Julius, A and Schofield, P and Quinn, M (Eds).
(2020)
Bentham and the Arts.
[Book].
UCL Press: London.
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Abstract
Bentham and the Arts considers the sceptical challenge presented by Bentham’s hedonistic utilitarianism to the existence of the aesthetic, as represented in the oft-quoted statement that, ‘Prejudice apart, the game of push-pin is of equal value with the arts and sciences of music and poetry. If the game of push-pin furnish more pleasure, it is more valuable than either.’ This statement is one part of a complex set of arguments on culture, taste, and utility that Bentham pursued over his lifetime, in which sensations of pleasure and pain were opposed to aesthetic sensibility. Leading scholars from a variety of disciplines reflect on the implications of Bentham’s radical utilitarian approach for our understanding of the history and contemporary nature of art, literature, and aesthetics more generally. Each contributor takes into account, from the perspective of their own discipline and expertise, the implications for their research area of the views contained in Bentham’s Of Sexual Irregularities, and other writings on Sexual Morality (published in the authoritative edition of The Collected Works of Jeremy Bentham in 2014) and ‘Not Paul, but Jesus: Volume III’ (published online by the Bentham Project in 2014). In these essays, Bentham puts forward the first philosophical defence of sexual liberty. In doing so, he questions the meaning of ‘taste’ and hence the received understanding of aesthetics more generally. The contributors, moreover, challenge two of the major commonplaces in literary and historical studies of the nineteenth century: first that literature and utilitarianism represented alternative and incompatible views of the world; and second that Bentham’s utilitarianism was somehow emaciated in comparison with that of John Stuart Mill. The volume also includes new reflections on the auto-icon and the panopticon, the latter showing the utilitarian genealogy of a collaborative art and architecture project on the site of the Millbank Penitentiary. The title ‘Bentham and the Arts’ itself challenges the commonly held notion that Bentham had nothing relevant to say on the subject of the Arts – the essays in this volume show that Bentham remains extraordinarily relevant, both in historical and philosophical terms
| Type: | Book |
|---|---|
| Title: | Bentham and the Arts |
| ISBN-13: | 978-1-78735-736-5 |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.14324/111.9781787357365 |
| Publisher version: | https://doi.org/10.14324/111.9781787357365 |
| Language: | English |
| Additional information: | Text © Contributors, 2020 Collection © Editors, 2020 Images are public domain, copyright of the Contributors or reproduced by permission of third parties, as noted where they appear. The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Common 4.0 International licence (CCBY-NC-ND 4.0 International). This licence allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Julius, A., Quinn, Malcolm, and Schofield, P. (eds). 2020. Bentham and the Arts. London: UCL Press. https://doi.org/10.14324/111.9781787357365 Further details about Creative Commons licences are available at http://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons license unless indicated otherwise in the credit line to the material. If you would like to reuse any third-party material not covered by the book’s Creative Commons license, you will need to obtain permission directly from the copyright holder. |
| Keywords: | utilitarianism, Jeremy Bentham, arts, hedonism, aesthetic sensibility |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Laws UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Laws > The Bentham Project |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10096746 |
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