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Number of items at this level: 430.

A

Allington-Wood, Thalia; (2019) Grounded: History, Materiality and Myth at the Sacro Bosco of Bomarzo. Doctoral thesis (Ph.D), UCL (University College London).

Allington-Wood, TE; (2016) Jeffrey Jerome Cohen, Stone: An Ecology of the Inhuman, University of Minnesota Press, Minneapolis, 2015. Object , 18 pp. 69-71.

Angelova, L; Ormsby, B; Richardson, E; (2016) Diffusion of water from a range of conservation treatment gels into paint films studied by unilateral NMR: Part I: Acrylic emulsion paint. Microchemical Journal , 124 (Jan) pp. 311-320. 10.1016/j.microc.2015.09.012.

Applin, J.L.; (2004) The encrypted object: The secret world of sixties sculpture. Doctoral thesis , University of London.

Applin, JL; (2004) The encrypted object: the secret world of sixties art. Doctoral thesis , University of London.

Arabindan-Kesson, Anna; Caragol, Taina; Carby, Hazel; Chua, Lawrence; Mehretu, Julie; Pfeiffer, Paul; Gikandi, Simon; ... Tejada, Roberto; + view all Arabindan-Kesson, Anna; Caragol, Taina; Carby, Hazel; Chua, Lawrence; Mehretu, Julie; Pfeiffer, Paul; Gikandi, Simon; Heddaya, Mostafa; Lobo, Nicole-Ann; Macharia, K'eguro; Pierce, Joseph M; Mathur, Saloni; Noel, Samantha A; Noriega, Chon; Ong, Aihwa; Ray, Sugata; Rizvi, Kishwar; Schwartz, Stephanie; Tejada, Roberto; - view fewer (2023) A Questionnaire on "Diaspora and the Modern". October (186) pp. 98-105. 10.1162/octo_a_00500.

Auffret, Stephanie; Peters, Renata F; Castriota, Brian; Marcal, Helia; (2023) Restoration. In: Mairesse, François, (ed.) Dictionary of Museology. Routledge and ICOM: Abingdon, UK.

Ault, Alexandra Elizabeth; (2023) Proof of the Proof: The Printsellers Association and the Fine Art Print Trade in Nineteenth-Century Britain. Doctoral thesis (Ph.D), UCL (University College London).

B

Bailey, JET; (2015) The Spectre of Communist Art: American Modernism and the Challenge of Socialist Realism, 1923–1960. Doctoral thesis , UCL (University College London).

Ballantyne-Reid, Will; (2025) Derek Jarman and Prospect Cottage: Painting, Ephemera and the Queer Archive. Doctoral thesis (Ph.D), UCL (University College London).

Beckhurst, Gabriella; (2022) Leave No Trace: Incongruous Environmental Affiliations in American Art after 1970. Doctoral thesis (Ph.D), UCL (University College London).

Benzan, CD; (2015) Doubling Matters: the place of the image at the Sacro Monte of Varallo (c. 1590-1630). Doctoral thesis , UCL (University College London).

Berger, CA; (2014) Progressive Nostalgia: Alfred Stieglitz, his Circle and the Romantic Anti-Capitalist Critique of Modernity. Doctoral thesis , UCL (University College London).

Berger, CA; (2014) Progressive Nostalgia: Alfred Stieglitz, his Circle and the Romantic Anti-Capitalist Critique of Modernity. Doctoral thesis , UCL (University College London).

Black, JAA; (2003) 'Neither beasts nor gods but men': constructions of masculinity and the image of the ordinary British solider or 'Tommy' in the First World War art of C.R.W. Nevinson (1889-1946); Eric Henri Kennington (1888-1960) and Charles Sargeant Jagger (1885-1934). Doctoral thesis , University of London.

Bonzon, Julie; (2020) Identity in Protest: The Market Photo Workshop and the New Generation of South African Photographers. Doctoral thesis (Ph.D), UCL (University College London).

Bonzon, J; (2019) Sipho Gongxeka’s Skeem’ Saka: composing masculinity and protest in contemporary Soweto. Object 10.14324/111.2396-9008.036.

Buchanan, A.C.; (1994) Robert Willis and the rise of architectural history. Doctoral thesis , UCL (University College London).

Burge, C.M.; (2005) Disagreeable objects: the sculptural strategies of Louise Bourgeois. Doctoral thesis , University of London.

Burnichon, Magali Claudine Dominique; (2018) Queer TV? The case of showtime's Queer as Folk and The L Word. Doctoral thesis (Ph.D), UCL (University College London).

C

Castriota, Brian; (2023) The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation. In: van de Vall, Renée and van Saaze, Vivian, (eds.) Conservation of Contemporary Art: Bridging the Gap Between Theory and Practice. (pp. 59-86). Springer Cham: Cham, Switzerland.

