Browse by UCL Departments and Centres
![[up]](/style/images/multi_up.png)
Up a levelGroup by: Author | Type
Number of items: 29.
B
Beckhurst, Gabriella;
(2022)
Leave No Trace: Incongruous Environmental Affiliations in American Art after 1970.
Doctoral thesis (Ph.D), UCL (University College London).
|
D
|
Da Fonseca, Anais;
(2022)
Paintings, Painters, and Patrons Institutional Interventions in the Lives of Cheriyal Paintings.
Asian Ethnology
, 81
(1-2)
pp. 125-148.
|
F
|
Field-Donovan, Freya;
(2022)
A Strange American Funeral: Dance and Technological Reproduction in 1940s USA.
Doctoral thesis (Ph.D), UCL (University College London).
|
G
|
Ghigo, Tea;
Bone, Daniel;
Howell, David;
Domoney, Kelly;
Gironda, Michele;
Beeby, Andy;
(2022)
Material Characterisation of William Burges’ Great Bookcase within the Disruption of a Global Pandemic.
Studies in Conservation
10.1080/00393630.2022.2153463.
(In press).
|
 |
|
Gnisci, Jacopo;
Lusini, Gianfrancesco;
Villa, Massimo;
Bottari, Gioia;
(2022)
Savona, Archivio Storico Diocesano: Atti dei martiri.
Catalogo Nazionale dei Manoscritti Etiopici in Italia
, 3
|
 |
|
Gnisci, Jacopo;
Villa, Massimo;
(2022)
Evidence for the History of Early Solomonic Ethiopia from Tämben: Part II: Yoḥanni Däbrä ʿAśa.
Rassegna di Studi Etiopici
, 6
(53)
pp. 97-119.
|
|
Green, Michael John;
(2022)
Thinking Back: Artistic Returns to H.D.
Doctoral thesis (Ph.D), UCL (University College London).
|
|
Gupta, Vivek;
(2022)
Arabic in Hindustan: Comparative Poetics in the Eighteenth Century and Azad Bilgrami’s The Coral Rosary.
Journal of South Asian Intellectual History
, 4
(2)
pp. 181-222.
10.1163/25425552-12340034.
|
|
H
|
Hayes, Rosalind Catherine;
(2022)
‘Look To Your Eating’: Animals, Meat and Visual Culture in Britain, c. 1880-1910.
Doctoral thesis (Ph.D), UCL (University College London).
|
|
Hölling, Hanna B;
(2022)
Post-Preservation: Paik's Virtual Archive, Potentially.
NJP Reader
, 11
pp. 2-18.
|
|
Holling, Hanna Barbara;
(2022)
Exhausting Conservation: Object, Event, Performance in Franz Erhard Walther’s Werkstücke.
In: Holling, Hanna Barbara, (ed.)
Object—Event—Performance: Art, Materiality and Continuity since the 1960s.
(pp. 62-84).
Bard Graduate Center: New York, NY, USA.
|
|
Hölling, Hanna Barbara;
(2022)
Introduction: Object—Event—Performance.
In: Hölling, Hanna Barbara, (ed.)
Object—Event—Performance: Art, Materiality and Continuity since the 1960s.
(pp. 1-39).
Bard Graduate Center: New York, NY, USA.
|
|
Holling, Hanna Barbara;
Hedinger, Johannes M;
(2022)
The Propensity to Openness: Bloch as Object, Event, Performance—Hanna B. Hölling in Conversation with Johannes M. Hedinger.
In: Holling, Hanna B, (ed.)
Object—Event—Performance: Art, Materiality and Continuity since the 1960s.
(pp. 261-283).
Bard Graduate Center: New York, NY, USA.
|
I
|
Ingrams, Catherine;
(2022)
Resisting Forms: Forms of Resistance: Avant-garde Practice in Italy 1947 - 1958.
Doctoral thesis (Ph.D), UCL (University College London).
|
K
|
Kwartler, Talia;
(2022)
Suzanne Duchamp Does More Intelligent Things Than Paint.
Doctoral thesis (Ph.D), UCL (University College London).
|
L
|
Lawson, L;
Marcal, H;
(2022)
Method for assessing conservation documentation for complex performance artworks.
[Scholarly edition].
Tate Research: London, UK.
|
M
|
Marcal, H;
Lawson, L;
Ribeiro, A;
(2022)
Experimenting with transmission.
[Scholarly edition].
Tate Research: London, UK.
|
|
Marçal, H;
Salazar, D;
(2022)
‘Political-Timing-Specific’ Performance Art in the Realm of the Museum.
In: Baldacci, Cristina and Nicastro, Clio and Sforzini, Arianna, (eds.)
Cultural Inquiry.
(pp. 239-254).
ICI Berlin Press: Berlin, Germany.
|
|
|
Marçal, Hélia;
(2022)
A Word About Performance Art.
In: Engel, Deena and Philips, Joanna, (eds.)
Conservation of Time-Based Media Art.
Routledge: London, UK.
|
|
Marçal, Hélia;
Fekrsanati, Farideh;
(2022)
Affirming change in participatory practice of cultural conservation.
In: Rausch, Christoph and Benschop, Ruth and Sitzia, Emilie and van Saaze, Vivian, (eds.)
Participatory Practices in Art and Cultural Heritage - Learning Through and from Collaboration.
(pp. 127-141).
Springer Nature: Cham, Switzerland.
|
|
Mills, Robert;
(2022)
Elliott, Dyan. The Corrupter of Boys: Sodomy, Scandal, and the Medieval Clergy. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2020. viii+378 pp. $45.00 (cloth).
[Review].
The Journal of Religion
, 102
(3)
pp. 421-423.
10.1086/719734.
|
|
Mladentseva, A;
(2022)
Responding to obsolescence in Flash-based net art: a case study on migrating Sinae Kim’s Genesis.
Journal of the Institute of Conservation
, 45
(1)
pp. 52-68.
10.1080/19455224.2021.2007412.
|
P
|
Paskins, Jacob;
(2022)
Reconstructing and Teaching Medieval Paris in the Digital Age.
Architectural Histories
, 10
(1)
pp. 10-15.
10.16995/ah.8756.
|
R
|
Robbins, Nicholas;
(2022)
Review of Winslow Homer: Crosscurrents.
The Burlington Magazine
, 164
(1434)
pp. 919-922.
|
S
|
Schreiber, Kimberly;
(2022)
Still Lives in Changing Times: Documentary and the American Carceral State, 1964-1980.
Doctoral thesis (Ph.D), UCL (University College London).
|
|
Stinton, Cecilia Violet;
(2022)
Opera as Multimedia: The Experiments of Wassily Kandinsky, Natalia Goncharova and Kurt Schwitters, 1908-1924.
Doctoral thesis (Ph.D), UCL (University College London).
|
T
|
Taylor, Joel;
Marcal, Helia;
(2022)
Conservation in the performative turn.
Studies in Conservation
, 67
(Sup 1)
pp. 260-266.
10.1080/00393630.2022.2067717.
|
|
Thomas, Sarah;
Eaton, Natasha;
(2022)
Swollen detail, or what a vessel might give: Agostino Brunias and the visual and material culture of colonial Dominica.
Atlantic Studies
, 19
(1)
pp. 60-85.
10.1080/14788810.2021.1930773.
|
