Liu, X;
Xu, Y;
Alter, K;
Tuomainen, J;
(2018)
Emotional Connotations of Musical Instrument Timbre in Comparison With Emotional Speech Prosody: Evidence From Acoustics and Event-Related Potentials.
Frontiers in Psychology
, 9
, Article 737. 10.3389/fpsyg.2018.00737.
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Abstract
Music and speech both communicate emotional meanings in addition to their domainspecific contents. But it is not clear whether and how the two kinds of emotional meanings are linked. The present study is focused on exploring the emotional connotations of musical timbre of isolated instrument sounds through the perspective of emotional speech prosody. The stimuli were isolated instrument sounds and emotional speech prosody categorized by listeners into anger, happiness and sadness, respectively. We first analyzed the timbral features of the stimuli, which showed that relations between the three emotions were relatively consistent in those features for speech and music. The results further echo the size-code hypothesis in which different sound timbre indicates different body size projections. Then we conducted an ERP experiment using a priming paradigm with isolated instrument sounds as primes and emotional speech prosody as targets. The results showed that emotionally incongruent instrument-speech pairs triggered a larger N400 response than emotionally congruent pairs. Taken together, this is the first study to provide evidence that the timbre of simple and isolated musical instrument sounds can convey emotion in a way similar to emotional speech prosody.
Type: | Article |
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Title: | Emotional Connotations of Musical Instrument Timbre in Comparison With Emotional Speech Prosody: Evidence From Acoustics and Event-Related Potentials |
Open access status: | An open access version is available from UCL Discovery |
DOI: | 10.3389/fpsyg.2018.00737 |
Publisher version: | http://dx.doi.org/10.3389/fpsyg.2018.00737 |
Language: | English |
Additional information: | © 2018 Liu, Xu, Alter and Tuomainen. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
Keywords: | Social Sciences, Psychology, Multidisciplinary, Psychology, musical timbre, emotional speech prosody, emotion, ERP, N400, MISMATCH NEGATIVITY, VOCAL EXPRESSION, SOUNDS, PERCEPTION, DYNAMICS, HUMANS, WORDS, VOICE, TASK |
UCL classification: | UCL UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences > Div of Psychology and Lang Sciences UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences > Div of Psychology and Lang Sciences > Speech, Hearing and Phonetic Sciences |
URI: | https://discovery.ucl.ac.uk/id/eprint/10049322 |
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