Castriota, Brian; (2021) Object trouble: constructing and performing artwork identity in the museum. ArtMatters: International Journal for Technical Art History , 2021 (1) pp. 12-22.

Castriota, Brian; Peters, Renata F; Auffret, Stephanie; Marcal, Helia; (2023) Authenticity. In: Mairesse, François, (ed.) Dictionary of Museology. Routledge and ICOM: Abingdon, UK.

Castriota, Brian; Walsh, Claire; (2023) In the Shadow of the State: Collecting Performance at IMMA and Institutions of Care in the Irish Context. In: Hölling, Hanna and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume I. (pp. 147-168). Routledge: London, UK.

Ceron-Pena, Maria Mercedes; (2007) Defective perceptions: Vision as consumption in Spanish art, c. 1766-1794. Doctoral thesis (Ph.D), UCL (University College London).

Chang, L.; (2011) Manufacturing landscape: the representation of suburbs, Birmingham 1780-c.1850. Doctoral thesis , UCL (University College London).

Cheetham, M.A.; (1982) Revision and exploration: German landscape depiction and theory in the late 18th century. Doctoral thesis , University of London.

Christie, Edward Sebastian; (2023) Mobilising post-war eco art history against the climate crisis. Doctoral thesis (Ph.D), UCL (University College London).

Clay, R.S.; (1999) Signs of power: iconoclasm in Paris, 1789-1795. Doctoral thesis , University of London.

Clery, Daisy Janet Constance; (2025) Celmins’ Cycles: Measures of Painting after 1980. Doctoral thesis (Ph.D), UCL (University College London).

Cliffe, MJ; Castillo-Martinez, E; Wu, Y; Lee, J; Forse, AC; Firth, FCN; Moghadam, PZ; ... Grey, CP; + view all Cliffe, MJ; Castillo-Martinez, E; Wu, Y; Lee, J; Forse, AC; Firth, FCN; Moghadam, PZ; Fairen-Jimenez, D; Gaultois, MW; Hill, JA; Magdysyuk, OV; Slater, B; Goodwin, AL; Grey, CP; - view fewer (2017) Metal-Organic Nanosheets Formed via Defect-Mediated Transformation of a Hafnium Metal-Organic Framework. Journal of The American Chemical Society , 139 (15) pp. 5397-5404. 10.1021/jacs.7b00106.

Cucci, C; Bartolozzi, G; Marchiafava, V; Picollo, M; Richardson, E; (2016) Study of semi-synthetic plastic objects of historic interest using non-invasive total reflectance FT-IR. Microchemical Journal , 124 pp. 889-897. 10.1016/j.microc.2015.06.010.

D

Da Fonseca, Anais; (2022) Paintings, Painters, and Patrons Institutional Interventions in the Lives of Cheriyal Paintings. Asian Ethnology , 81 (1-2) pp. 125-148.

Dege-Müller, Sophia; Gnisci, Jacopo; Pisani, Vitagrazia; (2023) A Handlist of Illustrated Early Solomonic Manuscripts in German Public Collections. Aethiopica , 25 pp. 59-98. 10.15460/aethiopica.25.0.1910.

Demos, TJ; (2013) The Art and Politics of Ecology in India. Third Text , 27 (1) 151 - 161. 10.1080/09528822.2013.752201.

Deutsch, Allison; (2016) ‘Splendour and Misery. Pictures of Prostitution, 1850–1910’, Musée d’Orsay, Paris, 22 September 2015 – 17 January 2016. Object , 18 (1) pp. 71-73.

Deutsch, A; (2018) The Flesh of Painting: Caillebotte’s Modern Olympia. Dix-Neuf , 22 (1-2) pp. 1-22. 10.1080/14787318.2017.1381371.

Deutsch, A; (2015) Good taste: metaphor and materiality in nineteenth-century art criticism. Object 10.14324/111.2396-9008.002.

Deutsch, Allison; (2016) Culinary Metaphor, Materiality, and Constructions of Gender in French Painting and Art Criticism, 1865-1890. Doctoral thesis (Ph.D), UCL (University College London).

Dias Ramos, A; (2018) Imageless Angola: Photography and Political Violence in a Transnational Age. Doctoral thesis (Ph.D), UCL (University College London).

Dias Ramos, A; Imageless in Angola – Appropriating Photography.

Doucet, Emily; Hunter, Matthew C; Robbins, Nicholas; (2021) Editors' Introduction: The Aerial Image. Grey Room , 83 pp. 6-23. 10.1162/grey_a_00318.

Dumitriu, Anna; May, Alex; Velios, Athanasios; Sakki, Zoi; Korakidou, Veroniki; Marçal, Hélia; Panagiaris, Georgios; (2021) Unruly objects: NFTs, blockchain technologies and bio-conservation. Technoetic Arts , 19 (3) pp. 383-397. 10.1386/tear_00076_1.

