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Number of items: 38.

E

Easterby-Smith, Sarah; McClive, Cathy; Taws, Richard; Walton, Charles; (2024) Colin Jones: Fox and Hedgehog Historian of Francex. French History , 38 (1) pp. 2-10. 10.1093/fh/crad063. Green open access
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G

Ghigo, Tea; Hirschle, Christian; (2024) Painting the Past in the 19th Century: Materials, Methods, and Perspectives in Watercolour Replicas. Heritage , 7 (8) pp. 4300-4322. 10.3390/heritage7080203. Green open access
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Gnisci, Jacopo; (2024) Raymond Silverman and Neal Sobania. Ethiopian Church Art: Painters, Patrons, Purveyors. Los Angeles: TSEHAI Publishers, 2022. 332 pp. Illustrations. $74.95. Hardback. ISBN: 978-1-59907-290-6. [Review]. African Studies Review pp. 1-3. 10.1017/asr.2024.86. (In press). Green open access
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Gnisci, Jacopo; Bausi, Alessandro; (2024) “Medieval” Ethiopia. In: Spear, Thomas, (ed.) Oxford Research Encyclopedias: African History. Oxford University Press: Oxford, UK.

Gupta, Vivek; (2024) Inscribing Orality: Calligraphy, Layout and the Vernacular Anxieties of the Chandayan Manuscripts. In: The Chandayan. (pp. 42-55). Marg Publications: Mumbai, India. Green open access
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Gupta, Vivek; (2024) Routes of Translation: Connected Book Histories and al-Jazari’s Robotic Wonders from the Mamluks to Mandu. South Asian Studies , 39 (2) pp. 207-228. 10.1080/02666030.2023.2287840. Green open access
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Gupta, Vivek; (2024) How Persianate Is It? A World-Making Book Transcreated from Iraq to India. In: Canepa, Matthew, (ed.) Persian Cultures of Power and the Entanglement of the Afro-Eurasian World. (pp. 238-256). Getty Research Institute

H

Hölling, Hanna; Ribeiro, Felipe; (2024) Pode a Performance ser Conservada? Introdução a um Campo Contestado. In: Galvão, Maria Inês and Da Cruz Souza, Marco Aurelio, (eds.) Dança como insurgência e criação de outros modos de ser. (pp. 38-73). Associação Nacional de Pesquisadores em Dança: ANDA: Salvador, Bahia, Brazil. Green open access
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Hölling, Hanna B; (2024) Joanna Leśnierowska: Performance conservation as a political act. In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 293-304). Routledge: Taylor & Francis Group: London, UK. Green open access
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Hölling, Hanna B; (2024) “Once upon a time”: Performative ultra-conceptualism and storytelling as conservation-Florence Jung. In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 27-50). Routledge: Taylor & Francis Group: London, UK. Green open access
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Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (Vol.2). (2 vols). Routledge, Taylor & Francis Group: London, UK. Green open access
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Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Philip Auslander: Can we conserve performance? In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) Performance The Ethics and the Politics of Conservation and Care, Volume II. (pp. 126-138). Routledge: Taylor & Francis Group: London, UK. Green open access
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Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Rosanna Raymond on Conser.Vā.Tion. In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 247-262). Routledge: Taylor & Francis Group: London, UK. Green open access
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Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Urmimala Sarkar Munsi: Dance, embodied preservation, and unlearning in India. In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) The Ethics and the Politics of Conservation and Care, Volume II. (pp. 263-277). Routledge: Taylor & Francis Group: London, UK. Green open access
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Hölling, Hanna B; Feldman, Jules P; Magnin, Emilie; (2024) Valinda Carroll, Kayla Henry-Griffin, Nylah Byrd, and Ariana Makau of Black Art Conservators on Black objects, performance, and the future of conservation. In: Hölling, Hanna B and Feldman, Jules P and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 173-185). Routledge: Taylor & Francis Group: London, UK. Green open access
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Hölling, Hanna B; Feldman, Jules Pelta; Magnin, Emilie; (2024) Gisela Hochuli: In Strange Hands. In: Hölling, Hanna B and Feldman, Jules Pelta and Magnin, Emilie, (eds.) Performance: The Ethics and the Politics of Conservation and Care, Volume II. (pp. 281-292). Routledge: Taylor & Francis Group: London, UK. Green open access
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Hölling, Hanna Barbara; (2024) Veränderlichkeit kuratieren und konservieren. In: Ammann, Katarina and Weilenman, Katrin and Ciuccio, Simona, (eds.) Aargauer Kunsthaus – Mit Gegenwart umgehen. (pp. 162-175). Scheidegger and Spiess: Zurich, Switzerland. Green open access
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Hölling, Hanna Barbara; (2024) Curating et conservation de la variabilité. In: Ammann, Katharina and Weilenman, Katrin and Ciuccio, Simona, (eds.) Aargauer Kunsthaus – Accompagner l’art contemporain. (pp. 162-175). Scheidegger and Spiess: Zurich, Switzerland. Green open access
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Hölling, Hanna Barbara; (2024) Performance Conservation: A Condition Report, or a Para-Ethnography in Three Acts. In: Gebhardt Fink, Sabine and Mirčev, Andrej, (eds.) Revolving Documents: Narrations of Beginnings, Recent Methods and Cross-Mappings of Performance Art. (pp. 155-172). Diaphanes: Zurich, Switzerland. Green open access
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Hölling, Hanna Barbara; (2024) Fluxus Mystery Food by Ben Vautier. In: Senkpiel, Fabiana and Jessen, Ina, (eds.) Lexikon der Lebensmittel als Kunstmaterial. Von Apfel bis Zucker. (pp. 91-97). Hatje Cantz: Berlin, Germany. Green open access
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Hölling, HB; Feldman, JP; Magnin, E; (2024) Introduction: Sustaining care for performance. In: Hölling, Hanna B and Pelta Feldman, Jules and Magnin, Emilie, (eds.) Performance. (pp. 1-24). Routledge: London, UK. Green open access
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Horton-Insch, Millie Morag; (2024) Textiles, Gender, and Race in Eleventh- and Twelfth-Century Britain. Doctoral thesis (Ph.D), UCL (University College London).

