webber’s ‘Atlas’. Object , 19 pp. 55-76. 10.14324/111.2396-9008.024.

Pollitt, BH; (2016) ‘Artist and Empire: Facing Britain’s Imperial Past’, Tate Britain, London, 25 November 2015 – 10 April 2016. Catalogue: Eds Alison Smith, David Blayney Brown and Carol Jacobi, Tate Publishing, London, 2015, 256 pages, paperback, ISBN 9781849763592, £29.99. Object , 18 pp. 75-77.

Richardson, E; Giachet, MT; Schilling, M; Learner, T; (2014) Assessing the physical stability of archival cellulose acetate films by monitoring plasticizer loss. POLYMER DEGRADATION AND STABILITY , 107 231 - 236. 10.1016/j.polymdegradstab.2013.12.001.

Richardson, E; Woolley, E; Corda, K; Julien-Lees, S; Pinchin, S; Roberts, Z; (2017) In situ characterisation of readhesion treatments for ceiling paintings using unilateral NMR. Insight - Non-Destructive Testing and Condition Monitoring , 59 (5) pp. 249-255. 10.1784/insi.2017.59.5.249.

Richardson, E; Woolley, E; Yurchenko, A; Thickett, D; (2019) Assessing the Impact of LED Lighting on the Stability of Selected Yellow Paint Formulations. LEUKOS , 16 (1) pp. 67-85. 10.1080/15502724.2019.1574139.

Robbins, N; (2021) Atmospheric Regulation in the Panorama. Grey Room , 83 pp. 56-81. 10.1162/grey_a_00320.

Robbins, N; (2021) John Constable, Luke Howard, and the Aesthetics of Climate. The Art Bulletin , 103 (2) pp. 50-76. 10.1080/00043079.2021.1847578.

Robbins, N; (2021) Rock-Bound: Fitz Henry Lane in 1862. Oxford Art Journal , 44 (1) pp. 105-123. 10.1093/oxartj/kcaa029.

Robbins, Nicholas; (2025) The Circumference of the Subject: Figuring Race at Egyptian Hall. Huntington Library Quarterly , 87 (2) pp. 183-205. 10.1353/hlq.2024.a964271.

Robbins, Nicholas; (2022) Review of Winslow Homer: Crosscurrents. The Burlington Magazine , 164 (1434) pp. 919-922.

Robson, EM; (2017) A Feast for the Senses: Art and Experience in Medieval Europe. [Review]. Object , 19 pp. 124-125. 10.14324/111.2396-9008.029.

Robson, EM; (2016) Review of 'Celts: Art and Identity'. Object , 18 pp. 77-79.

Rotenberg, L; (2013) The Prospects of “Freed” Time: Pierre Huyghe and L'association Des Temps Libérés. Public Art Dialogue , 3 (2) 186 - 216. 10.1080/21502552.2013.818454.

Rozenberg, L; (2019) Image of Flesh/Flesh of the Image: the Flayed Figure in Henri de Mondeville’s Chirurgia. Object , 20 pp. 82-100. 10.14324/111.2396-9008.037.

Rozenberg, L; (2017) ‘Opus Anglicanum: Masterpieces of English Medieval Embroidery’, Victoria and Albert Museum, London, 1 October 2016 – 5 February 2017. [Review]. Object , 19 pp. 128-130. 10.14324/111.2396-9008.031.

Scalabrella Spada, L; (2020) ‘Mantegna and Bellini’, National Gallery, London, 1 October 2018 - 27 January 2019. [Review]. Object , 21 pp. 75-77. 10.14324/111.2396-9008.048.

Scalabrella Spada, L; (2019) Giulio Bonasone’s anatomical engravings. Bollettino Telematico dell'Arte (865) pp. 1-11.

Scalabrella Spada, L; (2019) Le Figure Anatomiche di Giulio Bonasone. BTA - Bollettino Telematico dell'Arte (865)

Scalabrella Spada, L; (2017) The body re-imagined: the Bizzarie di Varie Figure and performative cycles of prints in seventeenth-century Florence. Object , 19 pp. 77-94. 10.14324/111.2396-9008.025.

Schreiber, Kimberly; (2023) From State Warfare to State Welfare: Family Values in Leonard Freed's Police Work (1980). Journal of American Studies 10.1017/s0021875823000233. (In press).

Schwartz, Stephanie; (2023) Back to the Future. Afterimage: The Journal of Media Arts and Cultural Criticism , 50 (4) pp. 46-50. 10.1525/aft.2023.50.4.46.

Schwartz, Stephanie; (2023) The Physiognomy of a Nation. October , 2023 (185) pp. 50-66. 10.1162/octo_a_00492.

Schwartz, Stephanie; (2014) Pictures, Again. Art Journal , 68 (4) pp. 105-107. 10.1080/00043249.2009.10791366.

Schwartz, FJ; (2018) Brecht's 'Threepenny Lawsuit' and the Culture of the Case. Oxford Art Journal , 41 (2) pp. 219-247. 10.1093/oxartj/kcy013.

Schwartz, S; (2021) Street Photography Reframed. Arts , 10 (2) p. 29. 10.3390/arts10020029.

Schwartz, S; (2021) David Levi Strauss: Photography and Belief Jörg Colberg: Photography’s Neoliberal Realism. Art Monthly , 443 pp. 35-36.

Schwartz, S; (2020) Martha Rosler's Protest. Arts , 9 (3) , Article 92.

Schwartz, S; (2018) Martha Rosler and Hito Steyer: War Games. Art Monthly , 418 pp. 18-19.

Schwartz, S; (2018) Monumental Failure: The Face of Bigotry. Art Monthly , 471 pp. 38-39.

Schwartz, S; (2016) Revolution and After. October , 158 pp. 126-154.

Schwartz, S; (2015) Late Work: Walker Evans and Fortune. Oxford Art Journal , 38 (1) pp. 117-141. 10.1093/oxartj/kcu034.

Schwartz, S; (2013) Paul Strand's Living Labor. ARTMargins , 2 (3) pp. 3-30. 10.1162/ARTM_a_00059.

Schwartz, S; (2013) This Ain't The Swiss Family Robinson. Photoworks , 20 pp. 146-153.

Schwartz, S; (2012) Between Labour and Intellect: Jorge Ribalta's 'Anonymous Work'. Philosophy of Photography , 3 (2) pp. 358-365.

Sheleg, M; (2015) A girl who paints. Object , 17 pp. 100-123. 10.14324/111.2396-9008.006.

Snow, TA; ‘Disobedient Objects’, Victoria & Albert Museum, London, 26 July 2014 – 1 February 2015. Catalogue: Eds. Catherine Flood and Gavin Grindon, V&A Publishing, London, 2014.

Stielau, A; (2023) Inscription, the Embossed Surface and the Ceremonial Sip: The Traubenpokal of Bernkastel-Kues, 1661-2001. German History , 41 (3) pp. 419-443. 10.1093/gerhis/ghad037.

Stielau, A; (2021) Liquid Metaphors and the Politics of Melted Metal. West 86th , 28 (2) pp. 319-326. 10.1086/721215.

Stielau, Allison; (2023) The 1869 Regensburger Silberfund: A Seventeenth-Century Hoard of Silver. Metropolitan Museum Journal , 58 pp. 33-58. 10.1086/728876.

Stielau, Allison; (2011) The case of the case for early modern objects and images. Kritische Berichte , 39 (3) pp. 5-16.

Stielau, A; (2019) Fit Vessel: Kwab at the Rijksmuseum. West 86th: A Journal of Decorative Arts, Design History, and Material Culture , 26 (1) pp. 110-132. 10.1086/704649.

Stielau, A; (2014) The Weight of Plate in Early Modern Inventories and Secularization Lists. The Journal of Art Historiography , 11

Taws, R; (2021) Death from Above in Minard's Napoleon Map. Grey Room , 83 pp. 82-111. 10.1162/grey_a_00321.

Taws, Richard; (2024) Laissez-Passer: Papering over the French Revolutionary Past. Art History , 47 (4) pp. 768-792. 10.1093/arthis/ulae045.