E

Easterby-Smith, Sarah; McClive, Cathy; Taws, Richard; Walton, Charles; (2024) Colin Jones: Fox and Hedgehog Historian of Francex. French History , 38 (1) pp. 2-10. 10.1093/fh/crad063.

Eaton, N; (2017) Indigo Drift: Raqs Media Collective and Sepia Blues in the Colonial Archive. In: von Zinneburg Carroll, K, (ed.) Botanical Drift: Protagonists of the Invasive Herbarium. Sternberg Press: Berlin, Germany.

Eaton, NJ; (2017) Photobook Aesthetics and Shadows Beyond “An Eye for the Tropics”. British Art Studies , 7 10.17658/issn.2058-5462/issue-07/neaton/001.

Eaton, NJ; (2017) Anechoic White? Meta-colour in South Asia. [Digital scholarly resource]. http://www.thirdtext.org/decolonising-colour-forum

Eaton, NJ; (2004) Between mimesis and alterity: Art, gift and diplomacy in colonial India, 1770-1800. Comparative Studies in Society and History , 46 (4) pp. 816-844.

Elliott, B.J.; (1985) Aubrey Beardsley's images of new women in the Yellow Book. Doctoral thesis , University of London.

F

Falecka, Katarzyna Weronika; (2020) Archival Excavations: Photography, the Algerian War of Independence (1954-62) and the Afterlives of Images. Doctoral thesis (Ph.D), University College London (UCL).

Falecka, KW; (2017) Violent Erasures: Atrocity, Photographic Archives and the Algerian War of Independence (1954–62). Object , 19 pp. 7-28. 10.14324/111.2396-9008.022.

Fend, M; (2014) Flesh-tones, Skin-color and the Eighteenth-Century Color Print. In: Ensslin, F and Klink, C, (eds.) Aesthetics of the Flesh. (pp. 203-229). Sternberg Press: Berlin, Germany.

Fer, B; (2018) The Transactions of Detail. In: Baker, M and Hemingway, A, (eds.) Art As Worldmaking. Manchester University Press: Manchester, UK.

Field-Donovan, Freya; (2022) A Strange American Funeral: Dance and Technological Reproduction in 1940s USA. Doctoral thesis (Ph.D), UCL (University College London).

Floyd, E; (2021) The word as object in colonial Spanish South America: Juan María de Guevara y Cantos’s corona de la divinissima María (Lima, 1644). Material Religion: the journal of objects, art and belief , 17 (2) pp. 202-227. 10.1080/17432200.2021.1897281.

Floyd, Emily; Stratton-Pruitt, Suzanne; (2023) Juan Francisco Rosa: Engraver to the Elite in Eighteenth-Century Lima. Print Quarterly , XL (1) pp. 33-51.

Floyd, Emily C.; (2025) Luz y oscuridad: la imprenta y el negro como color, experiencia, y raza en el virreinato del Perú. Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America , 102 pp. 377-405. 10.1080/14753820.2025.2468086.

Floyd, E; (2021) Tras los pasos de un artista en blanco y negro: identidad y agencia en los grabadores limeños del siglo XVIII. Latin American and Latinx Visual Culture , 3 (3) pp. 106-114. 10.1525/lavc.2021.3.3.106.

Floyd, E; Kusunoki, R; (2020) The Virgin in Lima: A Frontispiece by Gregorio Fosman and its Afterlife. Print Quarterly , XXXVII (4) pp. 432-443.

Foss, B.F.; (1991) British artists and the Second World War, with particular reference to the War Artists' Advisory Committee of the Ministry of Information. Doctoral thesis , University of London.

Freeman, KM; (2016) Iron and bone: the skeleton architecture of the Oxford University Museum of Natural History. Object , 18

Frigeri, Flavia; (2018) Red fish and paper tigers: The mobilisation of art and image culture in Rome, 1955-1970. Doctoral thesis (Ph.D), UCL (University College London).

G

Garb, T; (2020) Painting/Politics/Photography: Marlene Dumas, Mme Lumumba and the Image of the African Woman. Art History , 43 (3) pp. 588-611. 10.1111/1467-8365.12507.

Garb, T; (2019) Falling and Rising: In the Wake of Cecil John Rhodes. Nka Journal of Contemporary African Art , 2019 (44) pp. 24-37. 10.1215/10757163-7547418.

Garb, T; (2018) The Saturated Image. Parkett -Zurich , 100 (101) pp. 171-179.

Garside, Paul; Walker, Olivia; (2015) The Formation of Microenvironments in Polyester Enclosures. Journal of Conservation and Museum Studies , 13 (1) 10.5334/jcms.1021223.

Gassmann De Sousa, Bea; (2023) Between Lagos and Calabar: Art, Nation and Post-Traditionalism in early twentieth century Nigeria. Doctoral thesis (Ph.D), UCL (University College London).

