Mussgnug, Florian;
(2021)
Gli anni sessanta e le origini dell’intermedialità in Italia [The Sixties and the Origins of Intermediality in Italy].
Moderna
, 23
(1-2)
pp. 75-86.
10.19272/202101902006.
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Abstract
The article defines intermediality as collaborative experimental and creative practice, across genres and forms. It traces the historical origins of this understanding of intermediality, in Italy, to the 1960s and to the emergence of new hybrid media such as sound art, video art, performance, and visual poetry. More specifically, the author focuses on the history of Italy's neoavanguardia, and considers the progressive unfolding of the new aesthetic paradigm through three related case studies: the novissimi poets, Luciano Berio's collaboration with Edoardo Sanguineti, and Umberto Eco's critique of the Crocean model.
| Type: | Article |
|---|---|
| Title: | Gli anni sessanta e le origini dell’intermedialità in Italia [The Sixties and the Origins of Intermediality in Italy] |
| Location: | Italy |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.19272/202101902006 |
| Publisher version: | http://dx.medra.org/10.19272/202101902006 |
| Language: | Italian |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher's terms and conditions. |
| Keywords: | Opera Aperta, Intermedia, Experimental Theatre, neoavanguardia, Umberto Eco, Luciano Berio, Edoardo Sanguineti |
| UCL classification: | UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS UCL > Provost and Vice Provost Offices > UCL SLASH UCL |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10152110 |
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