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Number of items: 53.
Article
Dumitriu, Anna;
May, Alex;
Velios, Athanasios;
Sakki, Zoi;
Korakidou, Veroniki;
Marçal, Hélia;
Panagiaris, Georgios;
(2021)
Unruly objects: NFTs, blockchain technologies and bio-conservation.
Technoetic Arts
, 19
(3)
pp. 383-397.
10.1386/tear_00076_1.
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Lawson, L;
Finbow, A;
Marçal, H;
(2019)
Developing a strategy for the conservation of performance-based artworks at Tate.
Journal of the Institute of Conservation
, 42
(2)
pp. 114-134.
10.1080/19455224.2019.1604396.
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Macedo, R;
Marcal, H;
(2019)
Conservação ou Gestão de Mudança: Time-based media no museu.
Revista de Museus
, 1
(2)
pp. 212-223.
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Madeira, C;
Salazar, D;
Marçal, H;
(2018)
Performance art temporalities: relationships between Museum, University, and Theatre.
Museum Management and Curatorship
, 33
(1)
pp. 79-95.
10.1080/09647775.2017.1419828.
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Marcal, H;
(2021)
Becoming Difference: on the Ethics of Conserving the In-between.
Studies in Conservation
10.1080/00393630.2021.1947074.
(In press).
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Marçal, H;
(2021)
Hélia Marçal reviews: Critical Perspectives on Cultural Memory and Heritage: Construction, Transformation and Destruction, edited by Veysel Apaydin, London, UCL Press, 2020, 336 pp., (paperback). ISBN 9781787354845.
Journal of the Institute of Conservation
, 44
(2)
pp. 153-155.
10.1080/19455224.2021.1929579.
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Marcal, H;
(2021)
Situated knowledges and materiality in the conservation of performance art.
Art Matters: International Journal for Technical Art History
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Marcal, Helia;
(2024)
A few thoughts on the future of collections and their histories.
Journal of the History of Collections
10.1093/jhc/fhae049.
(In press).
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Marçal, Hélia;
(2024)
作为媒介的博物馆 Museum as Medium.
画刊 Art Monthly
(9)
pp. 48-51.
(In press).
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Marçal, H;
(2019)
Diffracting Histories of Performance.
Performance Research
, 24
(7)
pp. 39-46.
10.1080/13528165.2019.1717863.
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Marçal, H;
(2019)
Public engagement towards sustainable heritage preservation.
Protection of Cultural Heritage
, 8
pp. 185-209.
10.35784/odk.1084.
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Marcal, H;
(2018)
Rites of passage: a conservator’s perspective on the incorporation of performance artworks into museological collections.
Revista de História da Arte
, 06
pp. 116-124.
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Marçal, H;
Macedo, R;
Nogueira, A;
Duarte, A;
(2013)
Whose decision is it? Reflections about a decision making model based on qualitative methodologies.
CeROArt
10.4000/ceroart.3597.
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Marcal, H;
Nogueira, A;
(2015)
The challenges of documenting Francisco Tropa’s oeuvre : variability and interartworks relationships.
Revista de História da Arte
, 2015
(4)
pp. 65-76.
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Marçal, H;
Nogueira, A;
Macedo, R;
(2018)
Materializing the intangible: The documentation of "Luís Vaz 73" (1975), by Jorge Peixinho and Ernesto de Sousa.
Conservar Patrimonio
(27)
pp. 13-22.
10.14568/cp2016042.
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Marçal, HP;
(2017)
Conservation in an era of participation.
Journal of the Institute of Conservation
, 40
(2)
pp. 97-104.
10.1080/19455224.2017.1319872.
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Taylor, Joel;
Marcal, Helia;
(2022)
Conservation in the performative turn.
Studies in Conservation
, 67
(Sup 1)
pp. 260-266.
10.1080/00393630.2022.2067717.
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Book
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Marcal, H and Madeira, C and Matos Oliveira, F (Eds).
(2020)
Práticas de Arquivo em Artes Performativas.
[Book].
(392 vols).
Coimbra University Press: Coimbra, Portugal.
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Book chapter
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Auffret, Stephanie;
Peters, Renata F;
Castriota, Brian;
Marcal, Helia;
(2023)
Restoration.
In: Mairesse, François, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
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Castriota, Brian;
Peters, Renata F;
Auffret, Stephanie;
Marcal, Helia;
(2023)
Authenticity.
