Spriggs, Hermione; (2025) Traps as Artworks & Artworks as Traps. Towards a model for life-sustaining art. Doctoral thesis (Ph.D), UCL (University College London).

Preview	Text Spriggs_10207642_Thesis.pdf Download (28MB) | Preview
	Archive Spriggs_10207642_Appendix.zip Download (395MB)

Abstract

This is a project about how anthropology can inform art practice, and vice-versa, explored through an ethnography conducted in parallel with four art commissions. The thesis is shaped by my creative collaboration with Nigel — a professional molecatcher whose interest in art and education led to conversations which catalysed my own comparative toggling between art practice and hunting practice, as well as art and anthropological perspectives. Working with Nigel and other pest control hunters in rural North Yorkshire, I investigate the creative mediums and methods they employ to negotiate boundaries in the land and differences in species perspective. I probe the underground reciprocities that form between the repressed perspectives of ‘pest’ animals, land spirits and working-class hunters, tracking them under hedges and fences as they harness and entrap inalienable value from places where none is conventionally perceived. In the accompanying practice-portfolio I explore four ways of doing this artistically. Moving between written and practice-based work, I chart the tensions between a silenced “Hunting Attitude” and a dominant “Natural Attitude” in England and explore the ways in which this perspectival discrepancy can itself be worked to the hunter/artist’s advantage. I also call upon Metis (a trickster intelligence and goddess of traps) to articulate “reverse creativity”—the particular kind of practical intelligence that is needed not only to set a good trap, but also to escape one. A “Hunting Attitude” adopted in art proposes situated practice that yields to the perspectives of nonhuman others, engaging the complexity of death-work and drawing attention to purifying boundary-structures that might themselves be probed, entered and inhabited in a life-sustaining way. This in turn suggests methods for negotiating between art and anthropological perspectives, and ways for undermining and re-rooting extractive and anthropocentric frameworks of thought.

Download activity - last month

Export as JSONCSVXML

Download activity - last 12 months

Export as CSVXMLJSON

Downloads by country - last 12 months

Export as CSVXMLJSON

Archive Staff Only

View Item