UCL Discovery
UCL home » Library Services » Electronic resources » UCL Discovery

Pitch discrimination is better for synthetic timbre than natural musical instrument timbres despite familiarity

Holmes, Emma; Kinghorn, Elizabeth E; McGarry, Lucy M; Busari, Elizabeth; Griffiths, Timothy D; Johnsrude, Ingrid S; (2022) Pitch discrimination is better for synthetic timbre than natural musical instrument timbres despite familiarity. The Journal of the Acoustical Society of America , 152 (1) pp. 31-42. 10.1121/10.0011918. Green open access

[thumbnail of 10.0011918.pdf]
Preview
Text
10.0011918.pdf - Published Version

Download (2MB) | Preview

Abstract

Pitch discrimination is better for complex tones than pure tones, but how pitch discrimination differs between natural and artificial sounds is not fully understood. This study compared pitch discrimination thresholds for flat-spectrum harmonic complex tones with those for natural sounds played by musical instruments of three different timbres (violin, trumpet, and flute). To investigate whether natural familiarity with sounds of particular timbres affects pitch discrimination thresholds, this study recruited non-musicians and musicians who were trained on one of the three instruments. We found that flautists and trumpeters could discriminate smaller differences in pitch for artificial flat-spectrum tones, despite their unfamiliar timbre, than for sounds played by musical instruments, which are regularly heard in everyday life (particularly by musicians who play those instruments). Furthermore, thresholds were no better for the instrument a musician was trained to play than for other instruments, suggesting that even extensive experience listening to and producing sounds of particular timbres does not reliably improve pitch discrimination thresholds for those timbres. The results show that timbre familiarity provides minimal improvements to auditory acuity, and physical acoustics (e.g., the presence of equal-amplitude harmonics) determine pitch discrimination thresholds more than does experience with natural sounds and timbre-specific training.

Type: Article
Title: Pitch discrimination is better for synthetic timbre than natural musical instrument timbres despite familiarity
Open access status: An open access version is available from UCL Discovery
DOI: 10.1121/10.0011918
Publisher version: https://doi.org/10.1121/10.0011918
Language: English
Additional information: © 2022 Author(s). All article content, except where otherwise noted, is licensed under a Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/).
UCL classification: UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences
UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences > Div of Psychology and Lang Sciences > Speech, Hearing and Phonetic Sciences
UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences
UCL
UCL > Provost and Vice Provost Offices > School of Life and Medical Sciences > Faculty of Brain Sciences > Div of Psychology and Lang Sciences
URI: https://discovery.ucl.ac.uk/id/eprint/10152000
Downloads since deposit
41Downloads
Download activity - last month
Download activity - last 12 months
Downloads by country - last 12 months

Archive Staff Only

View Item View Item