Creech, A;
Papageorgi, I;
Welch, G;
(2010)
Concepts of ideal musicians.
Journal of Research in Musical Performance
, Fall
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Abstract
This paper explores the concepts of ?ideal musicians? constructed by advanced performers of Western classical, jazz, popular and Scottish traditional music. The question of whether there continues to be a persistent dominant discourse concerned with concepts of ideal musicians in the Western tradition, or whether alternative discourses are evident, is explored. Secondly, in order to address the question of whether concepts of ideal musicians are fixed or malleable, concepts evident amongst undergraduate performers are compared with those held by professional musicians. Analysis of quantitative data (N = 244) measuring beliefs about the nature of musical expertise is presented together with qualitative narratives generated from indepth interviews with twenty-seven advanced performers representing four musical genres.
Type: | Article |
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Title: | Concepts of ideal musicians |
Open access status: | An open access version is available from UCL Discovery |
Publisher version: | https://scholar.lib.vt.edu/ejournals/JRMP/ |
Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
Keywords: | Arts organisation, Learning and teaching in further/higher education |
UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > School of Education UCL > Provost and Vice Provost Offices > School of Education > UCL Institute of Education UCL > Provost and Vice Provost Offices > School of Education > UCL Institute of Education > IOE - Culture, Communication and Media UCL > Provost and Vice Provost Offices > School of Education > UCL Institute of Education > IOE - Social Research Institute |
URI: | https://discovery.ucl.ac.uk/id/eprint/1506763 |
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