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Number of items: 20.

E

Easterby-Smith, Sarah; McClive, Cathy; Taws, Richard; Walton, Charles; (2024) Colin Jones: Fox and Hedgehog Historian of Francex. French History , 38 (1) pp. 2-10. 10.1093/fh/crad063. Green open access
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G

Ghigo, Tea; Hirschle, Christian; (2024) Painting the Past in the 19th Century: Materials, Methods, and Perspectives in Watercolour Replicas. Heritage , 7 (8) pp. 4300-4322. 10.3390/heritage7080203. Green open access
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Gnisci, Jacopo; (2024) Raymond Silverman and Neal Sobania. Ethiopian Church Art: Painters, Patrons, Purveyors. Los Angeles: TSEHAI Publishers, 2022. 332 pp. Illustrations. $74.95. Hardback. ISBN: 978-1-59907-290-6. [Review]. African Studies Review pp. 1-3. 10.1017/asr.2024.86. (In press). Green open access
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Gnisci, Jacopo; Bausi, Alessandro; (2024) “Medieval” Ethiopia. In: Spear, Thomas, (ed.) Oxford Research Encyclopedias: African History. Oxford University Press: Oxford, UK.

Gupta, Vivek; (2024) Inscribing Orality: Calligraphy, Layout and the Vernacular Anxieties of the Chandayan Manuscripts. In: The Chandayan. (pp. 42-55). Marg Publications: Mumbai, India. Green open access
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Gupta, Vivek; (2024) Routes of Translation: Connected Book Histories and al-Jazari’s Robotic Wonders from the Mamluks to Mandu. South Asian Studies , 39 (2) pp. 207-228. 10.1080/02666030.2023.2287840. Green open access
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Gupta, Vivek; (2024) How Persianate Is It? A World-Making Book Transcreated from Iraq to India. In: Canepa, Matthew, (ed.) Persian Cultures of Power and the Entanglement of the Afro-Eurasian World. (pp. 238-256). Getty Research Institute

H

Horton-Insch, Millie Morag; (2024) Textiles, Gender, and Race in Eleventh- and Twelfth-Century Britain. Doctoral thesis (Ph.D), UCL (University College London).

K

Kinsey, Cadence; (2024) In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976-77). Grey Room (In press). Green open access
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Kumar, Aparna; (2024) Notes on a Fragment: Zarina’s Dividing Line. Art History , 47 (2) pp. 246-279. 10.1093/arthis/ulae015.

M

Marcal, Helia; (2024) A few thoughts on the future of collections and their histories. Journal of the History of Collections 10.1093/jhc/fhae049. (In press).

Marçal, Hélia; (2024) 作为媒介的博物馆 Museum as Medium. 画刊 Art Monthly (9) pp. 48-51. (In press).

Marcal, Helia; (2024) Saúde. In: Madeira, Cláudia and Cruzeiro, Cristina Pratas, (eds.) Pick Manifesto 25 de Abril hoje. ICNOVA-NOVA FCSH; IHA-NOVA FCSH/ IN2PAST (In press).

Marinelli, Alice; (2024) Painting Beyond: Encounters between Genre and New Testament Subjects in Early Modern Roman ‘Galleria’ Painting. Doctoral thesis (Ph.D), UCL (University College London).

R

Robson, Euan McCartney; (2024) A Cathedral Encountered: Stories and Storytelling in Medieval Durham. Doctoral thesis (Ph.D), UCL (University College London). Green open access
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S

Shankar, Louis; (2024) “We Are Born into a Preinvented Existence” — a psychoanalytic investigation into the art of David Wojnarowicz, circa 1989. Doctoral thesis (Ph.D), UCL (University College London).

Silver, Daisy; (2024) The form that surrounds us: encounters in modernist art and design between Mexico and California 1945-1968. Doctoral thesis (Ph.D), UCL (University College London).

Stielau, Allison; (2024) I Was Made from Earth: A Rhineland Archaeological Discovery, 1572. In: Campbell, Stephen J and Porras, Stephanie, (eds.) The Routledge Companion to Global Renaissance Art. Routledge: New York, NY, USA. Green open access
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T

Taws, Richard; (2024) Charles Meryon’s Graphic Risks. Oxford Art Journal , 47 (1) pp. 67-94. 10.1093/oxartj/kcae002.

Taws, Richard; (2024) Laissez-Passer: Papering over the French Revolutionary Past. Art History , 47 (4) pp. 768-792. 10.1093/arthis/ulae045.

This list was generated on Mon Dec 16 23:56:57 2024 GMT.