Ghigo, Tea; (2023) Colour matters: reading the materiality of the Great Bookcase. In: Ribeyrol, Charlotte, (ed.) William Burges’s Great Bookcase and the Victorian Colour Revolution. Yale University Press

Ghigo, Tea; (2021) Where science meets Victorian Art. Ashmolean Magazine , 82 pp. 40-42.

Ghigo, Tea; Bone, Daniel; Howell, David; Domoney, Kelly; Gironda, Michele; Beeby, Andy; (2022) Material Characterisation of William Burges’ Great Bookcase within the Disruption of a Global Pandemic. Studies in Conservation 10.1080/00393630.2022.2153463. (In press).

Ghigo, Tea; Cockcroft, Jane; (2023) 'Pigments revealed': Engaging visitors with colour materiality. Ashmolean Magazine , 86 pp. 44-46.

Ghigo, Tea; Hirschle, Christian; (2024) Painting the Past in the 19th Century: Materials, Methods, and Perspectives in Watercolour Replicas. Heritage , 7 (8) pp. 4300-4322. 10.3390/heritage7080203.

Ghigo, Tea; Nodar Dominguez, Alberto; (2023) Revealing Scribal Practices: Inks and Support of Documents from Oxyrhynchus. Egyptian Archaeology , 62 pp. 37-39.

Ghigo, Tea; Rabin, Ira; (2020) Gaining Perspective into the Materiality of Manuscripts: The Contribution of Archaeometry to the Study of the Inks of the White Monastery Codices. In: Buzi, Paola, (ed.) Proceedings of the Third "PAThs" International Conference: "Coptic Literature in Context. The Contexts of Coptic Literature. Late Antique Egypt in a dialogue between literature, archaeology and digital humanities". (pp. pp. 273-282). Sapienza, Universita di Roma: Rome, Italy.

Ghigo, Tea; Torallas Tovar, Sofia; (2020) Between Literary and Documentary Practices: The Montserrat Codex Miscellaneus (Inv. Nos. 126‐178, 292, 338) and the Material Investigation of Its Inks. In: Buzi, Paola, (ed.) Proceedings of the Third Conference of the ERC Project “Tracking Papyrus and Parchment Paths: An Archaeological Atlas of Coptic Literature. Literary Texts in their Geographical Context (‘PAThs’)”. (pp. pp. 101-114). Sapienza, Universita di Roma: Rome, Italy.

Giachet, MT; Schilling, M; Mazurek, J; Khanjian, H; Learner, T; McCormick, K; Richardson, E; (2014) Assessment of the composition and condition of animation cels made from cellulose acetate. Polymer Degradation and Stability , 107 223 - 230. 10.1016/j.polymdegradstab.2014.03.009.

Gilbride, MA; (2016) Memory migrations: bringing the past to life in contemporary animated film. Doctoral thesis , UCL (University College London).

Gnisci, J; (2021) A Contextual Reading of Ethiopian Crosses through Form and Ritual. [Review]. Aethiopica: Internationale Zeitschrift fuer Aethiopistik , 23 (2020) pp. 256-268. 10.15460/aethiopica.23.0.1457.

Gnisci, J; (2020) Constructing Kingship in Early Solomonic Ethiopia: The David and Solomon Portraits in the Juel-Jensen Psalter. The Art Bulletin , 102 (4) pp. 7-36. 10.1080/00043079.2020.1765629.

Gnisci, J; (2020) Christian Metalwork in Early Solomonic Ethiopia: Production, Function, and Symbolism. In: Cooksey, S, (ed.) Peace, Power, and Prestige: Metal Arts in Africa. (pp. 254-265). Samuel P. Harn Museum of Art: Gainesville, US.

Gnisci, J; (2020) Ecclesiastic dress in Medieval Ethiopia: Preliminary remarks on the visual evidence. In: Vryzidis, N, (ed.) The Hidden Life of Textiles in the Medieval and Early Modern Mediterranean: Contexts and Cross-Cultural Encounters in the Islamic, Latinate and Eastern Christian Worlds. (pp. 231-256). Brepols: Turnhout, Belgium.

Gnisci, J; Bausi, A; (2021) Project Report: New UK-German Cooperative Project to look at Medieval Illuminated Ethiopic Manuscripts. (ICMA News 2021 (3) , pp. pp. 15-18 ). International Capital Market Association

Gnisci, J; Gobena, Abate; (2023) Ethiopian Crosses: Art in Motion. In: Achi, A, (ed.) Africa and Byzantium. Metropolitan Museum of Art

Gnisci, Jacopo; (2025) Imaging Sanctity in Early Solomonic Ethiopia: The Portrait of ‘Qǝddus’ ʾIyasus Moʾa. In: Gnisci, Jacopo and Dege-Müller, Sophia and Karlsson, Jonas and Pisani, Vitagrazia, (eds.) Manuscript Treasures from Afro-Eurasia: Scribes, Patrons, Collectors, and Readers. (pp. 251-280). De Gruyter: Berlin, Germany.

