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Number of items: 26.


Floyd, E; (2021) Tras los pasos de un artista en blanco y negro: identidad y agencia en los grabadores limeños del siglo XVIII. Latin American and Latinx Visual Culture , 3 (3) pp. 106-114. 10.1525/lavc.2021.3.3.106. Green open access

Floyd, E; (2021) The word as object in colonial Spanish South America: Juan María de Guevara y Cantos’s corona de la divinissima María (Lima, 1644). Material Religion: the journal of objects, art and belief , 17 (2) pp. 202-227. 10.1080/17432200.2021.1897281.


Gnisci, J; (2021) A Contextual Reading of Ethiopian Crosses through Form and Ritual. [Review]. Aethiopica: Internationale Zeitschrift fuer Aethiopistik , 23 (2020) pp. 256-268. 10.15460/aethiopica.23.0.1457. Green open access

Gujral, Diva; (2021) Picturing Non-Alignment: Photography, nation-building and identity in India, c. 1950-1975. Doctoral thesis (Ph.D), UCL (University College London).


Hölling, HB; (2021) Caring For Performance: Recent Debates. CeROArt : Conservation, Exposition, Restauration d'Objets d'Art , 12 10.4000/ceroart.8119. Green open access

Holling, HB; (2021) Unpacking the Score: Fluxus and the Material Legacy of Intermediality. On Curating: Fluxus Special Issue , 52 pp. 64-81. Green open access

Holling, HB; (2021) Über das Nichts, die Leere und die Langeweile. In: Krüsi, A, (ed.) Leere. (pp. 60-61). VGS St Gallen: St. Gallen, Switzerland.

Hölling, H; (2021) Assembling a Work of Art: An Annotated History of Fluxfilm No. 1. MAP – Media | Archive | Performance , 11 Green open access

Hölling, HB; (2021) Keeping Time: On Museum, Temporality and Heterotopia. ArtMatters: International Journal for Technical Art History , SI (1) pp. 47-54. Green open access

Hölling, HB; (2021) Baumfänger: Auszüge aus der Eröfnungrede. In: Waldner, C, (ed.) Von Würzlen zu Wolken. (pp. 10-21). Kunsthaus Zofingen: Zofingen, Switzerland. Green open access


Knapp, Ivan; (2021) Meme-work: Psychoanalysis and the alt-right. Doctoral thesis (Ph.D), UCL (University College London).


Marcal, H; (2021) Becoming Difference: on the Ethics of Conserving the In-between. Studies in Conservation 10.1080/00393630.2021.1947074. (In press). Green open access

Marcal, H; (2021) Situated knowledges and materiality in the conservation of performance art. Art Matters: International Journal for Technical Art History Green open access

Marcal, H; Lawson, L; (2021) Unfolding interactions in the preservation of performance art at Tate. In: Proceedings of the 19th ICOM-CC Triennial Conference in Beijing. International Council of Museums: Beijing, China. Green open access

Marçal, H; Salazar, D; (2021) Performance after performance: on the material legacies and their possibilities for transmission. In: Baião, J, (ed.) Artists’ Legacies. Preservation, Study, Dissemination, Institutionalisation. (pp. pp. 219-229). Fundação Arpad Szenes-Vieira da Silva (FASVS): Lisbon, Portugal. Green open access

Marçal, H; (2021) Hélia Marçal reviews: Critical Perspectives on Cultural Memory and Heritage: Construction, Transformation and Destruction, edited by Veysel Apaydin, London, UCL Press, 2020, 336 pp., (paperback). ISBN 9781787354845. Journal of the Institute of Conservation , 44 (2) pp. 153-155. 10.1080/19455224.2021.1929579.

Marcal, H; (2021) Towards a relational ontology of conservation. In: Proceedings of the 19th ICOM-CC Triennial Conference in Beijing. International Council of Museums: Beijing, China. Green open access

Marcal, H; Castriota, B; (2021) Always already fragment: integrity, deferral, and possibility in the conservation of cultural heritage. In: Schädler-Saub, U and Weyer, A, (eds.) The Fragment in the Digital Age. Opportunities and risks of new conservation-restoration techniques. Schriften des Hornemann Instituts


Robbins, N; (2021) Atmospheric Regulation in the Panorama. Grey Room , 83 pp. 56-81. 10.1162/grey_a_00320. Green open access

Robbins, N; (2021) John Constable, Luke Howard, and the Aesthetics of Climate. The Art Bulletin , 103 (2) pp. 50-76. 10.1080/00043079.2021.1847578.

Robbins, N; (2021) Rock-Bound: Fitz Henry Lane in 1862. Oxford Art Journal , 44 (1) pp. 105-123. 10.1093/oxartj/kcaa029.

Robbins, N; (2021) Ruskin, Whistler, and the climate of art in 1884. In: Freeman, K and Hughes, T, (eds.) Ruskin’s ecologies: figures of relation from Modern Painters to the Storm-Cloud. (pp. 203-223). Courtauld Books Online: London, UK. Green open access


Schwartz, S; (2021) David Levi Strauss: Photography and Belief Jörg Colberg: Photography’s Neoliberal Realism. Art Monthly , 443 pp. 35-36. Green open access

Schwartz, S; (2021) Street Photography Reframed. Arts , 10 (2) p. 29. 10.3390/arts10020029. Green open access


Taws, R; (2021) Death from Above in Minard's Napoleon Map. Grey Room , 83 pp. 82-111. 10.1162/grey_a_00321. Green open access

Taws, R; (2021) At the Musée des arts et métiers: Madame de Genlis’s Models. London Review of Books , 43 (6) Green open access

This list was generated on Mon May 16 01:29:58 2022 BST.