Miller, N;
(2008)
A revolutionary modernity: the cultural policy of the Cuban Revolution.
Journal of Latin American Studies
, 40
(Specia)
675 - 696.
10.1017/S0022216X08004719.
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Abstract
This article seeks to explain why such a wide range of Cuban cultural producers have opted to remain on the island and work ‘within the revolution’, despite all the notorious problems caused by state censorship, political persecution and material shortages. It accounts for the importance of culture to the legitimacy of the revolutionary government; suggests that the regime has drawn effectively on the long-established significance of culture in Cuba's radical tradition; and illustrates the extent to which the government has backed up its rhetoric of commitment to culture for all with a sustained policy of support for institutions, organisations and events across the island. The main argument is that culture has been a key element – perhaps the only successful element – in the revolution's attempt to implement an alternative model of modernity that was distinctive not only from the Western capitalist version but also from that promoted by the Soviet Union.
Type: | Article |
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Title: | A revolutionary modernity: the cultural policy of the Cuban Revolution |
Location: | UK |
Open access status: | An open access version is available from UCL Discovery |
DOI: | 10.1017/S0022216X08004719 |
Publisher version: | http://dx.doi.org/10.1017/S0022216X08004719 |
Language: | English |
Additional information: | © 2008 Cambridge University Press |
Keywords: | Cuba, cultural policy, modernity, culture, civil society, decolonisation |
UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Dept of History |
URI: | https://discovery.ucl.ac.uk/id/eprint/1363100 |
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