K

Kinsey, Cadence; (2024) In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976-77). Grey Room (In press). Green open access
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Kumar, Aparna; (2024) Abanindranath Tagore's Bharat Mata: Bengal School painting and the idea of India. [Digital scholarly resource]. https://smarthistory.org/abanindranath-tagore-bhar... Green open access
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Kumar, Aparna; (2024) India's complex and changing landscape undergirds the Barbican's latest show. [Digital scholarly resource]. https://www.stirworld.com/think-opinions-indias-co...

Kumar, Aparna; (2024) Mother, nation, icon: picturing territory and belonging in South Asia. [Digital scholarly resource]. https://smarthistory.org/mother-nation-icon/ Green open access
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Kumar, Aparna; (2024) Notes on a Fragment: Zarina’s Dividing Line. Art History , 47 (2) pp. 246-279. 10.1093/arthis/ulae015. Green open access
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M

Marcal, Helia; (2024) A few thoughts on the future of collections and their histories. Journal of the History of Collections 10.1093/jhc/fhae049. (In press).

Marçal, Hélia; (2024) 作为媒介的博物馆 Museum as Medium. 画刊 Art Monthly (9) pp. 48-51. (In press).

Marçal, Hélia; (2024) Saúde. In: Madeira, Cláudia and Cruzeiro, Cristina Pratas, (eds.) Pick Manifesto 25 de Abril hoje. ICNOVA-NOVA FCSH; IHA-NOVA FCSH/ IN2PAST (In press).

Marinelli, Alice; (2024) Painting Beyond: Encounters between Genre and New Testament Subjects in Early Modern Roman ‘Galleria’ Painting. Doctoral thesis (Ph.D), UCL (University College London).

P

Pollitt, Ben; (2024) The sympathetic cannibal. Res: Anthropology and Aesthetics , 81-82 pp. 163-183. 10.1086/731701.

R

Robson, Euan McCartney; (2024) A Cathedral Encountered: Stories and Storytelling in Medieval Durham. Doctoral thesis (Ph.D), UCL (University College London). Green open access
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S

Shankar, Louis; (2024) “We Are Born into a Preinvented Existence” — a psychoanalytic investigation into the art of David Wojnarowicz, circa 1989. Doctoral thesis (Ph.D), UCL (University College London).

Silver, Daisy; (2024) The form that surrounds us: encounters in modernist art and design between Mexico and California 1945-1968. Doctoral thesis (Ph.D), UCL (University College London).

Stielau, Allison; (2024) I Was Made from Earth: A Rhineland Archaeological Discovery, 1572. In: Campbell, Stephen J and Porras, Stephanie, (eds.) The Routledge Companion to Global Renaissance Art. Routledge: New York, NY, USA. Green open access
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T

Taws, Richard; (2024) Charles Meryon’s Graphic Risks. Oxford Art Journal , 47 (1) pp. 67-94. 10.1093/oxartj/kcae002.

Taws, Richard; (2024) Laissez-Passer: Papering over the French Revolutionary Past. Art History , 47 (4) pp. 768-792. 10.1093/arthis/ulae045.

This list was generated on Mon May 5 02:21:12 2025 BST.