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Monumental Artworks as Difficult Heritage

Daly, Selena; (2024) Monumental Artworks as Difficult Heritage. Quellen und Forschungen aus italienischen Archiven und Bibliotheken , 104 (1) pp. 55-80. 10.1515/qufiab-2024-0005. Green open access

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Abstract

In 1936, Benito Mussolini invaded and occupied Ethiopia. The following year, he declared that Sicily represented „the geographical centre of the Empire“. This new Fascist empire and Sicily’s role within it gave rise to numerous interventions into the island’s urban landscape, from renaming streets and installing commemorative plaques to commissioning monumental colonially-themed artworks. It is on this last category that the present article focuses, examining three such works: two frescoes by Alfonso Amorelli for a privately-owned shopping arcade in Palermo; a mosaic by Michele and Basilio Cascella for a train station in Messina; and a series of frescoes by Gino Morici and Pippo Rizzo for the reception rooms of the local government headquarters in Ragusa. The article explores both the genesis of these works and then, primarily, the factors that have influenced their reception from the end of the Fascist regime in 1943 to today, considering the visibility of the works to the general public; their perceived quality and the artist’s reputation among art historians and critics; and the political and historical moment. Ultimately, the article asks to what extent these artworks should be regarded as examples of „difficult heritage“ and what the management of them in postwar Italy can reveal about memories of Fascist colonialism today.

Type: Article
Title: Monumental Artworks as Difficult Heritage
Open access status: An open access version is available from UCL Discovery
DOI: 10.1515/qufiab-2024-0005
Publisher version: http://dx.doi.org/10.1515/qufiab-2024-0005
Language: English
Additional information: This work is licensed under a Creative Commons License. The images or other third-party material in this article are included in the Creative Commons license, unless indicated otherwise in the credit line; if the material is not included under the Creative Commons license, users will need to obtain permission from the license holder to reproduce the material. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/
UCL classification: UCL
UCL > Provost and Vice Provost Offices > UCL SLASH
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS
URI: https://discovery.ucl.ac.uk/id/eprint/10200802
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