Digioia, A;
(2020)
Women, heavy metal music, and trauma.
In: Shadrack, J, (ed.)
Black Metal, Trauma, Subjectivity and Sound Screaming the Abyss.
(pp. 31-42).
Emerald Publishing Limited: Bingley, UK.
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Abstract
Extreme metal is often used as a broader category that includes black, grind, and death metal. This chapter maps extreme metal’s engagement with women in order to gauge the patriarchal modes of address and engagement in this subgenre, examining gender and extreme metal, as well as its audience. Amanda DiGioia also considers gender and black metal later in the chapter, in the section entitled ‘Women, heavy metal music, and trauma’.1 The chapter concludes with some thoughts on trauma, performance and methodology.
Type: | Book chapter |
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Title: | Women, heavy metal music, and trauma |
ISBN-13: | 978-1-78756-926-3 |
Open access status: | An open access version is available from UCL Discovery |
DOI: | 10.1108/978-1-78756-925-620211007 |
Publisher version: | https://doi.org/10.1108/978-1-78756-925-620211007 |
Language: | English |
Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher's terms and conditions. |
UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > SSEES |
URI: | https://discovery.ucl.ac.uk/id/eprint/10118055 |
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