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Group by: Author | Type
Jump to: A | B | G | I | K | L | M | N | P | R | S | T | V
Number of items: 25.

A

Allington-Wood, Thalia; (2019) Grounded: History, Materiality and Myth at the Sacro Bosco of Bomarzo. Doctoral thesis (Ph.D), UCL (University College London).

B

Bonzon, J; (2019) Sipho Gongxeka’s Skeem’ Saka: composing masculinity and protest in contemporary Soweto. Object 10.14324/111.2396-9008.036. Green open access
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G

Garb, T; (2019) Falling and Rising: In the Wake of Cecil John Rhodes. Nka Journal of Contemporary African Art , 2019 (44) pp. 24-37. 10.1215/10757163-7547418. Green open access
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Gujral, D; (2019) Painters with a Camera (1968/69): In search of an Indian photography exhibition. Object , 20 (20) pp. 33-58. 10.14324/111.2396-9008.035. Green open access
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I

Ingrams, CV; (2019) 'A kind of fissure': Forma (1947-1949). Object 10.14324/111.2396-9008.034. Green open access
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K

King, SL; (2019) ‘A1: Britain on the Verge’, Art Bermondsey Project Space, London, 16 January 2018 – 20 January 2018. [Review]. Object 10.14324/111.040. Green open access
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L

Lawson, L; Finbow, A; Marçal, H; (2019) Developing a strategy for the conservation of performance-based artworks at Tate. Journal of the Institute of Conservation , 42 (2) pp. 114-134. 10.1080/19455224.2019.1604396. Green open access
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Lee, Se Na; (2019) Re-Framing Mythological Pictorial Space in Seventeenth-Century Italian and Spanish Painting. Doctoral thesis (Ph.D), UCL (University College London).

M

Macedo, R; Marcal, H; (2019) Conservação ou Gestão de Mudança: Time-based media no museu. Revista de Museus , 1 (2) pp. 212-223. Green open access
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Marçal, H; (2019) Diffracting Histories of Performance. Performance Research , 24 (7) pp. 39-46. 10.1080/13528165.2019.1717863. Green open access
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Marçal, H; (2019) Public engagement towards sustainable heritage preservation. Protection of Cultural Heritage , 8 pp. 185-209. 10.35784/odk.1084. Green open access
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N

Nixon, M; (2019) Artists Respond American Art and the Vietnam War, 1965–1975. In: Ho, M, (ed.) Artists Respond American Art and the Vietnam War, 1965–1975. (pp. 325-347). Princeton University Press: Princeton, NJ, USA.

Nugent, G; (2019) Mining Time in Sammy Baloji's Mémoire. African Arts , 52 (3) pp. 62-71. 10.1162/afar_a_00482. Green open access
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P

Prombaum, Levi; (2019) “Disagreeable Mirror Though One May Be”: Portraits of James Baldwin, 1945-65 [2 volumes]. Doctoral thesis (Ph.D), UCL (University College London).

R

Richardson, E; Woolley, E; Yurchenko, A; Thickett, D; (2019) Assessing the Impact of LED Lighting on the Stability of Selected Yellow Paint Formulations. LEUKOS , 16 (1) pp. 67-85. 10.1080/15502724.2019.1574139. Green open access
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Rozenberg, L; (2019) Image of Flesh/Flesh of the Image: the Flayed Figure in Henri de Mondeville’s Chirurgia. Object , 20 pp. 82-100. 10.14324/111.2396-9008.037. Green open access
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S

Scalabrella Spada, L; (2019) Giulio Bonasone’s anatomical engravings. Bollettino Telematico dell'Arte (865) pp. 1-11. Green open access
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Scalabrella Spada, L; (2019) Le Figure Anatomiche di Giulio Bonasone. BTA - Bollettino Telematico dell'Arte (865) Green open access
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Schwartz, S; (2019) The Face of Protest. In: Van Gelder, H and Streitberger, A, (eds.) "Disassembled Images": Allan Sekula and Contemporary Art. Leuven University Press: Leuven, Belgium. (In press).

Stielau, A; (2019) Fit Vessel: Kwab at the Rijksmuseum. West 86th: A Journal of Decorative Arts, Design History, and Material Culture , 26 (1) pp. 110-132. 10.1086/704649. Green open access
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T

Taws, R; (2019) Against Ephemera. H-France Salon , 11 (18) Green open access
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Taws, R; (2019) The Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France London: Routledge, 2017, 186 pp., 10 color and 40 b/w illus. $160 (cloth), ISBN 9781472480163. [Review]. Journal of the Society of Architectural Historians , 78 (2) pp. 234-236. 10.1525/jsah.2019.78.2.234. Green open access
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Taws, R; (2019) At King's Cross Amalia Pica’s ‘Semaphores’. [Review]. London Review of Books , 41 (20) p. 16. Green open access
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Taws, R; (2019) At the National Gallery. [Review]. London Review of Books , 41 (9) pp. 26-27.

V

Vilalta, H; (2019) Rachel Middleman, Radical Eroticism: Women, Art and Sex in the 1960s, Berkeley, 2018. Object 10.14324/111.2396-9008.038. Green open access
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This list was generated on Mon May 16 01:29:57 2022 BST.