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Number of items at this level: 218.

A

Abse Gogarty, Larne; (2022) Burning Issues: Hannah Black interviewed by Larne Abse Gogarty. Art Monthly , 441 (Nov 2020) pp. 4-6.

Abse Gogarty, Larne; (2022) Inert universalism and the info-optimism of legibly political art. Selva , 4 pp. 53-68.

Abse Gogarty, Larne; (2021) Profile: Adam Farah. Art Monthly , 451 (Nov 2021) pp. 14-15.

Abse Gogarty, Larne; (2020) Alex Margo Arden and Caspar Heinemann: The farmyard …. Art Monthly , 433 (Feb 2020) p. 37.

Abse Gogarty, Larne; (2019) Anne Imhof: Sex. Art Monthly, London , 426 (5) pp. 36-37.

Abse Gogarty, Larne; (2018) Check It Out. Kerry James Marshall interviewed by Larne Abse Gogarty. Art Monthly, London , 421 pp. 1-5.

Abse Gogarty, Larne; (2017) Cells in Organisms/ Cogs in Machines: 1930s Proletarian Performance and Jazz. Cesura//Acceso , 2 pp. 20-39.

Abse Gogarty, Larne; (2016) Citizen Artist Tania Bruguera interviewed by Larne Abse Gogarty. Art Monthly, London , 400 pp. 1-5.

Abse Gogarty, Larne; (2016) Faith Ringgold: Who's Afraid of Aunt Jemima (1983). Kunst und Politik Jahrbuch der Guernica-Gesellschaft , 18

Abse Gogarty, Larne; (2014) Rehearsals for Revolution: Communities and Collective Movement. Object , 16 pp. 88-109.

Abse Gogarty, L; (2018) Feeling and Form in Mark Bradford's American Pavilion. Zeitschrift für Kunstgeschichte , 81 (4) pp. 519-537. 10.1515/ZKG-2018-0039.

Abse Gogarty, L; (2017) Usefulness in Contemporary Art and Politics. Third Text , 31 (1) pp. 117-132. 10.1080/09528822.2017.1364920.

Abse Gogarty, L; Dimitrakaki, A; Vishmidt, M; (2019) Anti-fascist Art Theory: A Roundtable Discussion. Third Text , 33 (3) pp. 449-465. 10.1080/09528822.2019.1612146.

Abse Gogarty, LK; (2016) Commitment and Desire in Sharon Hayes’s Ricerche: three 2013. Tate Papers (25)

Abse Gogarty, LK; (2015) Rehearsals, Reproduction and the Art of Living: Historicising Social Practice in the United States. Doctoral thesis , UCL (University College London).

Adriano , Pedrosa; Callanan, M; (2013) Open Cube. [Group exhibition]. White Cube Mason's Yard. 2013-07-12 - 2013-09-21.

Ashton-James, CE; Dekker, PH; Addai-Davis, J; Chadwick, T; Zakrzewska, JM; Padfield, D; Williams, ACDC; (2017) Can images of pain enhance patient–clinician rapport in pain consultations? British Journal of Pain 10.1177/2049463717717125.

Auerbach, Anthony Wayne; (2004) Structural constellations: Excursus on the drawings of Josef Albers c.1950-1960. Doctoral thesis , UCL (University College London).

B

Bakker, A; Baas, M; Bernstein, D; Callanan, MJ; Rosinke, C; Daher, S; The Grantchester Pottery; ... Superstudio; + view all Bakker, A; Baas, M; Bernstein, D; Callanan, MJ; Rosinke, C; Daher, S; The Grantchester Pottery; Healy, R; Hjertstedt, A; Knopper, V; Korte, P; Koster, N; Pottery Yacht Club; Mynatt, C; n-o-m-a-n; Studio Minale Maeda; Superstudio; - view fewer (2015) Discursive Objects. [Group exhibition]. Eindhoven, Netherlands. 17 - 25 October 2015.

Berkowitz, M; (2020) Kodachrome's (rather) Jewish musical history. In: Volley, J, (ed.) Colour & Poetry: A Symposium. Slade Press: London, UK. (In press).

Borragán, Alfonso; (2023) Stone ingestion; proto-photography, profanation and inscription. Doctoral thesis (Ph.D), UCL (University College London).

Bouvier Ausländer, Sophie; (2019) On tangibility, contemporary reliefs and continuous dimensions. Doctoral thesis (Ph.D), UCL (University College London).

Brandt, M; Brooks, D; Burchfield, C; Callanan, MJ; Châtelet, CL; Dion, M; Finch, S; ... Wysocan, E; + view all Brandt, M; Brooks, D; Burchfield, C; Callanan, MJ; Châtelet, CL; Dion, M; Finch, S; Finger Pointing Worker; Futurefarmers; Höller, C; Huyghe, P; Jeremijenko, N; De Lajoüe, J; Milhazes, B; Paterson, K; Rockman, A; Shirreff, E; Takeuchi, K; Taylor, AE; Tomaselli, F; Wysocan, E; - view fewer (2014) The Fifth Season. [Group exhibition]. New York, NY, USA. 24 June - 08 August 2014.