Taws, Richard; (2024) Charles Meryon’s Graphic Risks. Oxford Art Journal , 47 (1) pp. 67-94. 10.1093/oxartj/kcae002.

Taws, R; (2021) At the Musée des arts et métiers: Madame de Genlis’s Models. London Review of Books , 43 (6)

Taws, R; (2020) Bones of Contention. Apollo , 2020 (Jul/Aug)

Taws, R; (2019) At King's Cross Amalia Pica’s ‘Semaphores’. [Review]. London Review of Books , 41 (20) p. 16.

Taws, R; (2019) The Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France London: Routledge, 2017, 186 pp., 10 color and 40 b/w illus. $160 (cloth), ISBN 9781472480163. [Review]. Journal of the Society of Architectural Historians , 78 (2) pp. 234-236. 10.1525/jsah.2019.78.2.234.

Taws, R; (2019) At the National Gallery. [Review]. London Review of Books , 41 (9) pp. 26-27.

Taws, R; (2019) Against Ephemera. H-France Salon , 11 (18)

Taylor, Joel; Marcal, Helia; (2022) Conservation in the performative turn. Studies in Conservation , 67 (Sup 1) pp. 260-266. 10.1080/00393630.2022.2067717.

Thomas, Sarah; Eaton, Natasha; (2022) Swollen detail, or what a vessel might give: Agostino Brunias and the visual and material culture of colonial Dominica. Atlantic Studies , 19 (1) pp. 60-85. 10.1080/14788810.2021.1930773.

Vilalta, H; (2019) Rachel Middleman, Radical Eroticism: Women, Art and Sex in the 1960s, Berkeley, 2018. Object 10.14324/111.2396-9008.038.

Vilalta, H; (2018) 1971: A Year in the Life of Color. CAA Reviews 10.3202/caa.reviews.2018.120.

Vilalta, H; (2017) ‘Jana Euler’, Cabinet, London, 19 January – 11 March 2017. [Review]. Object , 19 pp. 130-132. 10.14324/111.2396-9008.032.

Vilalta, H; (2016) Empty Fields and Crying Stones. Afterall: A Journal of Art, Context and Enquiry , 42 pp. 144-155. 10.1086/689812.

Whiteley, RK; (2017) The Limits of Seeing and Knowing: Early Modern Anatomy and the Uterine Membranes. Object , 19 pp. 95-119. 10.14324/111.2396-9008.026.

Wright, Alison; (2023) Compelling Radiance: Fra Angelico's Shine. Mitteilungen des Kunsthistorischen Institutes in Florenz , 65 (2) pp. 139-171.

Wright, A; (2020) The politics of the gilded body in early Florentine statuary. Sculpture Journal , 29 (2) pp. 131-158. 10.3828/sj.2020.29.2.2.

Wright, A; (2011) '... con uno inbasamento et ornamento alto': The rhetoric of the pedestal c. 1430-1550. Art History , 34 (1) pp. 8-53. 10.1111/j.1467-8365.2010.00798.x.

Wright, AJ; (2013) A new book on Signorelli. [Review]. Burlington Magazine , 155 (1329) pp. 832-833.

Wright, AJ; (2012) 'Touch the Truth'? Desiderio da Settignano, Renaissance relief and the body of Christ. Sculpture Journal , 21 (1) pp. 7-25. 10.3828/sj.2012.2.

Zboralska, MA; (2017) ‘Simon Fujiwara: Joanne’, The Photographers’ Gallery, London, 7 October 2016 – 29 January 2017. [Review]. Object , 19 pp. 122-123. 10.14324/111.2396-9008.028.

Book

Marcal, H and Madeira, C and Matos Oliveira, F (Eds). (2020) Práticas de Arquivo em Artes Performativas. [Book]. (392 vols). Coimbra University Press: Coimbra, Portugal.

Dethloff, DL and Sloan, K and Elam, C and Murdoch, T (Eds). (2015) Burning Bright: Essays in Honour of David Bindman. [Book]. UCL Press: London, UK.

Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (Vol.2). (2 vols). Routledge, Taylor & Francis Group: London, UK.

Hölling, Hanna B; Feldman, Jules Pelta; Magnin, Emilie; (2023) Performance: The Ethics and the Politics of Conservation and Care, Volume I. [Book]. Taylor & Francis: Abingdon, UK.

Wright, AJ; (2010) Nameless: Anonymous Drawings of 15th and 16th-Century Italy from the British Museum, The Courtauld Gallery, National Galleries of Scotland. [Catalogue]. Moray Art Centre: Findhorn, UK.

Book chapter

Auffret, Stephanie; Peters, Renata F; Castriota, Brian; Marcal, Helia; (2023) Restoration. In: Mairesse, François, (ed.) Dictionary of Museology. Routledge and ICOM: Abingdon, UK.

Castriota, Brian; (2023) The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation. In: van de Vall, Renée and van Saaze, Vivian, (eds.) Conservation of Contemporary Art: Bridging the Gap Between Theory and Practice. (pp. 59-86). Springer Cham: Cham, Switzerland.

Castriota, Brian; Peters, Renata F; Auffret, Stephanie; Marcal, Helia; (2023) Authenticity. In: Mairesse, François, (ed.) Dictionary of Museology. Routledge and ICOM: Abingdon, UK.

Castriota, Brian; Walsh, Claire; (2023) In the Shadow of the State: Collecting Performance at IMMA and Institutions of Care in the Irish Context. In: Hölling, Hanna and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume I. (pp. 147-168). Routledge: London, UK.

Eaton, N; (2017) Indigo Drift: Raqs Media Collective and Sepia Blues in the Colonial Archive. In: von Zinneburg Carroll, K, (ed.) Botanical Drift: Protagonists of the Invasive Herbarium. Sternberg Press: Berlin, Germany.

Fend, M; (2014) Flesh-tones, Skin-color and the Eighteenth-Century Color Print. In: Ensslin, F and Klink, C, (eds.) Aesthetics of the Flesh. (pp. 203-229). Sternberg Press: Berlin, Germany.

Fer, B; (2018) The Transactions of Detail. In: Baker, M and Hemingway, A, (eds.) Art As Worldmaking. Manchester University Press: Manchester, UK.

Ghigo, Tea; (2023) Colour matters: reading the materiality of the Great Bookcase. In: Ribeyrol, Charlotte, (ed.) William Burges’s Great Bookcase and the Victorian Colour Revolution. Yale University Press

Gnisci, J; (2020) Christian Metalwork in Early Solomonic Ethiopia: Production, Function, and Symbolism. In: Cooksey, S, (ed.) Peace, Power, and Prestige: Metal Arts in Africa. (pp. 254-265). Samuel P. Harn Museum of Art: Gainesville, US.

Gnisci, J; (2020) Ecclesiastic dress in Medieval Ethiopia: Preliminary remarks on the visual evidence. In: Vryzidis, N, (ed.) The Hidden Life of Textiles in the Medieval and Early Modern Mediterranean: Contexts and Cross-Cultural Encounters in the Islamic, Latinate and Eastern Christian Worlds. (pp. 231-256). Brepols: Turnhout, Belgium.

Gnisci, J; Gobena, Abate; (2023) Ethiopian Crosses: Art in Motion. In: Achi, A, (ed.) Africa and Byzantium. Metropolitan Museum of Art

Gnisci, Jacopo; (2025) Imaging Sanctity in Early Solomonic Ethiopia: The Portrait of ‘Qǝddus’ ʾIyasus Moʾa. In: Gnisci, Jacopo and Dege-Müller, Sophia and Karlsson, Jonas and Pisani, Vitagrazia, (eds.) Manuscript Treasures from Afro-Eurasia: Scribes, Patrons, Collectors, and Readers. (pp. 251-280). De Gruyter: Berlin, Germany.

Gnisci, Jacopo; (2023) Ethiopia and Byzantium. In: Achi, Andrea, (ed.) Africa and Byzantium. Metropolitan Museum of Art: New York, NY, USA.

