Heřmanová, Marie;
Eriksson Krutrök, Moa;
Divon, Tom;
(2025)
“The algorithm loves the war”: ambivalent visibility in content creator practices during war.
Continuum, Journal of Media & Cultural Studies
pp. 1-17.
10.1080/10304312.2025.2507777.
(In press).
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Abstract
Content creators in war zones are critical in shaping global perceptions of conflict. Through social media, they document real-time events and reach audiences beyond the traditional news frameworks. Based on an ethnographic study of Czech and Ukrainian TikTok creators sharing war-related content from Ukraine, we introduce the concept of ambivalent visibility – a condition shaped by the conflicting demands creators face in balancing algorithmic amplification, audience engagement and ethical responsibility. In conflict zones, ambivalent visibility emerges as creators integrate war-related content into platform vernaculars, such as native templates and viral formats, while negotiating the risks of trivialization and misinterpretation. We identify three forms of ambivalence: (1) tension between raw immediacy and platform-friendly visibility, where creators balance the urgency of documenting war with the need to remain legible to the algorithm; (2) blurred boundaries between digital storytelling and journalism, as creators navigate dual roles as informal correspondents and narrative influencers; and (3) a virality paradox, in which tragedy becomes a driver of engagement, propelling content not despite its emotional gravity, but because of it. We conclude by positioning these creators as contemporary war communicators, bridging journalism and personal stories to reframe how conflicts are witnessed and understood in the platform age.
| Type: | Article |
|---|---|
| Title: | “The algorithm loves the war”: ambivalent visibility in content creator practices during war |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.1080/10304312.2025.2507777 |
| Publisher version: | https://doi.org/10.1080/10304312.2025.2507777 |
| Language: | English |
| Additional information: | © 2025 Institute of Sociology, Czech Academy of Sciences. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/ licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent. |
| Keywords: | Content creators, Ukraine, TikTok, ambivalent, visibility |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Dept of Anthropology |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10215010 |
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