Bridge, Sonia; (2017) Robert Breer: Single-frame Aesthetics and Inherited Modernisms in Relation to the Neo-avant-garde and Debates on Film Animation. Doctoral thesis (Ph.D), UCL (University College London).

Bright, K; (2002) Shimmering Substance. [Group exhibition]. Arnolfini Gallery, Bristol. 2002-04-27 - 2002-06-23.

Bruchet, Liz; Tiampo, Ming; (2021) Slade, London, Asia: Animating the Archive (Part 1). British Art Studies (20) pp. 1-52. 10.17658/issn.2058-5462/issue-20/animatingsladearchive.

Bunting-Branch, Anna; (2022) Practicing the difference – Reading Luce Irigaray with feminist science fiction. Doctoral thesis (Ph.D), UCL (University College London).

Burrows, D; (2020) Science Fictioning Singularities: The Diagrammatic Imaginaries of Physics. In: Data Loam Sometimes Hard, Usually Soft. The Future of Knowledge Systems. (pp. 38-64). Walter de Gruyter GmbH & Co KG: Berlin, Germany.

Burrows, D; O'Sullivan, S; (2013) 'All the fantasies of the people!'. [Performance]. Wysing Art Centre, Bourn Cambridge as well Previously the performance had been presented at Grand Union Gallery Birmingham for Magic Eye Music Festival, 20 July 2013; IMT Gallery London 27 July 2013 and Stephen Lawrence Gallery Greenwhich, 7 April 2013.. 2013-08-31 - 2013-08-31.

C

Callanan, MJ; (2016) Each and Every Command. [Solo exhibition]. Gateshead, UK. 10 - 14 February 2016.

Callanan, MJ; (2015) I Cannot Not Communicate. [Solo exhibition]. New York, NY, USA. 14 May - 14 July 2015.

Callanan, M; (2014) Departure of all. [Solo exhibition]. noshowspace. 2013-09-27 - 2013-10-26.

Callanan, M; (2012) Slade Graduate Research: Graduate Research Weeks 2011 - 2012. [Book]. Slade Press: London.

Callanan, MJ; Thomson, J; Collins, S; Jackson, M; LOWE, B; Head, T; Faithfull, S; (2011) Several Interruptions: 15 Years of the Slade Centre for Electronic Media in Fine Art. [Group exhibition]. North Lodge, Gower Street, UCL. 2011-01-24 - 2011-04-17.

Carr, D; (2002) Playing with Lara. In: King, G and Krzywinska, T, (eds.) Screenplay : cinema/videogames/interfaces. (pp. 171-180). Wallflower Press: London, UK.

Carter, W.; (2008) Figuring the New Deal: Policy and ideology in Treasury Section of Painting and Sculpture in Washington, D.C., 1934-1943. Doctoral thesis , University of London.

Channer, Alice; Hardy, Anne; Ruggaber, Karin; Young, Carey; (2022) Virtual Studio Visits: Four London-based artists discuss the rise of the online studio visit. Art Monthly (453)

Cinti, L.; (2011) The sensorial invisibility of plants: an interdisciplinary inquiry through bio art and plant neurobiology. Doctoral thesis , UCL (University College London).

Clark, Elisabeth S.; (2021) Poetics of the fragment: sights & sites. Doctoral thesis (Ph.D), UCL (University College London).

Collins, S; (2001) Inhabited Content: An exploration into the role of the viewer through the realisation of In Conversation and other works. Doctoral thesis , UNSPECIFIED.

Collins, SAR; (2013) Brighter Later. [Solo exhibition]. Radcliffe Observatory, Green Templeton College, Oxford. 2013-11-22 - 2013-12-01.

Collins, SAR; (2013) Possession. [Group exhibition]. Bangkok Art and Culture Centre, Bangkok, Thailand. 2013-03-14 - 2013-05-26.

Curran, FG; (2016) Towards a fractured topography of the present: art, ecology and the political economy of speed. Doctoral thesis , UCL (University College London).

D

Dawidek Gryglicka, Malgorzata; (2025) Bodygraphy The (ill) Body Narratives. Doctoral thesis (Ph.D), UCL (University College London).

Dean, MP; Morse, N; Segal, N; Volley, J; (2017) Colour and emotion: Measuring wellbeing creatively. Presented at: UNSPECIFIED.

Delacruz, MA; (2016) Unveiling the invisible wound: the relevance of tragedy in the public sphere. Doctoral thesis , UCL (University College London).

Della Giustina, Christina; (2022) you are variations. Doctoral thesis (Ph.D), UCL (University College London).

Depta-Garapich, Katarzyna; (2025) “Neither Subject nor Object”: Ferality, Solastalgia and Strange Tools of Situated Practice. Doctoral thesis (Ph.D), UCL (University College London).

Doney, Elise K F; (2024) Materials Research Kitchen: Making Food Together as Material Method and Metaphor. Doctoral thesis (Ph.D), UCL (University College London).

Duijzings, G; (2011) Dictators, dogs, and survival in a post-totalitarian city. In: Gandy, M, (ed.) Urban constellations. (145 - 148). Jovis Verlag: Berlin, Germany.