Gnisci, Jacopo; (2023) Royal Imagery and Devotional Spaces in Early Solomonic Ethiopia. The Case of Gannata Maryam. In: Bacci, Michele and Grigoryan, Gohar and Studer-Karlen, Manuela, (eds.) Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective. (pp. 117-135). Brepols Publishers: Turnhout, Belgium.

Gnisci, Jacopo; (2022) Copying, Imitation, and Intermediality in Illuminated Ethiopic Manuscripts from the Early Solomonic Period. In: Ackley, Joseph Salvatore and Wearing, Shannon L, (eds.) Illuminating Metalwork: Metal, Object, and Image in Medieval Manuscripts. (pp. 139-166). De Gruyter: Berlin, Germany.

Gnisci, Jacopo; Bausi, Alessandro; (2024) “Medieval” Ethiopia. In: Spear, Thomas, (ed.) Oxford Research Encyclopedias: African History. Oxford University Press: Oxford, UK.

Gnisci, J; (2020) An Ethiopian Miniature of the Tempietto in the Metropolitan Museum of Art: Notes on its Relatives and Symbolism. In: Bausi, A and Reudenbach, B and Wimmer, H, (eds.) Canones: The Art of Harmony: The Canon Tables of the Four Gospels. (pp. 67-98). De Gruyter: Berlin, Germany.

Grindle, NM; (2015) Sublime and Fall: Benjamin West and the Politics of the Sublime in Early Nineteenth Century Marylebone. In: Hemingway, A and Wallach, A, (eds.) Transatlantic Romanticism. (pp. 83-101). University of Massachusetts Press: Amherst, MA, USA.

Gupta, Vivek; (2025) Unfinished Hyperboles! Adam's Footprint in Sri Lanka and Wonder on the Edge of Modernity. In: Peacock, ACS, (ed.) Iran and Persianate Culture in the Indian Ocean World. (pp. 275-300). I.B. Tauris: London, UK.

Gupta, Vivek; (2024) How Persianate Is It? A World-Making Book Transcreated from Iraq to India. In: Canepa, Matthew, (ed.) Persian Cultures of Power and the Entanglement of the Afro-Eurasian World. (pp. 238-256). Getty Research Institute

Gupta, Vivek; (2024) Inscribing Orality: Calligraphy, Layout and the Vernacular Anxieties of the Chandayan Manuscripts. In: The Chandayan. (pp. 42-55). Marg Publications: Mumbai, India.

Gupta, Vivek; (2021) Splendour of the City, Nagarshobha: Textile Culture of Mughal Burhanpur. In: Ahluwalia, Roda, (ed.) Reflections on Mughal Art and Culture. (pp. 229-253). Niyogi Books: New Delhi, India.

Hellio, Eleanor; Ekeba, Michel; Hölling, Hanna Barbara; Badcock, Jacob; Magnin, Emilie; Maly, Valerian; (2023) Performing the “Mask”: Kongo Astronauts (Eléonore Hellio and Michel Ekeba) on postcolonial entanglements—A conversation with Hanna B. Hölling, Emilie Magnin and Valerian Maly. Introduction by Jacob Badcock. In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care. (pp. 200-215). Routledge: London, UK.

Hölling, Hanna; Ribeiro, Felipe; (2024) Pode a Performance ser Conservada? Introdução a um Campo Contestado. In: Galvão, Maria Inês and Da Cruz Souza, Marco Aurelio, (eds.) Dança como insurgência e criação de outros modos de ser. (pp. 38-73). Associação Nacional de Pesquisadores em Dança: ANDA: Salvador, Bahia, Brazil.

Hölling, Hanna B; (2024) Joanna Leśnierowska: Performance conservation as a political act. In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 293-304). Routledge: Taylor & Francis Group: London, UK.

Hölling, Hanna B; (2024) “Once upon a time”: Performative ultra-conceptualism and storytelling as conservation-Florence Jung. In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 27-50). Routledge: Taylor & Francis Group: London, UK.

Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Philip Auslander: Can we conserve performance? In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) Performance The Ethics and the Politics of Conservation and Care, Volume II. (pp. 126-138). Routledge: Taylor & Francis Group: London, UK.

Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Rosanna Raymond on Conser.Vā.Tion. In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 247-262). Routledge: Taylor & Francis Group: London, UK.

Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Urmimala Sarkar Munsi: Dance, embodied preservation, and unlearning in India. In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) The Ethics and the Politics of Conservation and Care, Volume II. (pp. 263-277). Routledge: Taylor & Francis Group: London, UK.

Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Valinda Carroll, Kayla Henry-Griffin, Nylah Byrd, and Ariana Makau of Black Art Conservators on Black objects, performance, and the future of conservation. In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 173-185). Routledge: Taylor & Francis Group: London, UK.

Hölling, Hanna B; Feldman, Jules Pelta; Magnin, Emilie; (2024) Gisela Hochuli: In Strange Hands. In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 281-292). Routledge: Taylor & Francis Group: London, UK.

Hölling, Hanna Barbara; (2024) Fluxus Mystery Food by Ben Vautier. In: Senkpiel, Fabiana and Jessen, Ina, (eds.) Lexikon der Lebensmittel als Kunstmaterial. Von Apfel bis Zucker. (pp. 91-97). Hatje Cantz: Berlin, Germany.

Hölling, Hanna Barbara; (2024) Curating et conservation de la variabilité. In: Ammann, Katharina and Weilenman, Katrin and Ciuccio, Simona, (eds.) Aargauer Kunsthaus – Accompagner l’art contemporain. (pp. 162-175). Scheidegger and Spiess: Zurich, Switzerland.

Hölling, Hanna Barbara; (2024) Performance Conservation: A Condition Report, or a Para-Ethnography in Three Acts. In: Gebhardt Fink, Sabine and Mirčev, Andrej, (eds.) Revolving Documents: Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art. (pp. 155-172). Diaphanes: Zurich, Switzerland.

Hölling, Hanna Barbara; (2024) Veränderlichkeit kuratieren und konservieren. In: Ammann, Katarina and Weilenman, Katrin and Ciuccio, Simona, (eds.) Aargauer Kunsthaus – Mit Gegenwart umgehen. (pp. 162-175). Scheidegger and Spiess: Zurich, Switzerland.

Hölling, Hanna Barbara; (2023) Can We Talk Post-Preservation? A Letter to Paik Nam June. In: Han, Jung-in, (ed.) My Paik Nam June: Memories, Conservation, and the Spread of Discourse. (pp. 83-96). National Museum of Modern and Contemporary Art, Korea: Seoul, South Korea.

Hölling, Hanna Barbara; (2023) Notation and Eternity in Symphonie No. 5 and Liberation Sonata for Fish. In: Frieling, Rudolf, (ed.) Nam June Paik: I Expose the Music. (pp. 108-115). Spector Books: Leipzig, Germany.

Hölling, Hanna Barbara; (2023) Notation und Ewigkeit in Symphonie No. 5 and Liberation Sonata for Fish. In: Frieling, Rudolf, (ed.) Nam June Paik: I Expose the Music. (pp. 108-115). Spector Books: Leipzig, Germany.

Holling, Hanna Barbara; (2022) Exhausting Conservation: Object, Event, Performance in Franz Erhard Walther’s Werkstücke. In: Holling, Hanna Barbara, (ed.) Object—Event—Performance: Art, Materiality and Continuity since the 1960s. (pp. 62-84). Bard Graduate Center: New York, NY, USA.

Hölling, Hanna Barbara; (2022) Introduction: Object—Event—Performance. In: Hölling, Hanna Barbara, (ed.) Object—Event—Performance: Art, Materiality and Continuity since the 1960s. (pp. 1-39). Bard Graduate Center: New York, NY, USA.

Holling, Hanna Barbara; Hedinger, Johannes M; (2022) The Propensity to Openness: Bloch as Object, Event, Performance—Hanna B. Hölling in Conversation with Johannes M. Hedinger. In: Holling, Hanna B, (ed.) Object—Event—Performance: Art, Materiality and Continuity since the 1960s. (pp. 261-283). Bard Graduate Center: New York, NY, USA.

