Browse by UCL people
Group by: Type | Date
Number of items: 46.
Article
Hölling, Hanna B;
(2023)
Conserving Active Matter—Activating Conservation?
Zeitschrift für Kunstgeschichte
, 86
(3)
pp. 426-432.
10.1515/zkg-2023-3008.
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Hölling, Hanna B;
(2022)
Post-Preservation: Paik's Virtual Archive, Potentially.
NJP Reader
, 11
pp. 2-18.
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Hölling, Hanna B;
(2021)
Matter Minding, or What the Work Wants: Aldo Tambellini’s Intermedia.
Afterall
, 52
pp. 106-119.
10.1086/719773.
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Hölling, HB;
(2021)
Caring For Performance: Recent Debates.
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
, 12
10.4000/ceroart.8119.
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Holling, HB;
(2021)
Unpacking the Score: Fluxus and the Material Legacy of Intermediality.
On Curating: Fluxus Special Issue
, 52
pp. 64-81.
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Hölling, H;
(2021)
Assembling a Work of Art: An Annotated History of Fluxfilm No. 1.
MAP – Media | Archive | Performance
, 11
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Holling, H;
(2020)
Archival Activations: Writings by Nam June Paik.
Metropolis M
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Hölling, H;
(2020)
Archiefactiveringen.
Metropolis M
, 41
(1)
pp. 42-45.
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Holling, H;
(2016)
Transitional media: duration, recursion, and the paradigm of conservation.
Studies in Conservation
, 61
(Suppl.2)
pp. 79-83.
10.1080/00393630.2016.1181929.
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Hölling, HB;
(2021)
Keeping Time: On Museum, Temporality and Heterotopia.
ArtMatters: International Journal for Technical Art History
, SI
(1)
pp. 47-54.
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Holling, HB;
(2018)
Archive and Documentation.
Art and Documentation
(17)
pp. 19-28.
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Holling, HB;
(2017)
The technique of conservation: on realms of theory and cultures of practice.
Journal of the Institute of Conservation
, 40
(2)
pp. 87-96.
10.1080/19455224.2017.1322114.
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Holling, HB;
(2017)
Reflections on the Impossibility of Material Continuation.
The Moving Image: The Journal of the Association of Moving Image Archivists
, 17
(1)
pp. 163-166.
10.5749/movingimage.17.1.0163.
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Holling, HB;
(2016)
Lost in Museums? Changeable Media, Their World, and Performance.
Museum History Journal
, 10
(1)
pp. 97-111.
10.1080/19369816.2017.1257873.
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Book
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(Vol.2).
(2 vols).
Routledge, Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules Pelta;
Magnin, Emilie;
(2023)
Performance: The Ethics and the Politics of Conservation and Care, Volume I.
[Book].
Taylor & Francis: Abingdon, UK.
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Book chapter
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Hellio, Eleanor;
Ekeba, Michel;
Hölling, Hanna Barbara;
Badcock, Jacob;
Magnin, Emilie;
Maly, Valerian;
(2023)
Performing the “Mask”: Kongo Astronauts (Eléonore Hellio and
Michel Ekeba) on postcolonial entanglements—A conversation with Hanna B. Hölling, Emilie Magnin and Valerian Maly. Introduction by Jacob Badcock.
In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 200-215).
Routledge: London, UK.
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Hölling, Hanna;
Ribeiro, Felipe;
(2024)
Pode a Performance ser Conservada? Introdução a um Campo Contestado.
In: Galvão, Maria Inês and Da Cruz Souza, Marco Aurelio, (eds.)
Dança como insurgência e criação de outros modos de ser.
(pp. 38-73).
Associação Nacional de Pesquisadores em Dança: ANDA: Salvador, Bahia, Brazil.
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Hölling, Hanna B;
(2024)
Joanna Leśnierowska: Performance conservation as a political act.
In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 293-304).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
(2024)
“Once upon a time”: Performative ultra-conceptualism and storytelling as conservation-Florence Jung.
In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 27-50).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Philip Auslander: Can we conserve performance?
In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.)
Performance The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 126-138).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Rosanna Raymond on Conser.Vā.Tion.
In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 247-262).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Urmimala Sarkar Munsi: Dance, embodied preservation, and unlearning in India.
In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.)
The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 263-277).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Valinda Carroll, Kayla Henry-Griffin, Nylah Byrd, and Ariana Makau of Black Art Conservators on Black objects, performance, and the future of conservation.
In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 173-185).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules Pelta;
Magnin, Emilie;
(2024)
Gisela Hochuli: In Strange Hands.
In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 281-292).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna Barbara;
(2024)
Fluxus Mystery Food by Ben Vautier.
In: Senkpiel, Fabiana and Jessen, Ina, (eds.)
Lexikon der Lebensmittel als Kunstmaterial. Von Apfel bis Zucker.
(pp. 91-97).
Hatje Cantz: Berlin, Germany.
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Hölling, Hanna Barbara;
(2024)
Curating et conservation de la variabilité.
In: Ammann, Katharina and Weilenman, Katrin and Ciuccio, Simona, (eds.)
Aargauer Kunsthaus – Accompagner l’art contemporain.
(pp. 162-175).
Scheidegger and Spiess: Zurich, Switzerland.
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Hölling, Hanna Barbara;
(2024)
Performance Conservation: A Condition Report, or a Para-Ethnography in Three Acts.
In: Gebhardt Fink, Sabine and Mirčev, Andrej, (eds.)