Duijzings, G; Collins, P; (2013) Zašto ne govorim srpski (na srpskom) [eng. trans. Why I don’t speak Serbian (in Serbian)]: Phil Collins in conversation with Ger Duijzings. Slovo , 25 (2) pp. 18-30.

Duijzings, GHJ; (1999) Religion and the politics of identity in Kosovo. Doctoral thesis , UNSPECIFIED.

E

El-Sioufi, D.A.; (2006) Hans Bellmer and the experience of violence. Doctoral thesis , University of London.

F

Faithfull, S; Collins, S; Blake, W; Palmer, S; Brown, J; Grater, J; (2015) Whatever The Weather. [Group exhibition]. Exeter, UK. 21 November 2015 - 10 April 2016.

Feng, Yiwen; (2020) Tracing the Unspeakable: Painting as Embodied Seeing. Doctoral thesis (Ph.D), UCL (University College London).

Fisher, Andrew Thomas; (2007) Existential spatiality and photography as social form. Doctoral thesis , UCL (University College London).

Fornieles, Eloise; (2023) Utter monster: How my performing voice creates queer space and generates alternative gender narratives. Doctoral thesis (PhD), UCL (University College London).

Fowler, L; (2015) Puszta Fény. Pure Light. [Exhibition]. Budapest, Hungary. 2015.

Fowler, LM; Baciano, O; C.Haas, P; (2018) nth nature. [Catalogue]. Assembly Point: London, UK.

G

Gaietto, Dawn Marie; (2019) What is happening here? [exploits of the nonhuman]. Doctoral thesis (Ph.D), UCL (Univeristy College London).

Gogarty, Larne Abse; (2022) Usable Pasts Social Practice and State Formation in American Art. Historical Materialism Book Series: Vol.239. BRILL

Gogarty, LA; (2017) The Art Right. Art Monthly , 405 pp. 6-10.

H

Heitlinger, S; Taylor, A; Clarke, R; Powell, A; Gaver, B; Boucher, A; Turkay, C; ... Doney, E; + view all Heitlinger, S; Taylor, A; Clarke, R; Powell, A; Gaver, B; Boucher, A; Turkay, C; Bedö, V; Schulze, H; Byles, H; Poland, K; Matsuda, N; Doney, E; - view fewer (2022) More-than-Human Data Interactions in the Smart City - reflections. [Digital scholarly resource]. https://openaccess.city.ac.uk/id/eprint/27965

Hsu, Shih-yu; Soon, Winnie; Lee, Tzu-Tung; Lee, Chia-Lin; Cox, Geoff; (2024) Collective Translation as Forking (分岔). Journal of Electronic Publishing , 27 (1) pp. 193-219. 10.3998/jep.5377. (In press).

J

Jackson, M; (2017) Flurry. Feast , 3

Jackson, M; Leslie, E; (2017) Unreliable Matriarchs. In: Cohen, M and Otomo, Y, (eds.) Making Milk: The Past, Present and Future of Our Primary Food. Bloomsbury: London, UK.

Jeong, N; (2018) Mundane Pagoda. [Book]. Slade Press: London, UK.

Jeong, N; Volley, J; Gonzalez, A; Shin, WJ; Jang, N; Shales, E; Ha, K; (2019) Earthly Bodies: A Decade with Clay and Form. [Book]. Slade Press: London, UK.

Jeong, Nayoung; (2020) How Clay Can be Used as a Ritualistic Tool to Investigate Feelings of Cultural Displacement. Doctoral thesis (Ph.D), UCL (University College London).

Julius, Chloe; (2022) A Category Out of History: 'Jewish Art' in 1990s America. Doctoral thesis (Ph.D), UCL (University College London).

Julius, C; (2020) 'Sixty Years’, Tate Britain, London, April 2019 – present; ‘100% Women’, Richard Saltoun, London, March 2019 - February 2020. Object , 21 pp. 71-73. 10.14324/111.2396-9008.046.

Jung, HY; (2016) Let it simmer over summer: an artist's journey, pause and composition. Doctoral thesis , UCL (University College London).

K

Kampman, Anneke; (2023) POP CONTROL: Figures of Capital. Music-video as Immanent Critique. Doctoral thesis (Ph.D), UCL (University College London).

Kuch, Laura; (2019) The seed of Romanticism: in search of the blue flower – exploring the German Early Romantics' concepts in and as a contemporary fine art practice. Masters thesis (M.Phil), UCL (University College London).

L

Laessing, Nicholas; (2021) Two Minutes to Midnight, the Agency of Hydrogen in an Art of the Anthropocene. Doctoral thesis (Ph.D), UCL (University College London).

Lee, Jin Han; (2021) Painting as a Language for Subjective Understanding. Doctoral thesis (Ph.D), UCL (University College London).

Leonardi, N; (2012) The ‘Mirror with a Memory’: Vision, Technology, and Landscape in the United States, 1830-1880. Doctoral thesis , UCL (University College London).

Li, Jiarui; (2023) To Crown a Broccoli. Progressing on the path of Jungian individuation through animistic images in painting. Doctoral thesis (Ph.D), UCL (University College London).

Long, TJ; (2012) Material thinking in Art: subject, object and the subjectile. Doctoral thesis , UCL (University College London).

