Baumann, Hanna;
(2023)
Morphing forms, undermining border regimes: in conversation with Khaled Jarrar.
field: a free journal for architecture
, 9
(1)
pp. 1-9.
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Abstract
This short piece - written in exchange with Palestinian artist Khaled Jarrar - charts his work over the past decade as it deals with borders. In particular, it focuses on a set of linked projects in which the material from the Israeli 'Separation Wall' in the West Bank were transformed into art objects, which then served as the basis for purchasing agricultural land in Palestine. In a new phase for the project, the outputs harvested the land now morph again in order to infiltrate international boundaries under 'false pretences'. It is argued that Jarrar's work uses the specificities of the art market as well as material-bureaucratic conditions of national boundaries to draw attention to and undermine unjust borders.
Type: | Article |
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Title: | Morphing forms, undermining border regimes: in conversation with Khaled Jarrar |
Open access status: | An open access version is available from UCL Discovery |
Publisher version: | https://www.field-journal.org/article/id/126/ |
Language: | English |
Additional information: | field: is an open access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access. |
Keywords: | Palestine, wall, olive oil, cement, borders |
UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL BEAMS UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment > UCL Institute for Global Prosperity |
URI: | https://discovery.ucl.ac.uk/id/eprint/10184101 |
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