Buck, DN;
(2014)
Drawing Sound as Landscape.
Opticon 1826
(16)
10.5334/opt.cb.
Preview |
Text
Buck, D. Drawing sound as landscape.pdf Download (4MB) | Preview |
Abstract
This essay discusses the relationship between music notation, sound, and landscape. I explore how the notation of musical sounds might lead to new methods for drawing auditory landscapes. There are three components to the research: an analysis of the score of English composer Michael Finnissy’s composition Green Meadows (1977); a reference to ethnomusicology to explore how the notation of sound-as-music might allow us to draw sound-as-landscape; and a notation to investigate the composition of a landscape through sound. In conclusion, I question how auditory landscapes might be composed, and suggest ways in which both drawing and sound might be considered landscape.
| Type: | Article |
|---|---|
| Title: | Drawing Sound as Landscape |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.5334/opt.cb |
| Publisher version: | http://doi.org/10.5334/opt.cb |
| Language: | English |
| Additional information: | Copyright: © 2014 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 3.0 Unported License (CC-BY 3.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/3.0/. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL BEAMS UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment |
| URI: | https://discovery.ucl.ac.uk/id/eprint/1470744 |
Archive Staff Only
 |
View Item |