Lowe, Brighid; Miller, Henry K; (2023) Reconstructing Record of War. ZINE: Film Research Series , 04 pp. 39-55.

M

Mackinven, A; (2021) English Painting. Lacanian Ink

Magee, Paul George Nathan; (2018) Faulty instruments, the sea & the stars: a digital fine art practice. Doctoral thesis (Ph.D), UCL (University College London).

Malacart, L.; (2011) MUVE (Museum of Ventriloquial Objects): reconfiguring voice agency in the liminality of the verbal and the vocal. Doctoral thesis , UCL (University College London).

Malik, A; (2016) 1980s: Amna Malik on viewing the past through the eyes of the present. Art Monthly , 399 pp. 7-10.

Malik, A; (2005) Flesh at War with Enigma, Kunsthalle, Basle, September-November 2004. [Review]. Papers of surrealism , Spring (3)

Marinescu, Ioana; (2023) The Archive as Witness. Bucharest: space | image | voice. Doctoral thesis (Ph.D), UCL (University College London).

Mays, S.J.; (2005) The gender politics of infinite detail and the archival ad infinitum in transcendentalist photographics - from origins to structuralism. Doctoral thesis , University of London.

McCausland, Onya Wilder; (2017) Turning Landscape Into Colour. Doctoral thesis (Ph.D), UCL (University College London).

Mead, Robert; (2025) Painting on the Brink: Finding Colour at the Edge of Time. Doctoral thesis (Ph.D), UCL (University College London).

Melvin, JC; (2013) Studio International Magazine: Tales from Peter Townsend’s editorial papers 1965 -75. Doctoral thesis , UCL (University College London).

Milroy, LK; (2017) RA Enterprises: Postcard for RA Summer Exhibition 2017. [Design]. The Royal Academy: London, UK.

Miodownik, M; Doney, E; Corbin, E; Wilkes, S; Munro, B; Brouwer, S; Walker, G; + view all Miodownik, M; Doney, E; Corbin, E; Wilkes, S; Munro, B; Brouwer, S; Walker, G; Meunier, R; Ellis, D; Schmitz, N; Conreen, M; Laughlin, Z; - view fewer (2018) Fifth Year Report: Institute of Making, UCL 2017-18. Institute of Making, UCL: London, UK.

Miodownik, M; Laughlin, Z; Brouwer, S; WIlkes, S; doney, E; Corbin, E; Munro, B; + view all Miodownik, M; Laughlin, Z; Brouwer, S; WIlkes, S; doney, E; Corbin, E; Munro, B; Conreen, M; Ellis, D; Walker, G; Meunier, R; - view fewer (2017) Fourth year report: Institute of Making 2016-17. Institute of Making, University College London (UCL): London, UK.

Miodownik, M; Laughlin, Z; Conreen, M; Brower, S; Wilkes, S; Schmitz, N; Munro, B; + view all Miodownik, M; Laughlin, Z; Conreen, M; Brower, S; Wilkes, S; Schmitz, N; Munro, B; Ellis, D; Meunier, R; Walker, G; Doney, E; King, J; Carnac, H; - view fewer (2020) Institute of Making 7th Year Report. (Institute of Making annual Report ). Institute of Making, UCL: London, UK.

Miodownik, M; Laughlin, Z; Conreen, M; Schmitz, N; Ellis, D; Meunier, R; Walker, G; + view all Miodownik, M; Laughlin, Z; Conreen, M; Schmitz, N; Ellis, D; Meunier, R; Walker, G; Brouwer, S; Munro, E; Wilkes, S; Doney, E; Goncalves De Pinho, R; - view fewer (2019) 6th Year Report: Institute of Making, UCL 2018-19. Institute of Making, UCL: London, UK.

Miodownik, M; Laughlin, Z; Wilkes, S; Clemence, O; Doney, E; Gamester, R; Eastwood-Bloom, Z; + view all Miodownik, M; Laughlin, Z; Wilkes, S; Clemence, O; Doney, E; Gamester, R; Eastwood-Bloom, Z; Corbin, E; Gamester, R; Conreen, M; - view fewer (2015) Second Year Report Institute of Making, UCL 2014-15. UCL Institute of Making: London, UK.

Miodownik, M; Laughlin, Z; Wilkes, S; Doney, E; Clemence, O; Corbin, E; Meunier, R; + view all Miodownik, M; Laughlin, Z; Wilkes, S; Doney, E; Clemence, O; Corbin, E; Meunier, R; Ellis, D; Gamester, R; Conreen, M; Miodownik, M; - view fewer (2016) Institute of Making 3rd Year Report. Institute of Making: London, UK.

Miodownik, M; Wilkes, S; Laughlin, Z; Doney, E; Gamester, R; Eastwood-Bloom, Z; Corbin, E; + view all Miodownik, M; Wilkes, S; Laughlin, Z; Doney, E; Gamester, R; Eastwood-Bloom, Z; Corbin, E; Clemence, O; - view fewer (2014) First Year Report: Institute of Making, UCL, 2013-14. Institute of Making, University College London: London, UK.