Gnisci, Jacopo; (2024) Raymond Silverman and Neal Sobania. Ethiopian Church Art: Painters, Patrons, Purveyors. Los Angeles: TSEHAI Publishers, 2022. 332 pp. Illustrations. $74.95. Hardback. ISBN: 978-1-59907-290-6. [Review]. African Studies Review pp. 1-3. 10.1017/asr.2024.86. (In press).

Gnisci, Jacopo; (2023) Ethiopia and Byzantium. In: Achi, Andrea, (ed.) Africa and Byzantium. Metropolitan Museum of Art: New York, NY, USA.

Gnisci, Jacopo; (2023) Annegret Marx, When Images Travel to Ethiopia … Impact of the Evangelium Arabicum printed 1590 in Rome on a 17th Century Ethiopian Gospel: Documentation and Synoptic Presentation of their Images. [Review]. Aethiopica , 25 pp. 269-272. 10.15460/aethiopica.25.0.1857.

Gnisci, Jacopo; (2023) Royal Imagery and Devotional Spaces in Early Solomonic Ethiopia. The Case of Gannata Maryam. In: Bacci, Michele and Grigoryan, Gohar and Studer-Karlen, Manuela, (eds.) Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective. (pp. 117-135). Brepols Publishers: Turnhout, Belgium.

Gnisci, Jacopo; (2022) Copying, Imitation, and Intermediality in Illuminated Ethiopic Manuscripts from the Early Solomonic Period. In: Ackley, Joseph Salvatore and Wearing, Shannon L, (eds.) Illuminating Metalwork: Metal, Object, and Image in Medieval Manuscripts. (pp. 139-166). De Gruyter: Berlin, Germany.

Gnisci, Jacopo; Bausi, Alessandro; (2024) “Medieval” Ethiopia. In: Spear, Thomas, (ed.) Oxford Research Encyclopedias: African History. Oxford University Press: Oxford, UK.

Gnisci, Jacopo; Lusini, Gianfrancesco; Villa, Massimo; Bottari, Gioia; (2022) Savona, Archivio Storico Diocesano: Atti dei martiri. Catalogo Nazionale dei Manoscritti Etiopici in Italia , 3

Gnisci, Jacopo; Merchán-Hamann, César; (2023) Ethiopic Manuscripts at the Bodleian Libraries. [Magazine_article]. Pitt Rivers Museum: Members Magazine , 108 p. 10.

Gnisci, Jacopo; Pisani, Vitagrazia; (2023) The ʿəqā bet: An Indigenous East African Repository. [Digital scholarly resource]. https://www.godscollections.org/case-studies/pisan...

Gnisci, Jacopo; Salvadore, Matteo; Deresse Ayenachew Woldetsadik; Harrison, Ainslie; (2023) A Multidisciplinary Perspective on an Enigmatic Ethiopian Processional Cross at the Bargello National Museum, Florence. Northeast African Studies , 23 (1) pp. 31-70.

Gnisci, Jacopo; Villa, Massimo; (2022) Evidence for the History of Early Solomonic Ethiopia from Tämben: Part II: Yoḥanni Däbrä ʿAśa. Rassegna di Studi Etiopici , 6 (53) pp. 97-119.

Gnisci, J; (2020) An Ethiopian Miniature of the Tempietto in the Metropolitan Museum of Art: Notes on its Relatives and Symbolism. In: Bausi, A and Reudenbach, B and Wimmer, H, (eds.) Canones: The Art of Harmony: The Canon Tables of the Four Gospels. (pp. 67-98). De Gruyter: Berlin, Germany.

Gnisci, J; (2017) Towards a Comparative Framework for Research on the Long Cycle in Ethiopic Gospels: Some Preliminary Observations. Aethiopica , 20 pp. 70-105. 10.15460/aethiopica.20.1.972.

Gnisci, J; Villa, M; (2020) Evidence for the History of Early Solomonic Ethiopia from Tämben Part I: Gäbrǝʾel Wäqen. Rassegna di Studi Etiopici , 66 pp. 89-109.

Green, M; (2020) ‘Joan Jonas: In the Trees II’, Amanda Wilkinson Gallery, London, 1 October 2018 – 17 November 2018. [Review]. OBJECT: graduate research and reviews in the history of art and visual culture 10.14324/111.2396-9008.045.

Green, Michael John; (2022) Thinking Back: Artistic Returns to H.D. Doctoral thesis (Ph.D), UCL (University College London).

Gresle, YM; (2015) Precarious video: historical events, trauma and memory in South African video art (Jo Ractliffe, Penny Siopis, Berni Searle, Minnette Vári). Doctoral thesis , UCL (University College London).