In: Mairesse, François, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
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Lawson, L;
Harvey, D;
Ribeiro, A;
Marçal, H;
(2023)
The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-Based Artworks at Tate.
In: van de Vall, R and van Saaze, V, (eds.)
Conservation of Contemporary Art.
(pp. 315-339).
Springer International Publishing: Cham, Switzerland.
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Madeira, Cláudia;
Oliveira, Fernando Matos;
Marçal, Hélia;
(2020)
Archives, Captivations, Reactivations.
In: Marçal, Hélia and Madeira, Cláudia and Matos Oliveira, Fernando, (eds.)
Archive Practices in Performing Arts.
(pp. 7-13).
Coimbra University Press: Coimbra, Portugal.
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Marçal, H;
Salazar, D;
(2022)
‘Political-Timing-Specific’ Performance Art in the Realm of the Museum.
In: Baldacci, Cristina and Nicastro, Clio and Sforzini, Arianna, (eds.)
Cultural Inquiry.
(pp. 239-254).
ICI Berlin Press: Berlin, Germany.
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Marçal, Hélia;
(2025)
Das coisas.
In:
Arquivos: história, memória, e criação.
Centro de Estudos de Teatro: Lisboa, Portugal.
(In press).
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Marçal, Hélia;
(2024)
Saúde.
In: Madeira, Cláudia and Cruzeiro, Cristina Pratas, (eds.)
Pick Manifesto 25 de Abril hoje.
ICNOVA-NOVA FCSH; IHA-NOVA FCSH/ IN2PAST
(In press).
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Marçal, Hélia;
(2023)
Vitality and the conservation of performance.
In: Hölling, Hanna B and Pelta Feldman, Jules and Magnin, Emilie, (eds.)
Performance The Ethics and the Politics of Conservation and Care, Volume I.
(pp. 70-92).
Routledge: London, UK.
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Marcal, Helia;
(2023)
Entangled ethics: heritage conservation, transmission and participation.
In: Fekrsanati, Farideh and Schimmeroth, Gabriel, (eds.)
From Conservation to Conversation.
(pp. 131-139).
MARKK (Museum am Rothenbaum Kulturen und Künste): Munich, Germany.
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Marçal, Hélia;
(2022)
A Word About Performance Art.
In: Engel, Deena and Philips, Joanna, (eds.)
Conservation of Time-Based Media Art.
Routledge: London, UK.
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Marcal, Helia;
(2020)
Re-enactment como prática de resistência no museu.
In: Marçal, Hélia and Madeira, Cláudia and Matos Oliveira, Fernando, (eds.)
Archive Practices in Performing Arts.
(pp. 65-82).
Coimbra University Press: Coimbra, Portugal.
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Marçal, Hélia;
Fekrsanati, Farideh;
(2022)
Affirming change in participatory practice of cultural conservation.
In: Rausch, Christoph and Benschop, Ruth and Sitzia, Emilie and van Saaze, Vivian, (eds.)
Participatory Practices in Art and Cultural Heritage - Learning Through and from Collaboration.
(pp. 127-141).
Springer Nature: Cham, Switzerland.
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Marçal, Helia;
Gordon, Rebecca;
(2023)
Affirming future(s): towards a posthumanist conservation in practice.
In: Daigle, Christine and Hayler, Matthew, (eds.)
Posthumanism in Practice.
(pp. 165-178).
Bloomsbury Publishing: London, UK.
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Marcal, Helia;
Peters, Renata F;
Castriota, Brian;
Auffret, Stephanie;
(2023)
Conservation (preventive).
In: Mairesse, François, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
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Marcal, Helia;
Peters, Renata F;
Castriota, Brian;
Auffret, Stephanie;
(2023)
Conservation (remedial).
In: Mairesse, Francois, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
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Peters, Renata F;
Marcal, Helia;
Auffret, Stephanie;
Castriota, Brian;
(2023)
Conservation.
In: Mairesse, Francois, (ed.)
Dictionary of Museology.
Routledge and ICOM: Abingdon, UK.
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Proceedings paper
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Marcal, H;
Lawson, L;
(2021)
Unfolding interactions in the preservation of performance art at Tate.
In:
Proceedings of the 19th ICOM-CC Triennial Conference in Beijing.
International Council of Museums: Beijing, China.
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Marçal, H;
Salazar, D;
(2021)
Performance after performance: on the material legacies and their possibilities for transmission.
