Rebelo, Enzo;
(2025)
"Who's afraid of little old (Taylor's version)?": The impact of Taylor Swift's re-recordings on recording contracts and the music industry.
Entertainment Law Review (UK)
, 36
(3)
pp. 101-107.
(In press).
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Abstract
Discusses, with reference to Taylor Swift's re-recording of her albums, which was permitted by copyright law, to regain control of her work, the wider implications of such a strategy for the music industry. Examines whether revised re-record clauses in artists' contracts may be a restraint of trade.
| Type: | Article |
|---|---|
| Title: | "Who's afraid of little old (Taylor's version)?": The impact of Taylor Swift's re-recordings on recording contracts and the music industry |
| Publisher version: | https://www.sweetandmaxwell.co.uk/en-gb/products/e... |
| Language: | English |
| Additional information: | This version is the author-accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Laws |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10215095 |
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