Revolving Documents: Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art.
(pp. 155-172).
Diaphanes: Zurich, Switzerland.
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Hölling, Hanna Barbara;
(2024)
Veränderlichkeit kuratieren und konservieren.
In: Ammann, Katarina and Weilenman, Katrin and Ciuccio, Simona, (eds.)
Aargauer Kunsthaus – Mit Gegenwart umgehen.
(pp. 162-175).
Scheidegger and Spiess: Zurich, Switzerland.
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Hölling, Hanna Barbara;
(2023)
Can We Talk Post-Preservation? A Letter to Paik Nam June.
In: Han, Jung-in, (ed.)
My Paik Nam June: Memories, Conservation, and the Spread of Discourse.
(pp. 83-96).
National Museum of Modern and Contemporary Art, Korea: Seoul, South Korea.
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Hölling, Hanna Barbara;
(2023)
Notation and Eternity in Symphonie No. 5 and Liberation Sonata for Fish.
In: Frieling, Rudolf, (ed.)
Nam June Paik: I Expose the Music.
(pp. 108-115).
Spector Books: Leipzig, Germany.
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Hölling, Hanna Barbara;
(2023)
Notation und Ewigkeit in Symphonie No. 5 and Liberation Sonata for Fish.
In: Frieling, Rudolf, (ed.)
Nam June Paik: I Expose the Music.
(pp. 108-115).
Spector Books: Leipzig, Germany.
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Holling, Hanna Barbara;
(2022)
Exhausting Conservation: Object, Event, Performance in Franz Erhard Walther’s Werkstücke.
In: Holling, Hanna Barbara, (ed.)
Object—Event—Performance: Art, Materiality and Continuity since the 1960s.
(pp. 62-84).
Bard Graduate Center: New York, NY, USA.
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Hölling, Hanna Barbara;
(2022)
Introduction: Object—Event—Performance.
In: Hölling, Hanna Barbara, (ed.)
Object—Event—Performance: Art, Materiality and Continuity since the 1960s.
(pp. 1-39).
Bard Graduate Center: New York, NY, USA.
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Holling, Hanna Barbara;
Hedinger, Johannes M;
(2022)
The Propensity to Openness: Bloch as Object, Event, Performance—Hanna B. Hölling in Conversation with Johannes M. Hedinger.
In: Holling, Hanna B, (ed.)
Object—Event—Performance: Art, Materiality and Continuity since the 1960s.
(pp. 261-283).
Bard Graduate Center: New York, NY, USA.
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Hölling, Hanna Barbara;
Morgan, Kelli;
Pelta Feldman, Jules;
Magnin, Emilie;
(2023)
Peeling the Paint off the Walls: Kelli Morgan on Black performance and racial justice in Western institutions—A conversation with Hanna B. Hölling, Jules Pelta Feldman and Emilie Magnin.
In: Hölling, Hanna Barbara and Pelta Feldamn, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 188-199).
Routledge: London, UK.
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Hölling, Hanna Barbara;
Pelta Feldman, Jules;
Maginin, Emilie;
Smith, Cauleen;
(2023)
Potential afterlives: Cauleen Smith on the relation of film to performance — A conversation with Hanna B. Hölling and Jules Pelta Feldman.
In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 293-304).
Routledge: London, UK.
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Hölling, Hanna Barbara;
Pelta Feldman, Jules;
Magnin, Emilie;
(2023)
Introduction: Caring for Performance.
In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 1-20).
Routledge: London, UK.
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Holling, HB;
(2021)
Über das Nichts, die Leere und die Langeweile.
In: Krüsi, A, (ed.)
Leere.
(pp. 60-61).
VGS St Gallen: St. Gallen, Switzerland.
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Hölling, HB;
Feldman, JP;
Magnin, E;
(2024)
Introduction: Sustaining care for performance.
In: Hölling, Hanna B and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance.
(pp. 1-24).
Routledge: London, UK.
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Hölling, HB;
(2021)
Baumfänger: Auszüge aus der Eröfnungrede.
In: Waldner, C, (ed.)
Von Würzlen zu Wolken.
(pp. 10-21).
Kunsthaus Zofingen: Zofingen, Switzerland.
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Schneider, Rebecca;
Hölling, Hanna Barbara;
(2023)
Not, Yet: When Our Art is in our Hands.
In: Hölling, Hanna Barbara and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care.
(pp. 50-69).
Routledge: London, UK.
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Shadreck, Chirockure;
Hölling, Hanna Barbara;
(2023)
Innovation and preservation: Shadreck Chirikure on the performance
of heritage—A conversation with Hanna B. Hölling.
In: Hölling, Hanna Barbara and Petla Feldman, Jules and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care,.
(pp. 113-119).
Routledge: London, UK.
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Proceedings paper
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Hölling, HB;
(2017)
Time and Conservation.
In:
Proceedings of the ICOM-CC 18th Triennial Conference.
ICOM-CC: Copenhagen, Denmark.
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Digital scholarly resource
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Hölling, Hanna Barbara;
(2024)
Köpfe der Forschung: Hanna B. Hölling.
[Digital scholarly resource].
https://www.hkb.bfh.ch/de/aktuell/storys/2024/koep...
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Hölling, Hanna Barbara;
Dupre, Sven;
(2025)
Natureculture Lab: An International Think Tank.
[Digital scholarly resource].
https://www.hkb.bfh.ch/en/news/events-for-speciali...
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