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Number of items: 39.
E
Easterby-Smith, Sarah;
McClive, Cathy;
Taws, Richard;
Walton, Charles;
(2024)
Colin Jones: Fox and Hedgehog Historian of Francex.
French History
, 38
(1)
pp. 2-10.
10.1093/fh/crad063.
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Ghigo, Tea;
Hirschle, Christian;
(2024)
Painting the Past in the 19th Century: Materials, Methods, and Perspectives in Watercolour Replicas.
Heritage
, 7
(8)
pp. 4300-4322.
10.3390/heritage7080203.
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Gnisci, Jacopo;
(2024)
Raymond Silverman and Neal Sobania. Ethiopian Church Art: Painters, Patrons, Purveyors. Los Angeles: TSEHAI Publishers, 2022. 332 pp. Illustrations. $74.95. Hardback. ISBN: 978-1-59907-290-6.
[Review].
African Studies Review
pp. 1-3.
10.1017/asr.2024.86.
(In press).
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Gnisci, Jacopo;
Bausi, Alessandro;
(2024)
“Medieval” Ethiopia.
In: Spear, Thomas, (ed.)
Oxford Research Encyclopedias: African History.
Oxford University Press: Oxford, UK.
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Gupta, Vivek;
(2024)
Inscribing Orality: Calligraphy, Layout and the Vernacular Anxieties of the Chandayan Manuscripts.
In:
The Chandayan.
(pp. 42-55).
Marg Publications: Mumbai, India.
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Gupta, Vivek;
(2024)
Routes of Translation: Connected Book Histories and al-Jazari’s Robotic Wonders from the Mamluks to Mandu.
South Asian Studies
, 39
(2)
pp. 207-228.
10.1080/02666030.2023.2287840.
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Gupta, Vivek;
(2024)
How Persianate Is It? A World-Making Book Transcreated from Iraq to India.
In: Canepa, Matthew, (ed.)
Persian Cultures of Power and the Entanglement of the Afro-Eurasian World.
(pp. 238-256).
Getty Research Institute
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Hölling, Hanna;
Ribeiro, Felipe;
(2024)
Pode a Performance ser Conservada? Introdução a um Campo Contestado.
In: Galvão, Maria Inês and Da Cruz Souza, Marco Aurelio, (eds.)
Dança como insurgência e criação de outros modos de ser.
(pp. 38-73).
Associação Nacional de Pesquisadores em Dança: ANDA: Salvador, Bahia, Brazil.
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Hölling, Hanna B;
(2024)
Joanna Leśnierowska: Performance conservation as a political act.
In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 293-304).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
(2024)
“Once upon a time”: Performative ultra-conceptualism and storytelling as conservation-Florence Jung.
In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 27-50).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(Vol.2).
(2 vols).
Routledge, Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Philip Auslander: Can we conserve performance?
In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.)
Performance The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 126-138).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Rosanna Raymond on Conser.Vā.Tion.
In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 247-262).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Urmimala Sarkar Munsi: Dance, embodied preservation, and unlearning in India.
In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.)
The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 263-277).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules P;
Magnin, Emilie;
(2024)
Valinda Carroll, Kayla Henry-Griffin, Nylah Byrd, and Ariana Makau of Black Art Conservators on Black objects, performance, and the future of conservation.
In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 173-185).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna B;
Feldman, Jules Pelta;
Magnin, Emilie;
(2024)
Gisela Hochuli: In Strange Hands.
In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.)
Performance: The Ethics and the Politics of Conservation and Care, Volume II.
(pp. 281-292).
Routledge: Taylor & Francis Group: London, UK.
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Hölling, Hanna Barbara;
(2024)
Veränderlichkeit kuratieren und konservieren.
In: Ammann, Katarina and Weilenman, Katrin and Ciuccio, Simona, (eds.)
Aargauer Kunsthaus – Mit Gegenwart umgehen.
(pp. 162-175).
Scheidegger and Spiess: Zurich, Switzerland.
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Hölling, Hanna Barbara;
(2024)
Curating et conservation de la variabilité.
In: Ammann, Katharina and Weilenman, Katrin and Ciuccio, Simona, (eds.)
Aargauer Kunsthaus – Accompagner l’art contemporain.
(pp. 162-175).
Scheidegger and Spiess: Zurich, Switzerland.
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Hölling, Hanna Barbara;
(2024)
Performance Conservation: A Condition Report, or a Para-Ethnography in Three Acts.