Hölling, Hanna Barbara; Morgan, Kelli; Pelta Feldman, Jules; Magnin, Emilie; (2023) Peeling the Paint off the Walls: Kelli Morgan on Black performance and racial justice in Western institutions—A conversation with Hanna B. Hölling, Jules Pelta Feldman and Emilie Magnin. In: Hölling, Hanna Barbara and Pelta Feldamn, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care. (pp. 188-199). Routledge: London, UK.

Hölling, Hanna Barbara; Pelta Feldman, Jules; Maginin, Emilie; Smith, Cauleen; (2023) Potential afterlives: Cauleen Smith on the relation of film to performance — A conversation with Hanna B. Hölling and Jules Pelta Feldman. In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care. (pp. 293-304). Routledge: London, UK.

Hölling, Hanna Barbara; Pelta Feldman, Jules; Magnin, Emilie; (2023) Introduction: Caring for Performance. In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care. (pp. 1-20). Routledge: London, UK.

Holling, HB; (2021) Über das Nichts, die Leere und die Langeweile. In: Krüsi, A, (ed.) Leere. (pp. 60-61). VGS St Gallen: St. Gallen, Switzerland.

Hölling, HB; Feldman, JP; Magnin, E; (2024) Introduction: Sustaining care for performance. In: Hölling, Hanna B and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance. (pp. 1-24). Routledge: London, UK.

Hölling, HB; (2021) Baumfänger: Auszüge aus der Eröfnungrede. In: Waldner, C, (ed.) Von Würzlen zu Wolken. (pp. 10-21). Kunsthaus Zofingen: Zofingen, Switzerland.

Lawson, L; Harvey, D; Ribeiro, A; Marçal, H; (2023) The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-Based Artworks at Tate. In: van de Vall, R and van Saaze, V, (eds.) Conservation of Contemporary Art. (pp. 315-339). Springer International Publishing: Cham, Switzerland.

Madeira, Cláudia; Oliveira, Fernando Matos; Marçal, Hélia; (2020) Archives, Captivations, Reactivations. In: Marçal, Hélia and Madeira, Cláudia and Matos Oliveira, Fernando, (eds.) Archive Practices in Performing Arts. (pp. 7-13). Coimbra University Press: Coimbra, Portugal.

Marçal, H; Salazar, D; (2022) ‘Political-Timing-Specific’ Performance Art in the Realm of the Museum. In: Baldacci, Cristina and Nicastro, Clio and Sforzini, Arianna, (eds.) Cultural Inquiry. (pp. 239-254). ICI Berlin Press: Berlin, Germany.

Marçal, Hélia; (2025) Das coisas. In: Arquivos: história, memória, e criação. Centro de Estudos de Teatro: Lisboa, Portugal. (In press).

Marçal, Hélia; (2024) Saúde. In: Madeira, Cláudia and Cruzeiro, Cristina Pratas, (eds.) Pick Manifesto 25 de Abril hoje. ICNOVA-NOVA FCSH; IHA-NOVA FCSH/ IN2PAST (In press).

Marçal, Hélia; (2023) Vitality and the conservation of performance. In: Hölling, Hanna B and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance The Ethics and the Politics of Conservation and Care, Volume I. (pp. 70-92). Routledge: London, UK.

Marcal, Helia; (2023) Entangled ethics: heritage conservation, transmission and participation. In: Fekrsanati, Farideh and Schimmeroth, Gabriel, (eds.) From Conservation to Conversation. (pp. 131-139). MARKK (Museum am Rothenbaum Kulturen und Künste): Munich, Germany.

Marçal, Hélia; (2022) A Word About Performance Art. In: Engel, Deena and Philips, Joanna, (eds.) Conservation of Time-Based Media Art. Routledge: London, UK.

Marcal, Helia; (2020) Re-enactment como prática de resistência no museu. In: Marçal, Hélia and Madeira, Cláudia and Matos Oliveira, Fernando, (eds.) Archive Practices in Performing Arts. (pp. 65-82). Coimbra University Press: Coimbra, Portugal.

Marçal, Hélia; Fekrsanati, Farideh; (2022) Affirming change in participatory practice of cultural conservation. In: Rausch, Christoph and Benschop, Ruth and Sitzia, Emilie and van Saaze, Vivian, (eds.) Participatory Practices in Art and Cultural Heritage - Learning Through and from Collaboration. (pp. 127-141). Springer Nature: Cham, Switzerland.

Marçal, Helia; Gordon, Rebecca; (2023) Affirming future(s): towards a posthumanist conservation in practice. In: Daigle, Christine and Hayler, Matthew, (eds.) Posthumanism in Practice. (pp. 165-178). Bloomsbury Publishing: London, UK.

Marcal, Helia; Peters, Renata F; Castriota, Brian; Auffret, Stephanie; (2023) Conservation (preventive). In: Mairesse, François, (ed.) Dictionary of Museology. Routledge and ICOM: Abingdon, UK.

Marcal, Helia; Peters, Renata F; Castriota, Brian; Auffret, Stephanie; (2023) Conservation (remedial). In: Mairesse, Francois, (ed.) Dictionary of Museology. Routledge and ICOM: Abingdon, UK.

Nixon, M; (2019) Artists Respond American Art and the Vietnam War, 1965–1975. In: Ho, M, (ed.) Artists Respond American Art and the Vietnam War, 1965–1975. (pp. 325-347). Princeton University Press: Princeton, NJ, USA.

Peters, Renata F; Marcal, Helia; Auffret, Stephanie; Castriota, Brian; (2023) Conservation. In: Mairesse, Francois, (ed.) Dictionary of Museology. Routledge and ICOM: Abingdon, UK.

Robbins, Nicholas; (2025) Forms of Water: Infrastructure and Improvement in the Nineteenth Century. In: McCurdy, Melinda and Nielsen, Karla, (eds.) Storm-Cloud: Picturing the Origins of Our Climate Crisis. Yale University Press: New Haven, CT, USA.

Robbins, N; (2021) Ruskin, Whistler, and the climate of art in 1884. In: Freeman, K and Hughes, T, (eds.) Ruskin’s ecologies: figures of relation from Modern Painters to the Storm-Cloud. (pp. 203-223). Courtauld Books Online: London, UK.

San Juan, R; (2018) Gaetano Zumbo's anatomical wax model: From skull to cranium. In: Ambrosio, C and Maclehose, W, (eds.) Imaging the Brain:Episodes from the History of Brain Research. (pp. 75-105). Elsevier: Amsterdam, Netherlands.

Schneider, Rebecca; Hölling, Hanna Barbara; (2023) Not, Yet: When Our Art is in our Hands. In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care. (pp. 50-69). Routledge: London, UK.

Schwartz, S; (2015) Making the News. [Catalogue]. In: Ronnie-Close: We are here. (pp. 18-25). International New Media Gallery: London, UK.

Schwartz, S; (2020) Lightness and Lethargy. In: Already but Not Yet. Punctumpress: Rome, Italy.

Schwartz, S; (2019) The Face of Protest. In: Van Gelder, H and Streitberger, A, (eds.) "Disassembled Images": Allan Sekula and Contemporary Art. Leuven University Press: Leuven, Belgium. (In press).

Shadreck, Chirockure; Hölling, Hanna Barbara; (2023) Innovation and preservation: Shadreck Chirikure on the performance of heritage—A conversation with Hanna B. Hölling. In: Hölling, Hanna Barbara and Petla Feldman, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care,. (pp. 113-119). Routledge: London, UK.

Stielau, Allison; (2024) I Was Made from Earth: A Rhineland Archaeological Discovery, 1572. In: Campbell, Stephen J and Porras, Stephanie, (eds.) The Routledge Companion to Global Renaissance Art. Routledge: New York, NY, USA.

