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Hispanism's digital turn

Hart, SM; (2015) Hispanism's digital turn. Bulletin of Spanish Studies , 92 (3) pp. 439-451. 10.1080/14753820.2015.1003764. Green open access

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This essay focuses on the interface between praxis and theory in Hispanism in the twenty-first century. The author describes the ways in which his experience making documentary films at the Escuela Internacional de Cine y Televisión in San Antonio de los Baños in Cuba led him to re-evaluate the way in which he taught theoretical and historical film courses at University College London. This led him, for example, to introduce a filmmaking exercise based on the Kuleshov Effect which provides the students with a better understanding of the mechanics of editing, or montage, within a given film. The essay turns to a discussion of difference between analogue and digital film and concludes with a comparison between Carl Dreyer's Ordet (1955) Carlos Reygadas' Stellet licht (2007).

Type: Article
Title: Hispanism's digital turn
Open access status: An open access version is available from UCL Discovery
DOI: 10.1080/14753820.2015.1003764
Publisher version: http://dx.doi.org/10.1080/14753820.2015.1003764
Language: English
Additional information: This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions.
UCL classification: UCL
UCL > Provost and Vice Provost Offices > UCL SLASH
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS
URI: https://discovery.ucl.ac.uk/id/eprint/1465739
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