Grindle, NM; (2015) Sublime and Fall: Benjamin West and the Politics of the Sublime in Early Nineteenth Century Marylebone. In: Hemingway, A and Wallach, A, (eds.) Transatlantic Romanticism. (pp. 83-101). University of Massachusetts Press: Amherst, MA, USA.

Grindle, N; Marie, J; Mills, R; Fisher, T; (2020) Staff-student interviews for better feedback literacy. Educational Developments , 20 (4) pp. 14-18.

Grindle, Nicholas Mayne; (2002) "The wise surveyor": Surveying and representation in British house and estate portraiture, c. 1650-1715. Doctoral thesis (Ph.D), UCL (University College London).

Grodzinski, V.; (2005) French impressionism and German Jews - the making of modernist art collectors and art collections in imperial Germany 1896-1914. Doctoral thesis , University of London.

Gujral, Diva; (2021) Picturing Non-Alignment: Photography, nation-building and identity in India, c. 1950-1975. Doctoral thesis (Ph.D), UCL (University College London).

Gujral, D; (2019) Painters with a Camera (1968/69): In search of an Indian photography exhibition. Object , 20 (20) pp. 33-58. 10.14324/111.2396-9008.035.

Gupta, Vivek; (2025) Unfinished Hyperboles! Adam's Footprint in Sri Lanka and Wonder on the Edge of Modernity. In: Peacock, ACS, (ed.) Iran and Persianate Culture in the Indian Ocean World. (pp. 275-300). I.B. Tauris: London, UK.

Gupta, Vivek; (2024) Routes of Translation: Connected Book Histories and al-Jazari’s Robotic Wonders from the Mamluks to Mandu. South Asian Studies , 39 (2) pp. 207-228. 10.1080/02666030.2023.2287840.

Gupta, Vivek; (2024) How Persianate Is It? A World-Making Book Transcreated from Iraq to India. In: Canepa, Matthew, (ed.) Persian Cultures of Power and the Entanglement of the Afro-Eurasian World. (pp. 238-256). Getty Research Institute

Gupta, Vivek; (2024) Inscribing Orality: Calligraphy, Layout and the Vernacular Anxieties of the Chandayan Manuscripts. In: The Chandayan. (pp. 42-55). Marg Publications: Mumbai, India.

Gupta, Vivek; (2022) Arabic in Hindustan: Comparative Poetics in the Eighteenth Century and Azad Bilgrami’s The Coral Rosary. Journal of South Asian Intellectual History , 4 (2) pp. 181-222. 10.1163/25425552-12340034.

Gupta, Vivek; (2021) Images for Instruction: A Multilingual Illustrated Dictionary in Fifteenth-Century Sultanate India. Muqarnas Online , 38 (1) pp. 77-112. 10.1163/22118993-00381p04.

Gupta, Vivek; (2021) Shahzia Sikander: Unbound. [Solo exhibition]. Cambridge, UK. 15 October 2021 - 18 Feb 2022.

Gupta, Vivek; (2021) Splendour of the City, Nagarshobha: Textile Culture of Mughal Burhanpur. In: Ahluwalia, Roda, (ed.) Reflections on Mughal Art and Culture. (pp. 229-253). Niyogi Books: New Delhi, India.

Gupta, Vivek; (2021) Remapping the World in a Fifteenth-Century Cosmography: Genres and Networks Between Deccan India and Iran. Iran , 59 (2) pp. 151-168. 10.1080/05786967.2021.1911755.

Gupta, Vivek; (2017) Review of Cultural Exchange in Eighteenth-Century India: Poetry and Paintings from Kishangarh by Heidi Pauwels. caa.reviews 10.3202/caa.reviews.2017.175.

H

Halart, S; (2017) Epidermal Aesthetics: Skin and the Feminine in Chilean and Argentine Art (1973- Present). Doctoral thesis , UCL (University College London).

Haran, B.E.; (2008) The Amerika machine: art and technology between the USA and the USSR, 1926 to 1933. Doctoral thesis , University of London.

Harper, S.P.; (2004) Strategy in context: The work and practice of New York's downtown artists in the late 1970s and early 1980s. Doctoral thesis , University of London.

Harper, SP; (2003) Strategy in context: the work and practice of New York's downtown artists in the late 1970s and early 1980s. Doctoral thesis , University of London.

Harpur, Alison Catherine; (2023) Studies in visual culture and the Council of Ferrara-Florence (1438-1445). Doctoral thesis (Ph.D), UCL (University College London).

Hayes, Rosalind Catherine; (2022) ‘Look To Your Eating’: Animals, Meat and Visual Culture in Britain, c. 1880-1910. Doctoral thesis (Ph.D), UCL (University College London).

Hayes, R; (2020) Consuming animals in print: being a live cow on Victorian cattle ships. Object , 21 pp. 30-50. 10.14324/111.2396-9008.043.

