Smith, Kirstin;
(2023)
On the Couch: Casting, Cruel Optimism, and Memory Work.
Theatre Journal
, 75
(1)
pp. 1-18.
10.1353/tj.2023.a899353.
Preview |
Text
Smith_On the Couch - Casting Cruel Optimism and Memory Work.acceptedmanuscript.pdf - Accepted Version Download (298kB) | Preview |
Abstract
This article responds to the use of “casting couch” in the defense of Harvey Weinstein during his New York trial for rape and sexual assault in 2020. It traces the emergence of “casting couch” in the early-to-mid-twentieth century as a means of naming, but not acknowledging, sexual exploitation and violence in proximity to casting practices. The “casting couch” cliché invokes genre-scenes which depict sexual exploitation and violence, particularly towards actresses, as pornographic, melodramatic, and farcical, framing it as a source of pleasure for an audience. I compare the conventions of “casting couch” to first-hand accounts by women working in the performing arts in the UK in the early-to-mid-twentieth century. My sources are drawn from interviews and life writing, comprising Dodie Smith’s autobiography, a collection of recorded interviews with music hall performers conducted by Martha Vicinus, and several biographies of performers by Stephen Bourne. I analyse how gender, class, and racialization interact in these accounts and their framing. I analyse these sources in relation to genre, drawing particularly on Lauren Berlant’s concept of “genre as defense.” While Weinstein’s lawyers utilized the genre-scenes of “casting couch” to defend a sexual predator against the consequences of his actions, the various women discussed here deployed them in more complex ways. “Casting couch” was a means to give sexual exploitation discursive presence, even while limiting that presence. By gesturing towards a joke, and invoking melodramatic tropes, the “casting couch” cliché sometimes defended women against the violence and inequality contained in the stories they were telling.
| Type: | Article |
|---|---|
| Title: | On the Couch: Casting, Cruel Optimism, and Memory Work |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.1353/tj.2023.a899353 |
| Publisher version: | https://doi.org/10.1353/tj.2023.a899353 |
| Language: | English |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > Arts and Sciences (BASc) |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10175485 |
Loading...
Loading...Loading...Loading...Archive Staff Only
 |
View Item |
