Browse by UCL Departments and Centres
Group by: Author | Type
Number of items: 46.
A
Arabindan-Kesson, Anna;
Caragol, Taina;
Carby, Hazel;
Chua, Lawrence;
Mehretu, Julie;
Pfeiffer, Paul;
Gikandi, Simon;
... Tejada, Roberto; + view all
(2023)
A Questionnaire on "Diaspora and the Modern".
October
(186)
pp. 98-105.
10.1162/octo_a_00500.
|
Auffret, Stephanie;
Peters, Renata F;
Castriota, Brian;
Marcal, Helia;
(2023)
Restoration.
In: Mairesse, François, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
|
Ault, Alexandra Elizabeth;
(2023)
Proof of the Proof: The Printsellers Association and the Fine Art Print Trade in Nineteenth-Century Britain.
Doctoral thesis (Ph.D), UCL (University College London).
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C
Castriota, Brian;
(2023)
The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation.
In: van de Vall, Renée and van Saaze, Vivian, (eds.)
Conservation of Contemporary Art: Bridging the Gap Between Theory and Practice.
(pp. 59-86).
Springer Cham: Cham, Switzerland.
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Castriota, Brian;
Peters, Renata F;
Auffret, Stephanie;
Marcal, Helia;
(2023)
Authenticity.
In: Mairesse, François, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
|
Castriota, Brian;
Walsh, Claire;
(2023)
In the Shadow of the State: Collecting Performance at IMMA and Institutions of Care in the Irish Context.
In: Hölling, Hanna and Feldman, Jules Pelta and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume I.
(pp. 147-168).
Routledge: London, UK.
|
Christie, Edward Sebastian;
(2023)
Mobilising post-war eco art history against the climate crisis.
Doctoral thesis (Ph.D), UCL (University College London).
|
D
Dege-Müller, Sophia;
Gnisci, Jacopo;
Pisani, Vitagrazia;
(2023)
A Handlist of Illustrated Early Solomonic Manuscripts in German Public Collections.
Aethiopica
, 25
pp. 59-98.
10.15460/aethiopica.25.0.1910.
|
F
Floyd, Emily;
Stratton-Pruitt, Suzanne;
(2023)
Juan Francisco Rosa: Engraver to the Elite in Eighteenth-Century Lima.
Print Quarterly
, XL
(1)
pp. 33-51.
|
G
Gassmann De Sousa, Bea;
(2023)
Between Lagos and Calabar: Art, Nation and Post-Traditionalism in early twentieth century Nigeria.
Doctoral thesis (Ph.D), UCL (University College London).
|
Ghigo, Tea;
(2023)
Colour matters: reading the materiality of the Great Bookcase.
In: Ribeyrol, Charlotte, (ed.)
William Burges’s Great Bookcase and the Victorian Colour Revolution.
Yale University Press
|
Ghigo, Tea;
Cockcroft, Jane;
(2023)
'Pigments revealed': Engaging visitors with colour materiality.
Ashmolean Magazine
, 86
pp. 44-46.
|
Ghigo, Tea;
Nodar Dominguez, Alberto;
(2023)
Revealing Scribal Practices: Inks and Support of Documents
from Oxyrhynchus.
Egyptian Archaeology
, 62
pp. 37-39.
|
Gnisci, J;
Gobena, Abate;
(2023)
Ethiopian Crosses: Art in Motion.
In: Achi, A, (ed.)
Africa and Byzantium.
Metropolitan Museum of Art
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Gnisci, Jacopo;
(2023)
Annegret Marx, When Images Travel to Ethiopia … Impact of the Evangelium Arabicum printed 1590 in Rome on a 17th Century Ethiopian Gospel: Documentation and Synoptic Presentation of their Images.
[Review].
Aethiopica
, 25
pp. 269-272.
10.15460/aethiopica.25.0.1857.
|
Gnisci, Jacopo;
(2023)
Ethiopia and Byzantium.
In: Achi, Andrea, (ed.)
Africa and Byzantium.
