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Performance after performance: on the material legacies and their possibilities for transmission

Marçal, H; Salazar, D; (2021) Performance after performance: on the material legacies and their possibilities for transmission. In: Baião, J, (ed.) Artists’ Legacies. Preservation, Study, Dissemination, Institutionalisation. (pp. pp. 219-229). Fundação Arpad Szenes-Vieira da Silva (FASVS): Lisbon, Portugal. Green open access

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Abstract

What is the material legacy of performance artworks? What are the possibilities for those legacies, and how much of that depends on the artist's involvement in the historicisation and institutionalisation of their own works? This paper will reflect on the legacies of performance art and its memories and on the ways the museum and the artist work in the co-production of their material manifestations. It will explore this theme through two complementary perspectives one of a curator, and one of a conservator, also bringing together the agencies of artists, institutions, and objects themselves. In bridging the workings of the exhibition

Type: Proceedings paper
Title: Performance after performance: on the material legacies and their possibilities for transmission
Event: Artists's legacies: preservation, study, dissemination, institutionalisation 2021
Location: Online
Dates: 20 May 2021 - 21 May 2021
ISBN-13: 978-972-8467-58-6
Open access status: An open access version is available from UCL Discovery
Publisher version: https://institutodehistoriadaarte.com/wp-content/u...
Language: English
Additional information: This version is the version of record. For information on re-use, please refer to the publisher’s terms and conditions.
Keywords: Material legacy; Reenactment; Museum; Memory.
UCL classification: UCL
UCL > Provost and Vice Provost Offices > UCL SLASH
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Dept of History of Art
URI: https://discovery.ucl.ac.uk/id/eprint/10139063
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