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Acting Surprised: Comparing Perceptions of Different Dynamic Deliberate Expressions

Zloteanu, M; Krumhuber, EG; Richardson, DC; (2021) Acting Surprised: Comparing Perceptions of Different Dynamic Deliberate Expressions. Journal of Nonverbal Behavior , 45 pp. 169-185. 10.1007/s10919-020-00349-9. Green open access

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Abstract

People are accurate at classifying emotions from facial expressions but much poorer at determining if such expressions are spontaneously felt or deliberately posed. We explored if the method used by senders to produce an expression influences the decoder’s ability to discriminate authenticity, drawing inspiration from two well-known acting techniques: the Stanislavski (internal) and Mimic method (external). We compared spontaneous surprise expressions in response to a jack-in-the-box (genuine condition), to posed displays of senders who either focused on their past affective state (internal condition) or the outward expression (external condition). Although decoders performed better than chance at discriminating the authenticity of all expressions, their accuracy was lower in classifying external surprise compared to internal surprise. Decoders also found it harder to discriminate external surprise from spontaneous surprise and were less confident in their decisions, perceiving these to be similarly intense but less genuine-looking. The findings suggest that senders are capable of voluntarily producing genuine-looking expressions of emotions with minimal effort, especially by mimicking a genuine expression. Implications for research on emotion recognition are discussed.

Type: Article
Title: Acting Surprised: Comparing Perceptions of Different Dynamic Deliberate Expressions
Open access status: An open access version is available from UCL Discovery
DOI: 10.1007/s10919-020-00349-9
Publisher version: http://dx.doi.org/10.1007/s10919-020-00349-9
Language: English
Additional information: This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article's Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article's Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/.
Keywords: Facial expression, Emotion, Genuineness, Authenticity discrimination
UCL classification: UCL
UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences
UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences
UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences > Div of Psychology and Lang Sciences
UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences > Div of Psychology and Lang Sciences > Experimental Psychology
URI: https://discovery.ucl.ac.uk/id/eprint/10118177
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