Metropolitan Museum of Art: New York, NY, USA.
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Gnisci, Jacopo;
(2023)
Royal Imagery and Devotional Spaces in Early Solomonic Ethiopia. The Case of Gannata Maryam.
In: Bacci, Michele and Grigoryan, Gohar and Studer-Karlen, Manuela, (eds.)
Staging the Ruler’s Body in Medieval Cultures: A Comparative Perspective.
(pp. 117-135).
Brepols Publishers: Turnhout, Belgium.
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Gnisci, Jacopo;
Merchán-Hamann, César;
(2023)
Ethiopic Manuscripts at the Bodleian Libraries.
[Magazine_article].
Pitt Rivers Museum: Members Magazine
, 108
p. 10.
|
Gnisci, Jacopo;
Pisani, Vitagrazia;
(2023)
The ʿəqā bet: An Indigenous East African Repository.
[Digital scholarly resource].
https://www.godscollections.org/case-studies/pisan...
|
H
Harpur, Alison Catherine;
(2023)
Studies in visual culture and the Council of Ferrara-Florence (1438-1445).
Doctoral thesis (Ph.D), UCL (University College London).
|
Hellio, Eleanor;
Ekeba, Michel;
Hölling, Hanna Barbara;
Badcock, Jacob;
Magnin, Emilie;
Maly, Valerian;
(2023)
Performing the “Mask”: Kongo Astronauts (Eléonore Hellio and
Michel Ekeba) on postcolonial entanglements—A conversation with Hanna B. Hölling, Emilie Magnin and Valerian Maly. Introduction by Jacob Badcock.
In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 200-215).
Routledge: London, UK.
|
Hölling, Hanna B;
(2023)
Conserving Active Matter—Activating Conservation?
Zeitschrift für Kunstgeschichte
, 86
(3)
pp. 426-432.
10.1515/zkg-2023-3008.
|
Hölling, Hanna B;
Feldman, Jules Pelta;
Magnin, Emilie;
(2023)
Performance: The Ethics and the Politics of Conservation and Care, Volume I.
[Book].
Taylor & Francis: Abingdon, UK.
|
Hölling, Hanna Barbara;
(2023)
Notation and Eternity in Symphonie No. 5 and Liberation Sonata for Fish.
In: Frieling, Rudolf, (ed.)
Nam June Paik: I Expose the Music.
(pp. 108-115).
Spector Books: Leipzig, Germany.
|
Hölling, Hanna Barbara;
(2023)
Notation und Ewigkeit in Symphonie No. 5 and Liberation Sonata for Fish.
In: Frieling, Rudolf, (ed.)
Nam June Paik: I Expose the Music.
(pp. 108-115).
Spector Books: Leipzig, Germany.
|
Hölling, Hanna Barbara;
(2023)
Can We Talk Post-Preservation? A Letter to Paik Nam June.
In: Han, Jung-in, (ed.)
My Paik Nam June: Memories, Conservation, and the Spread of Discourse.
(pp. 83-96).
National Museum of Modern and Contemporary Art, Korea: Seoul, South Korea.
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Hölling, Hanna Barbara;
Morgan, Kelli;
Pelta Feldman, Jules;
Magnin, Emilie;
(2023)
Peeling the Paint off the Walls: Kelli Morgan on Black performance and racial justice in Western institutions—A conversation with Hanna B. Hölling, Jules Pelta Feldman and Emilie Magnin.
In: Hölling, Hanna Barbara and Pelta Feldamn, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 188-199).
Routledge: London, UK.
|
Hölling, Hanna Barbara;
Pelta Feldman, Jules;
Maginin, Emilie;
Smith, Cauleen;
(2023)
Potential afterlives: Cauleen Smith on the relation of film to performance — A conversation with Hanna B. Hölling and Jules Pelta Feldman.
In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 293-304).
Routledge: London, UK.
|
Hölling, Hanna Barbara;
Pelta Feldman, Jules;
Magnin, Emilie;
(2023)
Introduction: Caring for Performance.
