Geismar, H;
(2021)
Curating the Crowd: Social Media and the Choreography of Affective Experience.
Architectural Design
, 91
(6)
pp. 64-73.
10.1002/ad.2754.
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Abstract
The advent of social media and the ever more sophisticated functionality of our mobile phones have had a profound effect on the way we view and record events. This is particularly true for large gatherings of people. Haidy Geismar, Professor of Anthropology at University College London, explains how it was once possible to ‘choreograph’ an audience, but nowadays the audience choreographs itself, with thousands of simultaneous viewpoints that are disseminated in multiple, personal yet often public ways.
| Type: | Article |
|---|---|
| Title: | Curating the Crowd: Social Media and the Choreography of Affective Experience |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.1002/ad.2754 |
| Publisher version: | https://doi.org/10.1002/ad.2754 |
| Language: | English |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Dept of Anthropology |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10138690 |
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