Browse by UCL people
Group by: Type | Date
Number of items: 6.
Article
Dootson, K;
(2016)
“The Hollywood Powder Puff War”: Technicolor Cosmetics in the 1930s.
Film History
, 28
(1)
pp. 107-131.
10.2979/filmhistory.28.1.04.
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Dootson, Kirsty Sinclair;
(2025)
White Hot and Agfa-Cool: Race, Heat and Colour in The Zone of Interest.
World Picture
, 15
pp. 3-41.
10.70893/whag2013.
|
Dootson, Kirsty Sinclair;
(2019)
The Texture of Capitalism:Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts.
British Art Studies
(14)
10.17658/issn.2058-5462/issue-14/kdootson.
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Sinclair Dootson, Kirsty;
Zhu, Zhaoyu;
(2020)
Did Madame Mao dream in Technicolor? Rethinking Cold War colour cinema through Technicolor’s ‘Chinese copy’.
Screen
, 61
(3)
pp. 343-367.
10.1093/screen/hjaa048.
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Book
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Dootson, Kirsty Sinclair;
(2023)
The Rainbow's Gravity Colour, Materiality and British Modernity.
Paul Mellon Centre
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Book chapter
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Dootson, Kirsty Sinclair;
(2024)
Mapping the Laboratory: Technicolor across Asia and Europe.
In: Yumibe, Joshua and Street, Sarah, (eds.)
Global Film Color: The Monopack Revolution at Midcentury.
(pp. 13-29).
Rutgers University Press: Ithaca, NY.
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