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Catalogue Note on Taner Ceylan's 1879 (2011)

CAKIRLAR, C; DELICE, S; (2011) Catalogue Note on Taner Ceylan's 1879 (2011). In: Contemporary Art/ Turkish: London, April 07, 2011. Sotheby's: London, UK. Green open access

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Abstract

In this recent piece from his Lost Painting Series, following 1881 (2010) and 1923 (2010), the photorealist painter Taner Ceylan engages with the questions of history and Orientalism by creating yet another visual allegory. The mischievous gaze of the smoking Ottoman boy in 1881 and the homoerotic farewell scene in 1923 are followed this time by an ingenious montage of Pascal Sébah's photograph from the 1880s and Gustave Courbet's L'Origine du monde (The Origin of the World, 1866). In this intricately crafted oil painting, Ceylan juxtaposes different yet related histories of artistic style and connoisseurship to trigger a rethinking of Orientalism, femininity, the veil and the gaze. Recovering and drawing together forgotten legacies and silenced voices in a brilliantly imagined new setting, Ceylan invites the viewer to look behind the veil of Orientalism and the politics of representation. Rather than offering a corrective, the artist amalgamates irony, playfulness and realism to recast Orientalism as heterogeneous and susceptible to negotiation, contestation and even subversion.

Type: Book chapter
Title: Catalogue Note on Taner Ceylan's 1879 (2011)
Open access status: An open access version is available from UCL Discovery
Publisher version: http://www.sothebys.com/en/auctions/2011/contempor...
Additional information: LOT 14: TANER CEYLAN B. 1967. 1879 (FROM THE LOST PAINTING SERIES). Image reproduced here with permission secured by the author from the artist Taner Ceylan
UCL classification: UCL > Provost and Vice Provost Offices
UCL > Provost and Vice Provost Offices > UCL SLASH
URI: https://discovery.ucl.ac.uk/id/eprint/1299465
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