In: Baião, J, (ed.)
Artists’ Legacies. Preservation, Study, Dissemination, Institutionalisation.
(pp. pp. 219-229).
Fundação Arpad Szenes-Vieira da Silva (FASVS): Lisbon, Portugal.
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Marcal, H;
(2021)
Towards a relational ontology of conservation.
In:
Proceedings of the 19th ICOM-CC Triennial Conference in Beijing.
International Council of Museums: Beijing, China.
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Marcal, H;
(2018)
Public engagement towards sustainable heritage preservation.
In: Schädler-Saub, Bogusław Szmygin, U and Szmygin, B, (eds.)
Conservation Ethics Today: Are Our Conservation-Restoration Theories and Practice Ready For The 21st Century?
(pp. pp. 265-290).
Lublin University of Technology / International Scientific Committee for Theory and Philosophy of Conservation and Restoration (ICOMOS): Lublin, Poland.
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Marcal, H;
Castriota, B;
(2021)
Always already fragment: integrity, deferral, and possibility in the conservation of cultural heritage.
In: Schädler-Saub, U and Weyer, A, (eds.)
The Fragment in the Digital Age. Opportunities and risks of new conservation-restoration techniques.
Schriften des Hornemann Instituts
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Marcal, H;
Macedo, R;
(2017)
The aim of documentation: Micro-decisions in the documentation of performance-based artworks.
In:
Proceedings of the 18th ICOM Comittee for Conservation Triennial Conference.
(pp. 0204-0204).
International Council of Museums (ICOM-CC): Copenhagen, Denmark.
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Marcal, H;
Macedo, R;
(2017)
From the periphery to the centre: Community engagement and justice in conservation decision making.
In:
Proceedings of the 18th ICOM Comittee for Conservation Triennial Conference.
(pp. p. 1905).
International Council of Museums (ICOM-CC): Copenhagen, Denmark.
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Marcal, H;
Macedo, R;
(2014)
The inevitable subjective nature of conservation: psychological insights on the process of decision-making.
In:
ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014.
(pp. p. 1904).
Paris: International Council of Museums.: Melbourne, Australia.
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Report
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Marcal, H;
(2020)
Research Approaches: Contemporary Art Conservation.
(Reshaping the Collectible: Research Approaches, Tate Research
).
Tate: London, UK.
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Digital scholarly resource
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Lawson, L;
Finbow, A;
Marcal, H;
(2021)
Documentation tool: Activation Report.
[Digital scholarly resource].
https://www.tate.org.uk/about-us/projects/document...
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Lawson, L;
Marçal, H;
(2021)
Documentation tool: Map of Interactions.
[Digital scholarly resource].
https://www.tate.org.uk/about-us/projects/document...
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Lawson, L;
Marcal, H;
Finbow, A;
Harvey, D;
Ribeiro, A;
(2021)
‘Strategy and Glossary of Terms for the Documentation and Conservation of Performance’, published as part of Documentation and Conservation of Performance (March 2016 – March 2021), a Time-based Media Conservation project at Tate.
[Digital scholarly resource].
https://www.tate.org.uk/about-us/projects/document...
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Lawson, L;
Marcal, H;
Ribeiro, A;
Harvey, D;
Finbow, A;
(2021)
‘Documentation Tool: Performance Specification’, in Documentation and Conservation of Performance (March 2016 – March 2021), a Time-based Media Conservation project at Tate.
[Digital scholarly resource].
https://www.tate.org.uk/about-us/projects/document...
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Marcal, H;
(2021)
Documentation tool: Material Histories.
[Digital scholarly resource].
https://www.tate.org.uk/about-us/projects/document...
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Preuten, T;
Marcal, H;
(2021)
Procedure for making iron gall ink.
[Digital scholarly resource].
https://www.ucl.ac.uk/art-history/sites/art_histor...
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Preuten, T;
Marcal, H;
(2021)
Procedure for synthesising a red dye.
[Digital scholarly resource].
https://www.ucl.ac.uk/art-history/sites/art_histor...
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Scholarly edition
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Lawson, L;
Marcal, H;
(2022)
Method for assessing conservation documentation for complex performance artworks.
[Scholarly edition].
Tate Research: London, UK.
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Marcal, H;
Lawson, L;
Ribeiro, A;
(2022)
Experimenting with transmission.
[Scholarly edition].
Tate Research: London, UK.
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