Browse by UCL Departments and Centres
Group by: Author | Type
Number of items: 27.
A
Allington-Wood, Thalia;
(2019)
Grounded: History, Materiality and Myth at the Sacro Bosco of Bomarzo.
Doctoral thesis (Ph.D), UCL (University College London).
|
B
Bonzon, J;
(2019)
Sipho Gongxeka’s Skeem’ Saka: composing masculinity and protest in contemporary Soweto.
Object
10.14324/111.2396-9008.036.
|
G
Garb, T;
(2019)
Falling and Rising: In the Wake of Cecil John Rhodes.
Nka Journal of Contemporary African Art
, 2019
(44)
pp. 24-37.
10.1215/10757163-7547418.
|
Gujral, D;
(2019)
Painters with a Camera (1968/69): In search of an Indian photography exhibition.
Object
, 20
(20)
pp. 33-58.
10.14324/111.2396-9008.035.
|
I
Ingrams, CV;
(2019)
'A kind of fissure': Forma (1947-1949).
Object
10.14324/111.2396-9008.034.
|
K
King, SL;
(2019)
‘A1: Britain on the Verge’, Art Bermondsey Project Space, London, 16 January 2018 – 20 January 2018.
[Review].
Object
10.14324/111.040.
|
Koorland, V;
Searle, B;
Garb, T;
(2019)
Made Routes: Mapping and Making.
[Group exhibition].
London, UK.
30 August - 26 September 2019.
|
L
Lawson, L;
Finbow, A;
Marçal, H;
(2019)
Developing a strategy for the conservation of performance-based artworks at Tate.
Journal of the Institute of Conservation
, 42
(2)
pp. 114-134.
10.1080/19455224.2019.1604396.
|
Lee, Se Na;
(2019)
Re-Framing Mythological Pictorial Space in Seventeenth-Century Italian and Spanish Painting.
Doctoral thesis (Ph.D), UCL (University College London).
|
M
Macedo, R;
Marcal, H;
(2019)
Conservação ou Gestão de Mudança: Time-based media no museu.
Revista de Museus
, 1
(2)
pp. 212-223.
|
Marçal, H;
(2019)
Diffracting Histories of Performance.
Performance Research
, 24
(7)
pp. 39-46.
10.1080/13528165.2019.1717863.
|
Marçal, H;
(2019)
Public engagement towards sustainable heritage preservation.
Protection of Cultural Heritage
, 8
pp. 185-209.
10.35784/odk.1084.
|
N
Nixon, M;
(2019)
Artists Respond American Art and the Vietnam War, 1965–1975.
In: Ho, M, (ed.)
Artists Respond American Art and the Vietnam War, 1965–1975.
(pp. 325-347).
Princeton University Press: Princeton, NJ, USA.
|
Nugent, G;
(2019)
Mining Time in Sammy Baloji's Mémoire.
African Arts
, 52
(3)
pp. 62-71.
10.1162/afar_a_00482.
|
P
Prombaum, Levi;
(2019)
“Disagreeable Mirror Though One May Be”: Portraits of James Baldwin, 1945-65 [2 volumes].
Doctoral thesis (Ph.D), UCL (University College London).
|
R
Richardson, E;
Woolley, E;
Yurchenko, A;
Thickett, D;
(2019)
Assessing the Impact of LED Lighting on the Stability of Selected Yellow Paint Formulations.
LEUKOS
, 16
(1)
pp. 67-85.
10.1080/15502724.2019.1574139.
|
Rozenberg, L;
(2019)
Image of Flesh/Flesh of the Image: the Flayed Figure in Henri de Mondeville’s Chirurgia.
Object
, 20
pp. 82-100.
10.14324/111.2396-9008.037.
|
S
Scalabrella Spada, L;
(2019)
Giulio Bonasone’s anatomical engravings.
Bollettino Telematico dell'Arte
(865)
pp. 1-11.
|
Scalabrella Spada, L;
(2019)
Le Figure Anatomiche di Giulio Bonasone.
BTA - Bollettino Telematico dell'Arte
(865)
|
Schwartz, S;
(2019)
The Face of Protest.
In: Van Gelder, H and Streitberger, A, (eds.)
"Disassembled Images": Allan Sekula and Contemporary Art.
Leuven University Press: Leuven, Belgium.
(In press).
|
Stielau, Allison;
(2019)
Sixteenth-Century Notklippen as Objects of Warfare? Realia, Representation, Narration.
In: Kaske, Romana and Saviello, Julia, (eds.)
Objekte des Krieges: Präsenz & Repräsentation.
(pp. 105-122).
De Gruyter: Berlin, Germany.
|
Stielau, A;
(2019)
Fit Vessel: Kwab at the Rijksmuseum.
West 86th: A Journal of Decorative Arts, Design History, and Material Culture
, 26
(1)
pp. 110-132.
10.1086/704649.
|
T
Taws, R;
(2019)
Against Ephemera.
H-France Salon
, 11
(18)
|
Taws, R;
(2019)
The Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France London: Routledge, 2017, 186 pp., 10 color and 40 b/w illus. $160 (cloth), ISBN 9781472480163.
[Review].
Journal of the Society of Architectural Historians
, 78
(2)
pp. 234-236.
10.1525/jsah.2019.78.2.234.
|
Taws, R;
(2019)
At King's Cross Amalia Pica’s ‘Semaphores’.
[Review].
London Review of Books
, 41
(20)
p. 16.
|
Taws, R;
(2019)
At the National Gallery.
[Review].
London Review of Books
, 41
(9)
pp. 26-27.
|
V
Vilalta, H;
(2019)
Rachel Middleman, Radical Eroticism: Women, Art and Sex in the 1960s, Berkeley, 2018.
Object
10.14324/111.2396-9008.038.
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