In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 1-20).
Routledge: London, UK.
|
K
Kumar, Aparna;
(2023)
Infrastructure, Nation, and Excess.
[Review].
Art History
, 46
(3)
pp. 612-618.
10.1111/1467-8365.12738.
|
M
Marcal, Helia;
(2023)
Entangled ethics: heritage conservation, transmission and participation.
In: Fekrsanati, Farideh and Schimmeroth, Gabriel, (eds.)
From Conservation to Conversation.
(pp. 131-139).
MARKK (Museum am Rothenbaum Kulturen und Künste): Munich, Germany.
|
Marçal, Hélia;
(2023)
Vitality and the conservation of performance.
In: Hölling, Hanna B and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance The Ethics and the Politics of Conservation and Care, Volume I.
(pp. 70-92).
Routledge: London, UK.
|
Marçal, Helia;
Gordon, Rebecca;
(2023)
Affirming future(s): towards a posthumanist conservation in practice.
In: Daigle, Christine and Hayler, Matthew, (eds.)
Posthumanism in Practice.
(pp. 165-178).
Bloomsbury Publishing: London, UK.
|
Marcal, Helia;
Peters, Renata F;
Castriota, Brian;
Auffret, Stephanie;
(2023)
Conservation (preventive).
In: Mairesse, François, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
|
Marcal, Helia;
Peters, Renata F;
Castriota, Brian;
Auffret, Stephanie;
(2023)
Conservation (remedial).
In: Mairesse, Francois, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
|
P
Peters, Renata F;
Marcal, Helia;
Auffret, Stephanie;
Castriota, Brian;
(2023)
Conservation.
In: Mairesse, Francois, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
|
R
Rovelli, Marina;
(2023)
Forging Reputations: Working and Understanding Metals in Sforza Milan (1450 - 1499).
Doctoral thesis (Ph.D), UCL (University College London).
|
S
Schneider, Rebecca;
Hölling, Hanna Barbara;
(2023)
Not, Yet: When Our Art is in our Hands.
In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 50-69).
Routledge: London, UK.
|
Schreiber, Kimberly;
(2023)
From State Warfare to State Welfare: Family Values in Leonard Freed's Police Work (1980).
Journal of American Studies
10.1017/s0021875823000233.
(In press).
|
Schwartz, Stephanie;
(2023)
Back to the Future.
Afterimage: The Journal of Media Arts and Cultural Criticism
, 50
(4)
pp. 46-50.
10.1525/aft.2023.50.4.46.
|
Schwartz, Stephanie;
(2023)
The Physiognomy of a Nation.
October
, 2023
(185)
pp. 50-66.
10.1162/octo_a_00492.
|
Shadreck, Chirockure;
Hölling, Hanna Barbara;
(2023)
Innovation and preservation: Shadreck Chirikure on the performance
of heritage—A conversation with Hanna B. Hölling.
In: Hölling, Hanna Barbara and Petla Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care,.
(pp. 113-119).
Routledge: London, UK.
|
Stielau, A;
(2023)
Inscription, the Embossed Surface and the Ceremonial Sip: The Traubenpokal of Bernkastel-Kues, 1661-2001.
German History
, 41
(3)
pp. 419-443.
10.1093/gerhis/ghad037.
|
Stielau, Allison;
(2023)
The 1869 Regensburger Silberfund:
A Seventeenth-Century Hoard of Silver.
Metropolitan Museum Journal
, 58
pp. 33-58.
10.1086/728876.
(In press).
|
Stielau, Allison;
(2023)
The Censer In and After the Reformation: Authority, Rebellion, Transgression.
In: Fricke, Beate, (ed.)
Holy Smoke: Censers Across Cultures.
(pp. 207-250).
Hirmer: Munich, Germany.
|
V
Vilalta Conesa, Helena;
(2023)
Embodying Information: Lee Lozano, Adrian Piper and Howardena Pindell.
Doctoral thesis (Ph.D), UCL (University College London).
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