Morgan, E; (2013) Making with spider silk: the entangled processes of human and nonhuman animals. Doctoral thesis , UCL (University College London).

Morgan Evans, Thomas; (2021) Universities and Disaster Capitalism. Art Monthly , 449 p. 15.

Morgan-Evans, TJ; (2012) Towards an aesthetic of simultaneity: conceptual art and beyond. Doctoral thesis , UCL (University College London).

Morris, S; (2019) The Medieval Macaronic. Presented at: 2019 IONA Conference, Vancouver, Canada.

Morris, SM; (2016) Songs of the Aveyron and the Ariege: after the Song of Songs. In: Rawes, P and Mathews, T and Loo, S, (eds.) Poetic Biopolitics. Political and Ethical Practices in the Arts. (pp. 170-192). I. B. Tauris: London, UK.

Morris, S; (2019) The Moon is Shining on my Mother. KATALOG - Journal of Photography & Video , 30 (2) pp. 182-185.

Morris, S; (2016) Peirce: Re-Staging the Sign in the Work of Art. Recherches sémiotiques / Semiotic Inquiry , 33 (1-2) pp. 177-204. 10.7202/1035291ar.

Morris, Sharon; (2000) Shifting Eyes: self-representation in words and images, re-reading Freud through the semiotics of C.S. Peirce, with particular reference to the work of poet H.D. and artist Claude Cahun. Doctoral thesis (Ph.D), UCL (University College London).

Morris, SM; (2017) Review of four macaronic pamphlets. Poetry Wales , 52 (3) pp. 81-84.

Morris, SM; (2016) Bluestone, Carn Meini, In the Shelter of y Preseli, Carreg Coetan Arthur, Pentre Ifan, The Blue Lagoon [six poems]. Poetry Wales , 52 (1) pp. 13-18.

Murphy, AH; (2015) There is no water in the lake: synchronicity, metaphor, narrative, rhythm, and death, in fine art practice. Doctoral thesis , UCL (University College London).

Mussgnug, F; Rideal, L; (2018) Feu Follet. Slade Press: London, UK.

N

Newman, HJE; Birch, G; Matthews, K; (2016) Café Carbon. In: Rawes, P and Loo, S and Mathews, T, (eds.) Poetic Biopolitics: Practices of Relation in Architecture and the Arts. (pp. 276-287). I.B.Tauris: London, UK.

Nugent, Gabriella; (2022) Categories and contemporaries: African artists at the Slade School of Fine Art (c.1945–65). Burlington Contemporary Journal , 2022 (7) 10.31452/bcj7.slade.nugent.

P

Padfield, D; (2021) Collaborative drawings: blue-prints of conversation dynamics. In: Galvin, K, (ed.) Routledge Handbook of Well-Being. (pp. 250-268). Routledge: Abingdon, UK.

Padfield, D; (2016) Wellcome Trust, In Pursuit of Pain, Exhibition, Images from Perceptions of Pain and Face2face within solo pop up exhibition for Friday Night Spectacular. [Solo exhibition]. London, UK. 01 July 2016.

Padfield, Deborah; (2025) Inside the Metaphor Series. [Group exhibition]. Barcelona, Spain. 03 - 13 April 2025. (In press).

Padfield, Deborah; Omand, Helen; (2023) Pain under the microscope: film screening. [Solo exhibition]. Rydal, UK. 25 - 28 June 2023. (In press).

Padfield, D; (2020) Absence and presence: the potential for art to facilitate improved communication about pain. [Editorial comment]. Lancet Haematology , 7 (2) e96-e97. 10.1016/S2352-3026(20)30005-3.

Padfield, D; (2016) Mirrors in the Darkness: Pain and Photography, natural partners. Qualia , 1

Padfield, D; (2013) Mask: Mirror: Membrane. The photograph as a mediating space in clinical and creative pain encounters. Doctoral thesis , UCL (University College London).

Padfield, D; Chadwick, T; Omand, H; (2017) The body as image: image as body. The Lancet , 389 (10076) pp. 1290-1291. 10.1016/S0140-6736(17)30828-0.

Padfield, D; Omand, H; (2019) New Contexts: what art psychotherapy theory can bring to an understanding of using images to communicate the experience of pain in medical pain consultations. ATOL: Art Therapy OnLine , 10 (2) 10.25602/GOLD.atol.v10i2.1324.

Padfield, D; Omand, H; Semino, E; Williams, ACDC; Zakrzewska, JM; (2018) Images as catalysts for meaning-making in medical pain encounters: a multidisciplinary analysis. Medical Humanities , 44 (2) pp. 74-81. 10.1136/medhum-2017-011415.

Padfield, D; Wickenden, M; (2021) Being in Pain: using images and participatory methods to explore intercultural understanding of pain. In: Welikala, T and Kumar, M, (eds.) Teaching and Learning in Higher Education The context of Being, Interculturality and New Knowledge Systems. (pp. 145-158). Emerald Publishing Limited: Bingley, UK.

Padfield, D; Zakrzewska, JM; (2017) Encountering Pain. [Editorial comment]. The Lancet , 389 (10075) pp. 1177-1178. 10.1016/S0140-6736(17)30756-0.

