UCL Discovery
UCL home » Library Services » Electronic resources » UCL Discovery

From the Cinema ‘Dekorator’ to the Cinema ‘Arkhitektor’: Set Design, Medium Specificity and Technology in Russian Cinema of the Silent Era

Rees, Eleanor; (2021) From the Cinema ‘Dekorator’ to the Cinema ‘Arkhitektor’: Set Design, Medium Specificity and Technology in Russian Cinema of the Silent Era. Journal of Design History , 34 (4) pp. 297-315. 10.1093/jdh/epab015. Green open access

[thumbnail of epab015.pdf]
Preview
Text
epab015.pdf - Published Version

Download (5MB) | Preview

Abstract

This article traces how understandings about the role of the cinema set designer—referred to in Russian as the khudozhnik (artist)—evolved across the 1910s and the 1920s in relation to broader artistic debates of the period. Drawing on archival material and articles published in the contemporary Russian and Soviet cinema press, it examines the changes in the cinema khudozhnik’s professional title and what these shifts in terminology reveal about differing conceptions of the scope and nature of the set designer’s role. The debate about the cinema khudozhnik related not only to the division of responsibilities among film-makers as the nascent Russian cinema industry developed and working practices became standardized. It was also connected to film-makers’ growing appreciation of cinema’s expressive potential as an art form and to how the emergent practice of cinema set design related to other creative disciplines, such as painting, the decorative arts, architecture and, from the 1920s, production art. Moreover, during the Soviet 1920s questions about the cinema khudozhnik’s role became associated with broader concerns about what it meant to be a creative practitioner working in a collaborative context and to the value ascribed to such qualities as technological expertise and versatility in early-Soviet ideology.

Type: Article
Title: From the Cinema ‘Dekorator’ to the Cinema ‘Arkhitektor’: Set Design, Medium Specificity and Technology in Russian Cinema of the Silent Era
Open access status: An open access version is available from UCL Discovery
DOI: 10.1093/jdh/epab015
Publisher version: https://doi.org/10.1093/jdh/epab015
Language: English
Additional information: Copyright © The Author(s) 2021. Published by Oxford University Press on behalf of The Design History Society. All rights reserved. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.
UCL classification: UCL
UCL > Provost and Vice Provost Offices > UCL SLASH > SSEES
UCL > Provost and Vice Provost Offices > UCL SLASH
URI: https://discovery.ucl.ac.uk/id/eprint/10149349
Downloads since deposit
Loading...
113Downloads
Download activity - last month
Loading...
Download activity - last 12 months
Loading...
Downloads by country - last 12 months
1.United States
11
2.United Kingdom
4
3.Germany
3
4.Finland
2
5.Russian Federation
2
6.Georgia
1
7.Ireland
1
8.Hong Kong
1
9.Poland
1
10.Romania
1

Archive Staff Only

View Item View Item