Barry, Nancy H;
Hallam, Susan;
(2002)
Practice.
In: Parncutt, Richard and McPherson, Gary, (eds.)
The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning.
(pp. 151-166).
Oxford University Press: Oxford, UK.
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Abstract
Musicians practice to gain technical proficiency, learn new repertoire, develop musical interpretation, memorize music, and prepare for performances. Based on available empirical research, this chapter describes appropriate practicing and learning strategies that can be incorporated into regular music teaching to encourage students to become autonomous learners. Research demonstrates that practice is more effective when musicians engage in metacognition (reflecting upon their own thought processes); employ mental practice in combination with physical practice; approach practice in an organized, goal-oriented manner; study and analyze scores; plan relatively short and regular practice sessions; are intrinsically motivated; and listen to appropriate musical examples including professional recordings and/or teacher demonstrations.
Type: | Book chapter |
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Title: | Practice |
ISBN-13: | 9780195138108 |
Open access status: | An open access version is available from UCL Discovery |
DOI: | 10.1093/acprof:oso/9780195138108.003.0010 |
Publisher version: | https://doi.org/10.1093/acprof:oso/9780195138108.0... |
Additional information: | This version is the author-accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > School of Education UCL > Provost and Vice Provost Offices > School of Education > UCL Institute of Education UCL > Provost and Vice Provost Offices > School of Education > UCL Institute of Education > IOE - Education, Practice and Society |
URI: | https://discovery.ucl.ac.uk/id/eprint/1507397 |




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