Padfield, D; Zakrzewska, JM; Williams, A C de C; (2015) Do photographic images of pain improve communication in the pain consultation? Pain Research & Management , 20 (3) 123- 128.

Padfield, Deborah G; Zakrzewska, Joanna M; (2017) Thresholds of pain: photography and pain communication. In: Painscapes. Palgrave Macmillan: London, UK.

Padfield, DG; (2017) Case Study: Deborah Padfield. In: Read, S and Simmons, M, (eds.) Photographers and Research: The role of research in contemporary photographic practice. (pp. 100-113). Routledge: New York, NY, USA.

Palmer, Katrina; (2024) The Touch Report. [Solo exhibition]. The National Gallery. 11 December 2024 - 02 March 2025.

Palmer, Katrina; (2023) What's already going on. [Solo exhibition]. Warwick, UK. 12 January - 12 March 2023.

Palmer, Katrina; Price, Elizabeth; (2023) Elizabeth Price: Unsettled Histories. Various Artists

Peng, J; (2013) An Exploration of Tibetan Tantric Buddhism and its Art: a Potential Resource for Contemporary Spiritual and Art Practice (Peng, J, Trans.). Doctoral thesis , UCL (University College London).

R

Reed, K; (2020) Normality is Constructed. [Artefact]. Sculpture. London, UK.

Reed, K; (2019) Beyond Boundaries. [Group exhibition]. London, UK. 12 March - 02 April 2019.

Reed, K; (2019) Gather - Photographic Public Artwork. Triptych. [Performance]. Hinguar Community Primary School. 20 September 2020.

Reed, K; (2018) Gather - Launch event. [Artefact]. Shoeburyness, Southend.

Reed, K; (2018) Park Explorations. [Book]. Focal Point Gallery: Southend-on-Sea, UK.

Reed, K; (2018) Raising the Sittingbourne Barn. [Solo exhibition]. Sittingbourne. 09 Sep 2017 - 20 Mar 2019.

Reed, Kieren; (2018) Gather - Public art project. [Artefact]. Shoeburyness, Essex, UK.

Reed, KP; Bal, M; Brasó, E; Hunt, A; (2016) Agency without Intention. October - November, 2015. [Book]. (1st ed.). Herbert Read Gallery, University for the Creative Arts: Canterbury, UK.

Rideal, L; (2020) Temporal Stabilities. [Solo exhibition]. Rome, Italy. 06 February 2020 - 06 January 2021.

Rideal, L; (2015) Shared: CHECK MATE SQUARED. [Solo exhibition]. London, UK. 10 - 13 September 2015.

Rideal, L; (2015) Portraits of South Asian Writers: Lucinda Douglas-Menzies. [Catalogue].

Rideal, L; (2012) Golden Years? 1905-1950: a non-digital world. Self-expression,self-promotion,self-preservation. In: Holm, M J, (ed.) Self-portrait. (pp. 21-25). Louisiana Museum of Modern Art: Humlebæk, Denmark.

Rideal, L; Haynes, C; (2017) Straw Camera. [Catalogue]. (1st ed.). Slade School of Fine Art, UCL: London, UK.

Rideal, Liz; (2022) Slade Drawing 150. Slade Press (Slade School of Fine Art - UCL): London, UK.

Rideal, Liz; (2020) Pictorial duel: Xenia Hausner and the dual performance portrait. In: Schröder, Klaus Albrecht and Lahner, Elsy, (eds.) Xenia Hausner: True Lies. Hirmer Verlag: Munich, Germany.

Rideal, Liz; (2019) Essence of Memento Mori. In: Buchard, Dieter and Hofbauer, Anna, (eds.) Basquiat by Himself. Hirmer Verlag: München, Germany.

Rideal, Liz; (2018) The echoes of erotic cloth in film. In: Kettle, Alice and Millar, Lesley, (eds.) The Erotic Cloth: Seduction and Fetishism in Textiles. Bloomsbury Academic: London, UK.

Rideal, Liz; Hansen, Inge Lyse; O'Neill, Hariet; Morris, Sharon; (2020) Temporal Stabilities. Slade Press: London, UK.

Rideal, L; (2017) Exposing the self and juggling the uniform (S'exposer et jongler avec les uniformes). In: (Proceedings) Autoportraits en costumes : jeux d’identifications multiples (Nantes). : Nantes, France.

Rideal, L; (2017) Straw poll: Painting is fluid but is it porous? In: Hartshorne, I and Moloney, D and Quaife, M, (eds.) Teaching Painting: A Conference. Black Dog Publishing Ltd: London, UK.

Ruggaber, K; (2017) Studio floor series, 2017. [Exhibition]. London, UK. 22 April 2017.

Ruggaber, K; (2018) The Humility of Plaster. Presented at: Humility of Plaster, Cambridge, UK.

S

Segal, Nir; (2020) The Flat Diamond: The Role of Intimacy in a Collaborative Practice. Doctoral thesis (Ph.D), UCL (University College London).

Serrano Rivas, Leonor; (2025) How We May See in a Chamber Things That Are Not. Exhibitions as Instruments for Imagination. Doctoral thesis (Ph.D), UCL (University College London).