Stielau, Allison; (2023) The Censer In and After the Reformation: Authority, Rebellion, Transgression. In: Fricke, Beate, (ed.) Holy Smoke: Censers Across Cultures. (pp. 207-250). Hirmer: Munich, Germany.

Stielau, Allison; (2019) Sixteenth-Century Notklippen as Objects of Warfare? Realia, Representation, Narration. In: Kaske, Romana and Saviello, Julia, (eds.) Objekte des Krieges: Präsenz & Repräsentation. (pp. 105-122). De Gruyter: Berlin, Germany.

Wright, AJ; (2008) 'Sculptural Values': Reading Fictive Relief in Late 15th- and Early 16th-century Italy. In: Cooper, DL, (ed.) Depth of Field: Relief Sculpture in Renaissance Italy. (pp. 223-250). Peter Lang: Oxford, United Kingdom.

Wright, Alison; (2023) Making and Viewing: Encountering Donatello's Sculpture. In: Motture, Peta, (ed.) Donatello: Sculpting the Renaissance. V&A Publishing: London, UK.

Wright, Alison; (2022) The Transformation of Gold. In: Silver, Nathaniel, (ed.) Simone Martini in Orvieto. Isabella Stewart Gardner Museum: Boston, MA, USA.

Wright, A; (2020) The Temporary and the Temporal: Suspense in the Strozzi Chapel. In: Nuttall, G and Nuttall, P and Kwakkelstein, M, (eds.) Filippino Lippi: Beauty, Invention and Intelligence. (pp. 228-258). Brill: Leiden, The Netherlands.

Wright, AJ; (2015) Marking Time: Medici Imagery and Princely Iconography. In: Black, R and Law, JE, (eds.) The Medici Citizens and Masters. (pp. 295-310). Harvard University Press: Cambridge, MA, USA.

Wright, AJ; (2015) Crivelli's divine materials. In: Campbell, SJ, (ed.) Ornament and Illusion: Carlo Crivelli of Venice. (pp. 57-77). Paul Holberton Publishing: London, UK.

Wright, AJ; (2013) Tabernacle and sacrament in fifteenth-century Tuscany. In: Motture, P and Jones, E and Zikos, D, (eds.) Carvings, Casts and Collectors: The Art of Renaissance Sculpture. (pp. 10-25). V & A Publishing: London, UK.

Proceedings paper

Ghigo, Tea; Rabin, Ira; (2020) Gaining Perspective into the Materiality of Manuscripts: The Contribution of Archaeometry to the Study of the Inks of the White Monastery Codices. In: Buzi, Paola, (ed.) Proceedings of the Third "PAThs" International Conference: "Coptic Literature in Context. The Contexts of Coptic Literature. Late Antique Egypt in a dialogue between literature, archaeology and digital humanities". (pp. pp. 273-282). Sapienza, Universita di Roma: Rome, Italy.

Ghigo, Tea; Torallas Tovar, Sofia; (2020) Between Literary and Documentary Practices: The Montserrat Codex Miscellaneus (Inv. Nos. 126‐178, 292, 338) and the Material Investigation of Its Inks. In: Buzi, Paola, (ed.) Proceedings of the Third Conference of the ERC Project “Tracking Papyrus and Parchment Paths: An Archaeological Atlas of Coptic Literature. Literary Texts in their Geographical Context (‘PAThs’)”. (pp. pp. 101-114). Sapienza, Universita di Roma: Rome, Italy.

Hölling, HB; (2017) Time and Conservation. In: Proceedings of the ICOM-CC 18th Triennial Conference. ICOM-CC: Copenhagen, Denmark.

Kavda, S; Golfomitsou, S; Richardson, E; (2017) The Effect of Gelling Agents and Solvents on PMMA Surfaces: A Comparative Study. In: Angelova, L and Ormsby, B and Townsend, JH and Wolbers, R, (eds.) Gels in the Conservation of Arts. (pp. pp. 331-336). Archetype Publications: London, UK.

Marcal, H; Lawson, L; (2021) Unfolding interactions in the preservation of performance art at Tate. In: Proceedings of the 19th ICOM-CC Triennial Conference in Beijing. International Council of Museums: Beijing, China.

Marçal, H; Salazar, D; (2021) Performance after performance: on the material legacies and their possibilities for transmission. In: Baião, J, (ed.) Artists’ Legacies. Preservation, Study, Dissemination, Institutionalisation. (pp. pp. 219-229). Fundação Arpad Szenes-Vieira da Silva (FASVS): Lisbon, Portugal.

Marcal, H; (2021) Towards a relational ontology of conservation. In: Proceedings of the 19th ICOM-CC Triennial Conference in Beijing. International Council of Museums: Beijing, China.

Marcal, H; (2018) Public engagement towards sustainable heritage preservation. In: Schädler-Saub, Bogusław Szmygin, U and Szmygin, B, (eds.) Conservation Ethics Today: Are Our Conservation-Restoration Theories and Practice Ready For The 21st Century? (pp. pp. 265-290). Lublin University of Technology / International Scientific Committee for Theory and Philosophy of Conservation and Restoration (ICOMOS): Lublin, Poland.

Marcal, H; Castriota, B; (2021) Always already fragment: integrity, deferral, and possibility in the conservation of cultural heritage. In: Schädler-Saub, U and Weyer, A, (eds.) The Fragment in the Digital Age. Opportunities and risks of new conservation-restoration techniques. Schriften des Hornemann Instituts

Marcal, H; Macedo, R; (2017) The aim of documentation: Micro-decisions in the documentation of performance-based artworks. In: Proceedings of the 18th ICOM Comittee for Conservation Triennial Conference. (pp. 0204-0204). International Council of Museums (ICOM-CC): Copenhagen, Denmark.

Marcal, H; Macedo, R; (2017) From the periphery to the centre: Community engagement and justice in conservation decision making. In: Proceedings of the 18th ICOM Comittee for Conservation Triennial Conference. (pp. p. 1905). International Council of Museums (ICOM-CC): Copenhagen, Denmark.

Marcal, H; Macedo, R; (2014) The inevitable subjective nature of conservation: psychological insights on the process of decision-making. In: ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014. (pp. p. 1904). Paris: International Council of Museums.: Melbourne, Australia.

Report

Gnisci, J; Bausi, A; (2021) Project Report: New UK-German Cooperative Project to look at Medieval Illuminated Ethiopic Manuscripts. (ICMA News 2021 (3) , pp. pp. 15-18 ). International Capital Market Association

Lusini, G; Bottari, G; Gnisci, J; Villa, M; (2020) Grosseto, Museo Archeologico e d’Arte della Maremma - Museo Diocesano d’Arte Sacra: Tetraevangelo. (The CaNaMEI Project: Rediscovering Ancient Ethiopian Manuscripts in Italian Libraries 1 ). Istituto per l'Oriente Carlo Alfonso Nallino: Rome , Italy.

Marcal, H; (2020) Research Approaches: Contemporary Art Conservation. (Reshaping the Collectible: Research Approaches, Tate Research ). Tate: London, UK.

Thesis

Allington-Wood, Thalia; (2019) Grounded: History, Materiality and Myth at the Sacro Bosco of Bomarzo. Doctoral thesis (Ph.D), UCL (University College London).

Applin, J.L.; (2004) The encrypted object: The secret world of sixties sculpture. Doctoral thesis , University of London.

Applin, JL; (2004) The encrypted object: the secret world of sixties art. Doctoral thesis , University of London.

Ault, Alexandra Elizabeth; (2023) Proof of the Proof: The Printsellers Association and the Fine Art Print Trade in Nineteenth-Century Britain. Doctoral thesis (Ph.D), UCL (University College London).

Bailey, JET; (2015) The Spectre of Communist Art: American Modernism and the Challenge of Socialist Realism, 1923–1960. Doctoral thesis , UCL (University College London).

Ballantyne-Reid, Will; (2025) Derek Jarman and Prospect Cottage: Painting, Ephemera and the Queer Archive. Doctoral thesis (Ph.D), UCL (University College London).

