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Neo-Surrealism in Hong Kong: The Fiction of Hon Lai-chu and Dorothy Tse

Li, Xiaofan Amy; (2025) Neo-Surrealism in Hong Kong: The Fiction of Hon Lai-chu and Dorothy Tse. Journal of Modern Literature , 48 (3) pp. 94-112. 10.2979/jml.00086. Green open access

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Abstract

Although the fiction of Hong Kong writers Hon Lai-chu and Dorothy Tse Hiu-hung are frequently described as “surreal,” does this term have critical purchase beyond its misleading vernacular use for anything that appears bizarre and fantastical? In Hon’s Empty Faces and Tse’s Owlish, Surrealism proves to be deeply relevant to both writers. Surrealist visuality prioritizes the novels’ literariness and resists reading Hong Kong literature as political allegory. The precarious human face in Hon and the uncanny doll figure in Tse re-enact surreal experiences of disquietude and liminality. While neither novel embraces explicit political stances, both disrupt established lines of thinking and are profoundly relevant to Hong Kong and global issues including neo-liberalism, security, and surveillance. These novels signal the emergence of the Hong Kong neo-Surreal, which highlights imaginaries of risk and affirms Hong Kong literature as world literature.

Type: Article
Title: Neo-Surrealism in Hong Kong: The Fiction of Hon Lai-chu and Dorothy Tse
Open access status: An open access version is available from UCL Discovery
DOI: 10.2979/jml.00086
Publisher version: https://dx.doi.org/10.2979/jml.00086
Language: English
Additional information: This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions.
Keywords: Hon Lai-chu, Dorothy Tse Hiu-hung, Hong Kong literature, neo-Surrealism, world literature
UCL classification: UCL
UCL > Provost and Vice Provost Offices > UCL SLASH
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS
URI: https://discovery.ucl.ac.uk/id/eprint/10182430
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