Hellio, Eleanor; Ekeba, Michel; Hölling, Hanna Barbara; Badcock, Jacob; Magnin, Emilie; Maly, Valerian; (2023) Performing the “Mask”: Kongo Astronauts (Eléonore Hellio and Michel Ekeba) on postcolonial entanglements—A conversation with Hanna B. Hölling, Emilie Magnin and Valerian Maly. Introduction by Jacob Badcock. In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care. (pp. 200-215). Routledge: London, UK.

Hemingway, Andrew Frank; (1989) Discourses of art and social interests: the representation of landscape in Britain c.1800-1830. Doctoral thesis (Ph.D), University of London.

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Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Urmimala Sarkar Munsi: Dance, embodied preservation, and unlearning in India. In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) The Ethics and the Politics of Conservation and Care, Volume II. (pp. 263-277). Routledge: Taylor & Francis Group: London, UK.

Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Valinda Carroll, Kayla Henry-Griffin, Nylah Byrd, and Ariana Makau of Black Art Conservators on Black objects, performance, and the future of conservation. In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 173-185). Routledge: Taylor & Francis Group: London, UK.

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Hölling, Hanna B; Feldman, Jules Pelta; Magnin, Emilie; (2024) Gisela Hochuli: In Strange Hands. In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 281-292). Routledge: Taylor & Francis Group: London, UK.

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Hölling, Hanna Barbara; (2024) Fluxus Mystery Food by Ben Vautier. In: Senkpiel, Fabiana and Jessen, Ina, (eds.) Lexikon der Lebensmittel als Kunstmaterial. Von Apfel bis Zucker. (pp. 91-97). Hatje Cantz: Berlin, Germany.

Hölling, Hanna Barbara; (2024) Curating et conservation de la variabilité. In: Ammann, Katharina and Weilenman, Katrin and Ciuccio, Simona, (eds.) Aargauer Kunsthaus – Accompagner l’art contemporain. (pp. 162-175). Scheidegger and Spiess: Zurich, Switzerland.

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Hölling, Hanna Barbara; (2024) Performance Conservation: A Condition Report, or a Para-Ethnography in Three Acts. In: Gebhardt Fink, Sabine and Mirčev, Andrej, (eds.) Revolving Documents: Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art. (pp. 155-172). Diaphanes: Zurich, Switzerland.

Hölling, Hanna Barbara; (2024) Veränderlichkeit kuratieren und konservieren. In: Ammann, Katarina and Weilenman, Katrin and Ciuccio, Simona, (eds.) Aargauer Kunsthaus – Mit Gegenwart umgehen. (pp. 162-175). Scheidegger and Spiess: Zurich, Switzerland.

Hölling, Hanna Barbara; (2023) Can We Talk Post-Preservation? A Letter to Paik Nam June. In: Han, Jung-in, (ed.) My Paik Nam June: Memories, Conservation, and the Spread of Discourse. (pp. 83-96). National Museum of Modern and Contemporary Art, Korea: Seoul, South Korea.

Hölling, Hanna Barbara; (2023) Notation and Eternity in Symphonie No. 5 and Liberation Sonata for Fish. In: Frieling, Rudolf, (ed.) Nam June Paik: I Expose the Music. (pp. 108-115). Spector Books: Leipzig, Germany.

Hölling, Hanna Barbara; (2023) Notation und Ewigkeit in Symphonie No. 5 and Liberation Sonata for Fish. In: Frieling, Rudolf, (ed.) Nam June Paik: I Expose the Music. (pp. 108-115). Spector Books: Leipzig, Germany.

Holling, Hanna Barbara; (2022) Exhausting Conservation: Object, Event, Performance in Franz Erhard Walther’s Werkstücke. In: Holling, Hanna Barbara, (ed.) Object—Event—Performance: Art, Materiality and Continuity since the 1960s. (pp. 62-84). Bard Graduate Center: New York, NY, USA.

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Holling, Hanna Barbara; Hedinger, Johannes M; (2022) The Propensity to Openness: Bloch as Object, Event, Performance—Hanna B. Hölling in Conversation with Johannes M. Hedinger. In: Holling, Hanna B, (ed.) Object—Event—Performance: Art, Materiality and Continuity since the 1960s. (pp. 261-283). Bard Graduate Center: New York, NY, USA.

Hölling, Hanna Barbara; Morgan, Kelli; Pelta Feldman, Jules; Magnin, Emilie; (2023) Peeling the Paint off the Walls: Kelli Morgan on Black performance and racial justice in Western institutions—A conversation with Hanna B. Hölling, Jules Pelta Feldman and Emilie Magnin. In: Hölling, Hanna Barbara and Pelta Feldamn, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care. (pp. 188-199). Routledge: London, UK.

Hölling, Hanna Barbara; Pelta Feldman, Jules; Maginin, Emilie; Smith, Cauleen; (2023) Potential afterlives: Cauleen Smith on the relation of film to performance — A conversation with Hanna B. Hölling and Jules Pelta Feldman. In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care. (pp. 293-304). Routledge: London, UK.