Beckhurst, Gabriella; (2022) Leave No Trace: Incongruous Environmental Affiliations in American Art after 1970. Doctoral thesis (Ph.D), UCL (University College London).

Benzan, CD; (2015) Doubling Matters: the place of the image at the Sacro Monte of Varallo (c. 1590-1630). Doctoral thesis , UCL (University College London).

Berger, CA; (2014) Progressive Nostalgia: Alfred Stieglitz, his Circle and the Romantic Anti-Capitalist Critique of Modernity. Doctoral thesis , UCL (University College London).

Berger, CA; (2014) Progressive Nostalgia: Alfred Stieglitz, his Circle and the Romantic Anti-Capitalist Critique of Modernity. Doctoral thesis , UCL (University College London).

Black, JAA; (2003) 'Neither beasts nor gods but men': constructions of masculinity and the image of the ordinary British solider or 'Tommy' in the First World War art of C.R.W. Nevinson (1889-1946); Eric Henri Kennington (1888-1960) and Charles Sargeant Jagger (1885-1934). Doctoral thesis , University of London.

Bonzon, Julie; (2020) Identity in Protest: The Market Photo Workshop and the New Generation of South African Photographers. Doctoral thesis (Ph.D), UCL (University College London).

Buchanan, A.C.; (1994) Robert Willis and the rise of architectural history. Doctoral thesis , UCL (University College London).

Burge, C.M.; (2005) Disagreeable objects: the sculptural strategies of Louise Bourgeois. Doctoral thesis , University of London.

Burnichon, Magali Claudine Dominique; (2018) Queer TV? The case of showtime's Queer as Folk and The L Word. Doctoral thesis (Ph.D), UCL (University College London).

Ceron-Pena, Maria Mercedes; (2007) Defective perceptions: Vision as consumption in Spanish art, c. 1766-1794. Doctoral thesis (Ph.D), UCL (University College London).

Chang, L.; (2011) Manufacturing landscape: the representation of suburbs, Birmingham 1780-c.1850. Doctoral thesis , UCL (University College London).

Cheetham, M.A.; (1982) Revision and exploration: German landscape depiction and theory in the late 18th century. Doctoral thesis , University of London.

Christie, Edward Sebastian; (2023) Mobilising post-war eco art history against the climate crisis. Doctoral thesis (Ph.D), UCL (University College London).

Clay, R.S.; (1999) Signs of power: iconoclasm in Paris, 1789-1795. Doctoral thesis , University of London.

Clery, Daisy Janet Constance; (2025) Celmins’ Cycles: Measures of Painting after 1980. Doctoral thesis (Ph.D), UCL (University College London).

Deutsch, Allison; (2016) Culinary Metaphor, Materiality, and Constructions of Gender in French Painting and Art Criticism, 1865-1890. Doctoral thesis (Ph.D), UCL (University College London).

Dias Ramos, A; (2018) Imageless Angola: Photography and Political Violence in a Transnational Age. Doctoral thesis (Ph.D), UCL (University College London).

Elliott, B.J.; (1985) Aubrey Beardsley's images of new women in the Yellow Book. Doctoral thesis , University of London.

Falecka, Katarzyna Weronika; (2020) Archival Excavations: Photography, the Algerian War of Independence (1954-62) and the Afterlives of Images. Doctoral thesis (Ph.D), University College London (UCL).

Field-Donovan, Freya; (2022) A Strange American Funeral: Dance and Technological Reproduction in 1940s USA. Doctoral thesis (Ph.D), UCL (University College London).

Foss, B.F.; (1991) British artists and the Second World War, with particular reference to the War Artists' Advisory Committee of the Ministry of Information. Doctoral thesis , University of London.

Frigeri, Flavia; (2018) Red fish and paper tigers: The mobilisation of art and image culture in Rome, 1955-1970. Doctoral thesis (Ph.D), UCL (University College London).

Gassmann De Sousa, Bea; (2023) Between Lagos and Calabar: Art, Nation and Post-Traditionalism in early twentieth century Nigeria. Doctoral thesis (Ph.D), UCL (University College London).

Gilbride, MA; (2016) Memory migrations: bringing the past to life in contemporary animated film. Doctoral thesis , UCL (University College London).

Green, Michael John; (2022) Thinking Back: Artistic Returns to H.D. Doctoral thesis (Ph.D), UCL (University College London).

Gresle, YM; (2015) Precarious video: historical events, trauma and memory in South African video art (Jo Ractliffe, Penny Siopis, Berni Searle, Minnette Vári). Doctoral thesis , UCL (University College London).

Grindle, Nicholas Mayne; (2002) "The wise surveyor": Surveying and representation in British house and estate portraiture, c. 1650-1715. Doctoral thesis (Ph.D), UCL (University College London).

Grodzinski, V.; (2005) French impressionism and German Jews - the making of modernist art collectors and art collections in imperial Germany 1896-1914. Doctoral thesis , University of London.

Gujral, Diva; (2021) Picturing Non-Alignment: Photography, nation-building and identity in India, c. 1950-1975. Doctoral thesis (Ph.D), UCL (University College London).

Halart, S; (2017) Epidermal Aesthetics: Skin and the Feminine in Chilean and Argentine Art (1973- Present). Doctoral thesis , UCL (University College London).

Haran, B.E.; (2008) The Amerika machine: art and technology between the USA and the USSR, 1926 to 1933. Doctoral thesis , University of London.

Harper, S.P.; (2004) Strategy in context: The work and practice of New York's downtown artists in the late 1970s and early 1980s. Doctoral thesis , University of London.

Harper, SP; (2003) Strategy in context: the work and practice of New York's downtown artists in the late 1970s and early 1980s. Doctoral thesis , University of London.

Harpur, Alison Catherine; (2023) Studies in visual culture and the Council of Ferrara-Florence (1438-1445). Doctoral thesis (Ph.D), UCL (University College London).

Hayes, Rosalind Catherine; (2022) ‘Look To Your Eating’: Animals, Meat and Visual Culture in Britain, c. 1880-1910. Doctoral thesis (Ph.D), UCL (University College London).

Hemingway, Andrew Frank; (1989) Discourses of art and social interests: the representation of landscape in Britain c.1800-1830. Doctoral thesis (Ph.D), University of London.

Hichberger, J.W.M.; (1985) Military themes in British painting 1815-1914. Doctoral thesis , University of London.

Holmboe, RD; (2016) The Ubu Effect. Doctoral thesis , UCL (University College London).

Horton-Insch, Millie Morag; (2024) Textiles, Gender, and Race in Eleventh- and Twelfth-Century Britain. Doctoral thesis (Ph.D), UCL (University College London).

Hunter, G.M.; (2008) An examination of the work of William White, F.S.A., architect (1825-1900). Doctoral thesis , University of London.

Hunter, M.; (2007) Collecting bodies: art, medicine and sexuality in late nineteenth-century France. Doctoral thesis , University of London.

Husain, Amber; (2025) More-than-Bare Art: Psychosomatic Aesthetics in Early Neoliberal Britain. Doctoral thesis (Ph.D), UCL (University College London).

Ingrams, Catherine; (2022) Resisting Forms: Forms of Resistance: Avant-garde Practice in Italy 1947 - 1958. Doctoral thesis (Ph.D), UCL (University College London).

Jacquin, MC; (2013) Narrative Unrest: The Politics of Narrative in Women Artists’ Film and Video. Doctoral thesis , UCL (University College London).

Kahr, Olivia Zoe; (2007) The emergence of the image of the patriot soldier in the early American (1776-1778) and early French (1789-1792) revolutionary periods. Doctoral thesis , UCL (University College London).

Kaina, Philippa; (2009) Between history and modernity: negotiating subjectivity in the early work of Edgar Degas, c. 1854-1870. Doctoral thesis , UCL (University College London).

Kelly, Anthony; (2007) Functions of the comic in seventeenth-century Dutch art. Doctoral thesis , UCL (University College London).

King, Stephanie; (2020) The less acceptable face of capitalism: a study of British documentary during the rise of Thatcherism. Doctoral thesis (Ph.D), UCL (University College London).