In: Gebhardt Fink, Sabine and Mirčev, Andrej, (eds.)
Revolving Documents: Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art.
(pp. 155-172).
Diaphanes: Zurich, Switzerland.
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Hölling, Hanna Barbara;
(2024)
Köpfe der Forschung: Hanna B. Hölling.
[Digital scholarly resource].
https://www.hkb.bfh.ch/de/aktuell/storys/2024/koep...
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Hölling, Hanna Barbara;
(2024)
Fluxus Mystery Food by Ben Vautier.
In: Senkpiel, Fabiana and Jessen, Ina, (eds.)
Lexikon der Lebensmittel als Kunstmaterial. Von Apfel bis Zucker.
(pp. 91-97).
Hatje Cantz: Berlin, Germany.
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Hölling, HB;
Feldman, JP;
Magnin, E;
(2024)
Introduction: Sustaining care for performance.
In: Hölling, Hanna B and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance.
(pp. 1-24).
Routledge: London, UK.
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Horton-Insch, Millie Morag;
(2024)
Textiles, Gender, and Race in Eleventh- and Twelfth-Century Britain.
Doctoral thesis (Ph.D), UCL (University College London).
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Kinsey, Cadence;
(2024)
In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976-77).
Grey Room
(In press).
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Kumar, Aparna;
(2024)
Abanindranath Tagore's Bharat Mata: Bengal School painting and the idea of India.
[Digital scholarly resource].
https://smarthistory.org/abanindranath-tagore-bhar...
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Kumar, Aparna;
(2024)
India's complex and changing landscape undergirds the Barbican's latest show.
[Digital scholarly resource].
https://www.stirworld.com/think-opinions-indias-co...
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Kumar, Aparna;
(2024)
Mother, nation, icon: picturing territory and belonging in South Asia.
[Digital scholarly resource].
https://smarthistory.org/mother-nation-icon/
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Kumar, Aparna;
(2024)
Notes on a Fragment: Zarina’s Dividing Line.
Art History
, 47
(2)
pp. 246-279.
10.1093/arthis/ulae015.
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Marcal, Helia;
(2024)
A few thoughts on the future of collections and their histories.
Journal of the History of Collections
10.1093/jhc/fhae049.
(In press).
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Marçal, Hélia;
(2024)
作为媒介的博物馆 Museum as Medium.
画刊 Art Monthly
(9)
pp. 48-51.
(In press).
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Marçal, Hélia;
(2024)
Saúde.
In: Madeira, Cláudia and Cruzeiro, Cristina Pratas, (eds.)
Pick Manifesto 25 de Abril hoje.
ICNOVA-NOVA FCSH; IHA-NOVA FCSH/ IN2PAST
(In press).
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Marinelli, Alice;
(2024)
Painting Beyond: Encounters between
Genre and New Testament Subjects in
Early Modern Roman ‘Galleria’ Painting.
Doctoral thesis (Ph.D), UCL (University College London).
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Pollitt, Ben;
(2024)
The sympathetic cannibal.
Res: Anthropology and Aesthetics
, 81-82
pp. 163-183.
10.1086/731701.
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Robson, Euan McCartney;
(2024)
A Cathedral Encountered: Stories and Storytelling in Medieval Durham.
Doctoral thesis (Ph.D), UCL (University College London).
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Shankar, Louis;
(2024)
“We Are Born into a Preinvented Existence” — a psychoanalytic investigation into the art
of David Wojnarowicz, circa 1989.
Doctoral thesis (Ph.D), UCL (University College London).
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Silver, Daisy;
(2024)
The form that surrounds us: encounters in modernist art and design between Mexico and California 1945-1968.
Doctoral thesis (Ph.D), UCL (University College London).
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Stielau, Allison;
(2024)
I Was Made from Earth:
A Rhineland Archaeological Discovery, 1572.
In: Campbell, Stephen J and Porras, Stephanie, (eds.)
The Routledge Companion to Global Renaissance Art.
Routledge: New York, NY, USA.
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Taws, Richard;
(2024)
Charles Meryon’s Graphic Risks.
Oxford Art Journal
, 47
(1)
pp. 67-94.
10.1093/oxartj/kcae002.
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Taws, Richard;
(2024)
Laissez-Passer: Papering over the French Revolutionary Past.
Art History
, 47
(4)
pp. 768-792.
10.1093/arthis/ulae045.
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