Siderfin, Naomi Jane; (2023) Invisible Stitches: revealing the seam between making and curating contemporary art. Doctoral thesis (Ph.D), UCL (University College London).

Simson, H; (2017) Landscape After Landscape: Pre-Genre Italian Backgrounds in a Post-Genre Digital Age. Doctoral thesis , UCL (University College London).

Sleeman, AJ; (2011) "Like two guys discovering Neptune": transatlantic dialogues in the emergence of land art. In: Anglo-American exchange in postward sculpture, 1945-1975. (148 - 163). Getty Publications: Los Angeles, US.

Sleeman, J; (2015) Lawrence Alloway, Robert Smithson, and earthworks. In: Bradnock, L and Courtney, J M and Peabody, R, (eds.) Lawrence Alloway Critic and Curator. (pp. 107-127). Getty Research Institute: Los Angeles, USA.

Smith, M (ed.); (2015) How to Construct a Time Machine. [Group exhibition]. Milton Keynes, UK. 23 January - 22 March 2015.

Smith, D.; (2008) The presence of materiality and material culture in H.G. Wells's The Time Machine: rethinking a narrative text as constitutive of a material world. Doctoral thesis , University of London.

Son, Yein; (2022) Seeing Above, Through, and Below the Constructed Skin and Surface within an Expanded Painting Practice. Doctoral thesis (Ph.D), UCL (University College London).

Soon, Winnie; Velasco, Pablo R; (2024) (De)constructing machines as critical technical practice. Convergence: The International Journal of Research into New Media Technologies , 30 (1) pp. 116-141. 10.1177/13548565221148.

Stones, A.; (2011) What art and science want: disciplines and cultures in contention. Doctoral thesis , UCL (University College London).

Swift, Philip; (2022) How to do things with worlds: A reply to responses. HAU: Journal of Ethnographic Theory , 12 (1) pp. 285-295. 10.1086/719520.

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Tabernacle, A; (2014) Distance, Proximity and Hannah Höch's radical imagination. Tropos: The Journal of Comparative Cultural Inquiry , 2 (1) pp. 61-67. 10.14324/111.2057-2212.001.

Tabernacle, Andrea Kay; (2017) Hannah Höch's radical imagination: a study on the transformation of reality through space, language and a politicised psychoanalysis. Doctoral thesis (Ph.D), UCL (University College London).

Tabernacle, K; (2016) Hannah Höch's Dada Kitchen Knife. Feast , 1

Tan, K; (2014) The physical and poetic processes of running. A practice-related fine art discourse about a playful way to transform your world today. Doctoral thesis , UCL (University College London).

Tchernakova, AE; (2015) ‘Chronovist’ conceptualisation method: exploring new approaches to structuring narrative in interactive immersive audio/visual media. Doctoral thesis , UCL (University College London).

Thom, JF; (2014) Embodied encounters: a performative, material reading of selected contemporary artworks by Santu Mofokeng, El Anatsui, Willem Boshoff and Johan Thom. Doctoral thesis , UCL (University College London).

Thomas, Elly; (2013) Play as evolving process in the work of Eduardo Paolozzi, Philip Guston and Tony Oursler. Doctoral thesis , UCL (University College London).

Thompson, Philip; (2021) Imagining Agbogbloshie: Issues of Electronic Waste and Representation. Doctoral thesis (Ph.D), UCL (University College London).

Townsend, P; (2015) Creativity and destructiveness in art and psychoanalysis. British Journal of Psychotherapy , 31 (1) 120 - 131. 10.1111/bjp.12123.

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Volley, J; Gleadwell, J; Gallant, A; Pepperell, R; Mather, G; (2016) Beyond Appearance. In: Euan Uglow/ Sargy Mann. (pp. 30-35). The Collection: Lincoln, UK.

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WeiWei, A; Beecroft, V; Ben-Ner, G; Bony, O; Büchel, C; Clegg & Guttmann; De Dominicis, G; ... Żmijewski, A; + view all WeiWei, A; Beecroft, V; Ben-Ner, G; Bony, O; Büchel, C; Clegg & Guttmann; De Dominicis, G; Eichhorn, M; Haaning, J; Klein, Y; Okón, Y; Pattison, Y; Raeven, LA; Sánchez, E; Schlingensief, C; Sierra, S; Staal, J; Margolles, T; Willats, S; Young, C; Żmijewski, A; - view fewer (2017) Extra Bodies - The Use of the 'Other Body' in Contemporary Art. [Exhibition]. Zurich, Switzerland. 17 November 2017 - 04 February 2018.

Wen, Feiyi; (2020) Above the Still Lake: Lyrical Sensibilities in Visual Art -Thinking through photographic practice: Pathos, Eastern Asian aesthetics and the language of emotion. Doctoral thesis (Ph.D), UCL (University College London).

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Young, C; (2020) Busan Biennial. [Group exhibition]. Busan, South Korea. 05 September - 08 November 2020.

Young, C; (2019) Palais de Justice. [Solo exhibition]. Brussels, Belgium. 05 September - 19 October 2019.

Young, C; (2019) Carey Young: Palais de Justice. [Solo exhibition]. Eastbourne, UK. 17 February - 02 June 2019.