Kinsey, CEC; (2012) Skins\screens\circuits: how technology remade the body. Doctoral thesis , UCL (University College London).

Kittler, T; (2014) Living art and the art of living: remaking home in Italy in the 1960s. Doctoral thesis , UCL (University College London).

Knapp, Ivan; (2021) Meme-work: Psychoanalysis and the alt-right. Doctoral thesis (Ph.D), UCL (University College London).

Krcma, E.J.; (2007) Drawing time: trace, materiality and the body in drawing after 1940. Doctoral thesis , University of London.

Kuhlemann, U.C.; (2010) Caspar David Friedrich, Christian Friedrich and the woodcut in Germany in the Romantic period. Doctoral thesis , UCL (University College London).

Kwartler, Talia; (2022) Suzanne Duchamp Does More Intelligent Things Than Paint. Doctoral thesis (Ph.D), UCL (University College London).

Latham, T.; (2005) The body politic and the family quarrel: The war of American independence, metaphor and visual imagery in Britain. Doctoral thesis , University of London.

Lee, Se Na; (2019) Re-Framing Mythological Pictorial Space in Seventeenth-Century Italian and Spanish Painting. Doctoral thesis (Ph.D), UCL (University College London).

Levitt, R; (1990) Cuyp's cattle: aesthetic transformations in Dutch 17th-century art. Doctoral thesis , University of London.

Llorente, M; (2012) The Image of the Catholic Queen. Mariana of Austria: Consort, Regent and Queen Mother. Doctoral thesis , UCL (University College london).

Lock, L.E.; (2008) Flemish sculpture art and manufacture c. 1600-1750. Doctoral thesis , University of London.

Magagnoli, P; (2012) Reclaiming the Past: Historical Representation in Contemporary Photography and Video art. Doctoral thesis , UCL (University College London).

Mainz, V.; (1992) History, history painting and concepts of gloire in the life and work of Jacques-Louis David. Doctoral thesis , University of London.

Marinelli, Alice; (2024) Painting Beyond: Encounters between Genre and New Testament Subjects in Early Modern Roman ‘Galleria’ Painting. Doctoral thesis (Ph.D), UCL (University College London).

Marschner, Joanna; (2007) Caroline of Ansbach: The queen, collecting and connoisseurship at the Early Georgian court. Doctoral thesis , UCL (University College London).

McCormack, Catherine; (2020) Rethinking the Foot: Early Modern Visuality and the Body in Rome. Doctoral thesis (Ph.D), UCL (University College London).

Meadows , A.W.; (1988) Collecting seventeenth-century Dutch painting in England 1689-1760. Doctoral thesis , University of London.

Melita, Lucia Noor; (2018) Development of nanomaterials applied to Tissue Engineering and Cultural Heritage Conservation. Doctoral thesis (Ph.D), UCL (University College London).

Moore, R; (2016) Paper Cuts: The Production of Knowledge in Early Modern Anatomical Prints. Doctoral thesis , UCL (University College London).

Murphy, C.; (1996) Lavinia Fontana : an artist and her society in late sixteenth century Bologna. Doctoral thesis , University of London.

Murray, AFD; (2016) The mourners of Philip the Bold's tomb: structures of feeling in the earlier Valois Burgundian State. Doctoral thesis , UCL (University College London).

Nachtigall, J; (2017) Beyond Modernism. Berlin Dada and Form as Contradiction. Doctoral thesis , UCL (University College London).

Nugent, Gabriella Eimile Petrone; (2020) The Legacy of Belgian Colonialism in Contemporary Lens-Based Art on, of and from the Democratic Republic of Congo. Doctoral thesis (Ph.D), UCL (University College London).

Nunn, PG; (1982) The mid-Victorian woman artist: 1850-1879. Doctoral thesis , University of London.

O'Neill, HMC; (2015) Re-framing the Italian Renaissance at the National Gallery, 1824-2014. Doctoral thesis , UCL (University College London).

Owens, S; (2003) Aubrey Beardsley, Salome and satire. Doctoral thesis , University of London.

Padiyar, S.; (1999) Homoeroticism in neoclassical poetics: French translations of the ideal male nude in late-eighteenth-century word and image. Doctoral thesis , University of London.

Pantano, N.A.; (1998) Sculpture in the city and the cemetery: the formation of political identities in Paris and Père Lachaise 1789-1853. Doctoral thesis , University of London.

Paskins, JF; (2012) The social experience of building construction work in and around Paris during the 1960s. Doctoral thesis , University College London.

Patterson, J; (2009) Modernism for the Masses: Painters, Politics, and Public Murals in New Deal New York. Doctoral thesis , University of London.

Pegioudis, N; (2015) Artists and Radicalism in Germany, 1890-1933: Reform, Politics and the Paradoxes of the Avant-Garde. Doctoral thesis , UCL (University College London).

Pollitt, Benjamin Henry; (2020) Sympathy Unbound: Dissonance and Attachment in John Webber's Atlas. Doctoral thesis (Ph.D), UCL (University College London).

Prombaum, Levi; (2019) “Disagreeable Mirror Though One May Be”: Portraits of James Baldwin, 1945-65 [2 volumes]. Doctoral thesis (Ph.D), UCL (University College London).

Rehme, S; (2013) "The Multimedia of Our Unconscious Life": Anais Nin and the Synthesis of the Arts. Doctoral thesis , UCL (University College London).

Reimers, Anne K.; (2020) Otto Dix Recontextualised: Temporality, Medium-Specificity and Reproduction in the Portraits of the 1920s. Doctoral thesis (Ph.D), UCL (University College London).

Richardson, E; (2009) Investigating the Characterisation and Stability of Polyamide 6,6 in Heritage Artefacts. Doctoral thesis , University of Southampton.

Richardson, E.J.; (2007) Unlikely citizens? The manufacturers of Sevres porcelain and the French Revolution. Doctoral thesis , University of London.

Riches, HK; (2004) Skin surface and subjectivity: the self-representational photography of Frances Woodman. Doctoral thesis , University of London.

Robson, Euan McCartney; (2024) A Cathedral Encountered: Stories and Storytelling in Medieval Durham. Doctoral thesis (Ph.D), UCL (University College London).

Robson, A.D.; (1988) The market for modern art in New York in the nineteen forties and nineteen fifties: a structural and historical survey. Doctoral thesis , University of London.

Rotenberg, LH; (2014) Contemporary Art’s Economy of Immaterial Production: 1990s-2000s. Doctoral thesis , UCL (University College London).

Rovelli, Marina; (2023) Forging Reputations: Working and Understanding Metals in Sforza Milan (1450 - 1499). Doctoral thesis (Ph.D), UCL (University College London).

Rozenberg, Lauren; (2020) 'Bere in thy mynde': Phantasms, Parchment and Late Medieval Visual Culture. Doctoral thesis (Ph.D), UCL (University College London).

Scalabrella Spada, Laura; (2020) 'Un gregge di vari capricci': bizarre bodies in 17th century Florentine print albums. Doctoral thesis (Ph.D), UCL (University College London).

Schreiber, Kimberly; (2022) Still Lives in Changing Times: Documentary and the American Carceral State, 1964-1980. Doctoral thesis (Ph.D), UCL (University College London).

Shankar, Louis; (2024) “We Are Born into a Preinvented Existence” — a psychoanalytic investigation into the art of David Wojnarowicz, circa 1989. Doctoral thesis (Ph.D), UCL (University College London).

Sheleg, Moran; (2017) How to Make a Past: Painting since Reinhardt. Doctoral thesis (Ph.D), UCL (University College London).

Silver, Daisy; (2024) The form that surrounds us: encounters in modernist art and design between Mexico and California 1945-1968. Doctoral thesis (Ph.D), UCL (University College London).

Smith, A.D.S.; (1987) Patriotism and new-classicism: the 'historical revival' in French and English painting and sculpture, 1746-1800. Doctoral thesis , University of London.

