Demeyer, HD;
(2011)
De taal schettert en schreeuwt in de grauwzone
Taal- en maatschappijkritiek in het werk van J.M.H. Berckmans.
Spiegel der Letteren
, 53
(4)
pp. 493-522.
10.2143/SDL.53.4.2136977.
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Abstract
This article investigates the literary work of J.M.H. Berckmans from the viewpoint of the philosophy of Gilles Deleuze, who correlates marginality and madness with an ethical literary creation that breaks through les mots d'ordre and representative thinking. Berckmans' Grauwzone is the marginal biotope used to record daily life. Its description is not mimetic, but expresses an existential fear and forms a critique of society and language. Berckmans' linguistic experiments increasingly look like jazz-improvisations. Stylistically, his work evolves from bop (Bericht uit Klein Konstantinopel) to free jazz (Ontbijt in het vilbeluik; Slecht nieuws voor Doctor Paf de Pierennaaier, Pandemonium in de Grauwzone).
| Type: | Article |
|---|---|
| Title: | De taal schettert en schreeuwt in de grauwzone Taal- en maatschappijkritiek in het werk van J.M.H. Berckmans |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.2143/SDL.53.4.2136977 |
| Publisher version: | http://dx.doi.org/10.2143/SDL.53.4.2136977 |
| Language: | Dutch |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS |
| URI: | https://discovery.ucl.ac.uk/id/eprint/1546388 |
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