Giamarelos, Stylianos;
(2024)
Neurodiversifying space: Affective architectures of dementia from Buro Kade’s De Hogeweyk to Florian Zeller’s The Father.
Architectural Research Quarterly
, 28
(3)
pp. 243-260.
10.1017/s1359135525100857.
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Abstract
This article develops within the ‘design model’ of neurodiversity that explores how the creative professions have aligned their work with and in contrast to the established ‘medical’ and ‘social models’ in critical disability scholarship. Architects have frequently encountered the limits of dementia-friendly design principles when engaging with them in practice. Buro Kade Architects’ De Hogeweyk project in Weesp, the Netherlands (2008-09), which falsifies everyday life in a small-town environment that masks the mechanisms of surveillance of its older residents, has also raised ethical questions. Such precedents have driven architects such as Níall McLaughlin and Yeoryia Manolopoulou to explore ways of working directly with people living with the condition in the Alzheimer’s Respite Centre in Dublin, Ireland (2009). This experience has also inspired Manolopoulou and McLaughlin to develop collaborative practices of drawing towards more inclusive design processes in co-producing architecture, which have so far been shared only with a limited number of neurotypical peers. Even in such creative approaches, however, the pervasive perception of dementia as a form of deficit frequently persists. This seems to be challenged by the way that architecture is deployed in Florian Zeller’s The Father , performed on stage (2012) and turned into a feature film (2020). Despite being a different form of creative output, Zeller’s staging can expand the imagination of professional architects regarding their creative engagement with dementia. Through its cultural agency, the affective porosity of architecture in The Father plays a positive role in foregrounding and validating the lived experience of people living with this condition by rendering it relatable to neurotypical audiences. If relatability is a first step towards empathy, then architecture can also drive the allyship that counters othering. In so doing, it also aids in expanding difficult discussions around questions of citizenship and political representation of neurodiverse constituencies.
| Type: | Article |
|---|---|
| Title: | Neurodiversifying space: Affective architectures of dementia from Buro Kade’s De Hogeweyk to Florian Zeller’s The Father |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.1017/s1359135525100857 |
| Publisher version: | https://doi.org/10.1017/s1359135525100857 |
| Language: | English |
| Additional information: | © The Author(s), 2025. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0), which permits non-commercial re-use, distribution, and reproduction in any medium, provided that no alterations are made and the original article is properly cited. The written permission of Cambridge University Press must be obtained prior to any commercial use and/or adaptation of the article. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL BEAMS UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment > The Bartlett School of Architecture |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10216620 |
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