Young, C; (2017) Before the Law. [Solo exhibition]. New York, NY, USA. 07 September 2017.

Young, C; (2017) Palais de Justice. [Solo exhibition]. New York, NY, USA. 07 September - 14 October 2017.

Young, C; (2010) Contracting Universe. [Artefact]. New York, NY, USA.

Young, C; (2010) Report of the Legal Subcommittee. [Artefact]. Ink on paper. Paris, France.

Young, C; (2009) It's for You. [Artefact]. Vinyl text installed in museum entrance. Dallas, TX, USA.

Young, C; (2008) Cautionary Statement. [Artefact]. Vinyl text. New York, NY, USA.

Young, C; (2007) Body Techniques. [Artefact]. Photography. London, UK.

Young, C; (2007) Inventory. [Artefact]. Vinyl text and ink on paper, 2007. Leeds, UK.

Young, C; (2005) Declared Void. [Artefact]. Vinyl drawing and text, dimensions variable. Providence, RI, USA.

Young, C; (2003) Lines Made by Walking. [Artefact]. Installation (slide projection). London, UK.

Young, C; (2001) I am a Revolutionary. [Artefact]. video. London, UK.

Young, C; (1999) Everything You've Heard is Wrong. [Artefact]. Video. London, UK.

Young, Carey; (2023) Solo show 'The Vision Machine' at Momenta Biennial de L'image 2023. [Solo exhibition]. Montreal, Canada. 06 Sep - 21 Oct 2023.

Young, Carey; (2023) Mirror System. [Artefact]. Video. Duration 5 mins 35 secs. Montreal, Canada (first exhibited).

Young, Carey; (2023) Carey Young: Vision and Justice. [Exhibition]. Oxford, UK. 19 May 2023.

Young, Carey; (2023) Carey Young: Appearance. [Solo exhibition]. Oxford, UK. 25 March - 02 July 2023.

Young, Carey; (2023) Prison Gym, Leuze, Belgium I. [Artefact]. Colour photograph. Oxford, UK.

Young, Carey; (2023) Prison Gym, Leuze, Belgium II. [Artefact]. Colour photograph. Oxford, UK.

Young, Carey; (2023) Prison Gym, Leuze, Belgium III. [Artefact]. Oxford, UK.

Young, Carey; (2023) Declared Void III. [Artefact]. Oxford, UK.

Young, Carey; (2023) World Court (2023). [Artefact]. Photograph. Oxford, UK.

Young, Carey; (2023) Court Artist (Supreme Court). [Artefact]. Oxford, UK.

Young, Carey; (2013) Legal Maxims. [Artefact]. Zürich, Switzerland.

Young, Carey; (2013) We the People (after Pierre Cavellat). [Artefact]. Zürich, Switzerland.

Young, Carey; (2010) Missing Mass. [Artefact]. Middlesbrough, UK.

Young, Carey; (2010) Terminal Velocity. [Artefact]. New York, NY, USA.

Young, CSR; (2018) Unknown Unknowns: Contemporary Art and Legal Scholarship. In: Research Handbook on Art and Law. Edward Elgar Publishing: Cheltenham, UK. (In press).

Young, C; (2014) Subject to Contract: Law as an Artistic Medium. Paper given at Association of Art Historians conference 2014. In: (Proceedings) Association of Art Historians Conference 2014.

Young, C; (2013) Carey Young: Let the world speak for itself. [Solo exhibition]. Le Quartier, Centre d'Art Contemporain de Quimper. 2013-05-25 - 2013-09-05.

Young, C; Pontbriand, C; (2014) Per/Form. How to do things with[out] words. [Group exhibition]. CA2M, Madrid, Spain. 2014-03-22 - 2014-09-21.

Young, CSR; (2018) Law in Camera. Presented at: Law and Poetics in Early Modern England and Beyond, University of Cambridge, UK.

Young, CSR; (2017) Black Square (Cell). [Artefact]. Photography. New York City.

Young, CSR; (2017) Palais de Justice. HD video, 17 mins 58 secs.

Young, CSR; (2013) Declared Void II. [Artefact]. UK.

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Zakrzewska, JM; Padfield, D; Ferguson, A; (2019) Visual Imagery: A Tool to Explore the Impact of Burning Mouth Syndrome. Journal of Oral & Facial Pain and Headache , 33 (1) e8-e14. 10.11607/ofph.2095.

Zakrzewska, Joanna M; Padfield, Deborah G; (2018) Face2face: Sharing the Photograph Within Medical Pain Encounters—A Means of Democratisation. In: Gonzalez-Polledo, E and Tarr, J, (eds.) Painscapes: Communicating Pain. (pp. 205-228). Palgrave Macmillan: London, UK.

Zohar, Ayelet; (2007) Strategies of camouflage: invisibility, schizoanalysis and multifocality in contemporary visual art. Doctoral thesis , UCL (University College London).

Č

Čiricaitė, E; (2020) On Photographing Artists’ Books. Journal of Medical Humanities , 41 pp. 81-83. 10.1007/s10912-019-09593-7.

This list was generated on Thu Oct 9 00:02:44 2025 BST.