Di Martino, Giovanna;
(2023)
Olga Taxidou. Greek Tragedy and Modernist Performance: Hellenism as Theatricality.
Modern Drama
, 66
(1)
pp. 137-139.
10.3138/md-66-1-rev7.
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Abstract
Greek Tragedy and Modernist Performance charts the importance of performance to late nineteenth- and twentieth-century modernist experiments while also demonstrating the centrality of Greek tragedy to such experiments. For these artists, Greek theatre, and Greek tragedy in particular, represents the ideal model and form with which to critique the past and renew the future.
| Type: | Article |
|---|---|
| Title: | Olga Taxidou. Greek Tragedy and Modernist Performance: Hellenism as Theatricality |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.3138/md-66-1-rev7 |
| Publisher version: | https://doi.org/10.3138/md-66-1-rev7 |
| Language: | English |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
| Keywords: | modernism, performance, Greek theatre, translation |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > Dept of Greek and Latin |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10171135 |
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