Snow, Thomas; (2018) Istanbul Biennial 2009-2013: Activism and the Politics of Art in the Neoliberal Economy. Doctoral thesis (Ph.D), UCL (University College London).

Stakemeier, K.; (2012) Entkunstung: artistic models for the end of art. Doctoral thesis , UCL (University College London).

Stevenson, Glynnis Napier; (2025) The Bleus and the Blancs: Revolutionary Commemoration and Political Coalition Building at the 1889 Decennial Exhibition of Fine Art. Doctoral thesis (Ph.D), UCL (University College London).

Stinton, Cecilia Violet; (2022) Opera as Multimedia: The Experiments of Wassily Kandinsky, Natalia Goncharova and Kurt Schwitters, 1908-1924. Doctoral thesis (Ph.D), UCL (University College London).

Stracey, Frances; (2001) Pursuit of the Situationist subject. Doctoral thesis (Ph.D), University of London.

Straine, SE; (2013) The ground of drawing: graphic operations in the 1960s and 1970s. Doctoral thesis , UCL (University College London).

Sullivan, SJ; (2008) Representations of Mary of Modena, Duchess, Queen Consort and Exile: lmages and Texts. Doctoral thesis , University of London.

Sunderason, S; (2012) THE NATION AND THE EVERYDAY: THE AESTHETICS AND POLITICS OF MODERN ART IN INDIA BENGAL, C. 1920 – C. 1960. Doctoral thesis , UCL (University College London).

Syperek, PKC; (2015) Jewels of the Natural History Museum: Gendered aesthetics in South Kensington, c. 1850-1900. Doctoral thesis , UCL (University College London).

Taws, Richard John; (2005) Currencies: Circulation and spectatorship in the print culture of the French Revolution. Doctoral thesis , UCL (University College London).

Teo, W.W.-H.; (2011) One world, one dream: contemporary Chinese art and spectacle. Doctoral thesis , UCL (University College London).

Thom, DJE; (2013) Visualising politeness and patriotism: the public sphere in English satirical prints, 1745-84. Doctoral thesis , UCL (University College London).

Tomic, M; (2012) The past as mise-en-scène: re-enactment in contemporary art. Doctoral thesis , UCL (University College London).

Trodd, Tamara Jane; (2005) Mediums and technologies of art beyond modernism. Doctoral thesis , UCL (University College London).

Van Straten, Rebecca; (2025) Olivetti and Photography in the 1960s: An Untyped History. Doctoral thesis (Ph.D), UCL (University College London).

Vilalta Conesa, Helena; (2023) Embodying Information: Lee Lozano, Adrian Piper and Howardena Pindell. Doctoral thesis (Ph.D), UCL (University College London).

von der Geest, Simone; (2005) The reasoning eye: Jonathan Richardson's (1667-1745) portrait theory and practice in the context of the English Enlightenment. Doctoral thesis , UCL (University College London).

Walker, S.L.; (2012) Order and pleasure in the lithographic work of Nicolas-Toussaint Charlet (1792-1845). Doctoral thesis , UCL (University College London).

Witt, A; (2017) Documentary and its Afterlives: California in Catastrophe. Doctoral thesis , UCL (University College London).

Woodley, Baylee; (2025) Medieval Femmes: Exploring Queer Femininities in the Visual Culture of Late Medieval England and France. Doctoral thesis (Ph.D), UCL (University College London).

Wu, Chin-tao; (1997) Privatising culture: aspects of corporate intervention in contemporary art and art institutions during the Reagan and Thatcher decade. Doctoral thesis (Ph.D), UCL (University College London).

Yang, J.; (1998) Giovanni Bellini: experience and experiment in Venetian painting, c. 1460-1516. Doctoral thesis , University of London.

Zboralska, Marta Aleksandra; (2020) The Art of Being Together: Inside the Studio of Henryk Stażewski and Edward Krasiński. Doctoral thesis (Ph.D), UCL (University College London).

Exhibition

Gupta, Vivek; (2021) Shahzia Sikander: Unbound. [Solo exhibition]. Cambridge, UK. 15 October 2021 - 18 Feb 2022.

Koorland, V; Searle, B; Garb, T; (2019) Made Routes: Mapping and Making. [Group exhibition]. London, UK. 30 August - 26 September 2019.

Digital scholarly resource

Eaton, NJ; (2017) Anechoic White? Meta-colour in South Asia. [Digital scholarly resource]. http://www.thirdtext.org/decolonising-colour-forum

Gnisci, Jacopo; Pisani, Vitagrazia; (2023) The ʿəqā bet: An Indigenous East African Repository. [Digital scholarly resource]. https://www.godscollections.org/case-studies/pisan...

Hölling, Hanna Barbara; (2024) Köpfe der Forschung: Hanna B. Hölling. [Digital scholarly resource]. https://www.hkb.bfh.ch/de/aktuell/storys/2024/koep...

Hölling, Hanna Barbara; Dupre, Sven; (2025) Natureculture Lab: An International Think Tank. [Digital scholarly resource]. https://www.hkb.bfh.ch/en/news/events-for-speciali...

Kumar, Aparna; (2024) India's complex and changing landscape undergirds the Barbican's latest show. [Digital scholarly resource]. https://www.stirworld.com/think-opinions-indias-co...

Kumar, Aparna; (2024) Mother, nation, icon: picturing territory and belonging in South Asia. [Digital scholarly resource]. https://smarthistory.org/mother-nation-icon/

Kumar, Aparna; (2024) Abanindranath Tagore's Bharat Mata: Bengal School painting and the idea of India. [Digital scholarly resource]. https://smarthistory.org/abanindranath-tagore-bhar...

Lawson, L; Finbow, A; Marcal, H; (2021) Documentation tool: Activation Report. [Digital scholarly resource]. https://www.tate.org.uk/about-us/projects/document...

Lawson, L; Marçal, H; (2021) Documentation tool: Map of Interactions. [Digital scholarly resource]. https://www.tate.org.uk/about-us/projects/document...

Lawson, L; Marcal, H; Finbow, A; Harvey, D; Ribeiro, A; (2021) ‘Strategy and Glossary of Terms for the Documentation and Conservation of Performance’, published as part of Documentation and Conservation of Performance (March 2016 – March 2021), a Time-based Media Conservation project at Tate. [Digital scholarly resource]. https://www.tate.org.uk/about-us/projects/document...

Lawson, L; Marcal, H; Ribeiro, A; Harvey, D; Finbow, A; (2021) ‘Documentation Tool: Performance Specification’, in Documentation and Conservation of Performance (March 2016 – March 2021), a Time-based Media Conservation project at Tate. [Digital scholarly resource]. https://www.tate.org.uk/about-us/projects/document...

Marcal, H; (2021) Documentation tool: Material Histories. [Digital scholarly resource]. https://www.tate.org.uk/about-us/projects/document...

Mills, R; (2016) Linked in Orgasm? Revisiting John Boswell’s Christianity, Social Tolerance and Homosexuality. [Digital scholarly resource]. https://notchesblog.com/2016/11/10/linked-in-orgas...

Preuten, T; Marcal, H; (2021) Procedure for making iron gall ink. [Digital scholarly resource]. https://www.ucl.ac.uk/art-history/sites/art_histor...

Preuten, T; Marcal, H; (2021) Procedure for synthesising a red dye. [Digital scholarly resource]. https://www.ucl.ac.uk/art-history/sites/art_histor...

Scholarly edition

Lawson, L; Marcal, H; (2022) Method for assessing conservation documentation for complex performance artworks. [Scholarly edition]. Tate Research: London, UK.

Marça, H; (2022) Ecologies of memory in the conservation of Ten Years Alive on the Infinite Plain, in: Reshaping the Collectible: Tony Conrad, Ten Years Alive on the Infinite Plain, Tate Research Publication. [Scholarly edition]. Tate

Marcal, H; Lawson, L; Ribeiro, A; (2022) Experimenting with transmission. [Scholarly edition]. Tate Research: London, UK.

This list was generated on Fri Sep 19 00:42:53 2025 BST.