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von der Geest, Simone; (2005) The reasoning eye: Jonathan Richardson's (1667-1745) portrait theory and practice in the context of the English Enlightenment. Doctoral thesis , UCL (University College London).

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Walker, S.L.; (2012) Order and pleasure in the lithographic work of Nicolas-Toussaint Charlet (1792-1845). Doctoral thesis , UCL (University College London).

Whiteley, RK; (2017) The Limits of Seeing and Knowing: Early Modern Anatomy and the Uterine Membranes. Object , 19 pp. 95-119. 10.14324/111.2396-9008.026.

Witt, A; (2017) Documentary and its Afterlives: California in Catastrophe. Doctoral thesis , UCL (University College London).

Woodley, Baylee; (2025) Medieval Femmes: Exploring Queer Femininities in the Visual Culture of Late Medieval England and France. Doctoral thesis (Ph.D), UCL (University College London).

Wright, AJ; (2008) 'Sculptural Values': Reading Fictive Relief in Late 15th- and Early 16th-century Italy. In: Cooper, DL, (ed.) Depth of Field: Relief Sculpture in Renaissance Italy. (pp. 223-250). Peter Lang: Oxford, United Kingdom.

Wright, Alison; (2023) Compelling Radiance: Fra Angelico's Shine. Mitteilungen des Kunsthistorischen Institutes in Florenz , 65 (2) pp. 139-171.

Wright, Alison; (2023) Making and Viewing: Encountering Donatello's Sculpture. In: Motture, Peta, (ed.) Donatello: Sculpting the Renaissance. V&A Publishing: London, UK.

Wright, Alison; (2022) The Transformation of Gold. In: Silver, Nathaniel, (ed.) Simone Martini in Orvieto. Isabella Stewart Gardner Museum: Boston, MA, USA.

Wright, A; (2020) The Temporary and the Temporal: Suspense in the Strozzi Chapel. In: Nuttall, G and Nuttall, P and Kwakkelstein, M, (eds.) Filippino Lippi: Beauty, Invention and Intelligence. (pp. 228-258). Brill: Leiden, The Netherlands.

Wright, A; (2020) The politics of the gilded body in early Florentine statuary. Sculpture Journal , 29 (2) pp. 131-158. 10.3828/sj.2020.29.2.2.

Wright, A; (2011) '... con uno inbasamento et ornamento alto': The rhetoric of the pedestal c. 1430-1550. Art History , 34 (1) pp. 8-53. 10.1111/j.1467-8365.2010.00798.x.

Wright, AJ; (2015) Marking Time: Medici Imagery and Princely Iconography. In: Black, R and Law, JE, (eds.) The Medici Citizens and Masters. (pp. 295-310). Harvard University Press: Cambridge, MA, USA.

Wright, AJ; (2015) Crivelli's divine materials. In: Campbell, SJ, (ed.) Ornament and Illusion: Carlo Crivelli of Venice. (pp. 57-77). Paul Holberton Publishing: London, UK.

Wright, AJ; (2013) A new book on Signorelli. [Review]. Burlington Magazine , 155 (1329) pp. 832-833.

Wright, AJ; (2013) Tabernacle and sacrament in fifteenth-century Tuscany. In: Motture, P and Jones, E and Zikos, D, (eds.) Carvings, Casts and Collectors: The Art of Renaissance Sculpture. (pp. 10-25). V & A Publishing: London, UK.

Wright, AJ; (2012) 'Touch the Truth'? Desiderio da Settignano, Renaissance relief and the body of Christ. Sculpture Journal , 21 (1) pp. 7-25. 10.3828/sj.2012.2.

Wright, AJ; (2010) Nameless: Anonymous Drawings of 15th and 16th-Century Italy from the British Museum, The Courtauld Gallery, National Galleries of Scotland. [Catalogue]. Moray Art Centre: Findhorn, UK.

Wu, Chin-tao; (1997) Privatising culture: aspects of corporate intervention in contemporary art and art institutions during the Reagan and Thatcher decade. Doctoral thesis (Ph.D), UCL (University College London).

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Yang, J.; (1998) Giovanni Bellini: experience and experiment in Venetian painting, c. 1460-1516. Doctoral thesis , University of London.

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Zboralska, MA; (2017) ‘Simon Fujiwara: Joanne’, The Photographers’ Gallery, London, 7 October 2016 – 29 January 2017. [Review]. Object , 19 pp. 122-123. 10.14324/111.2396-9008.028.

Zboralska, Marta Aleksandra; (2020) The Art of Being Together: Inside the Studio of Henryk Stażewski and Edward Krasiński. Doctoral thesis (Ph.D), UCL (University College London).

This list was generated on Tue Sep 16 00:38:11 2025 BST.