Luca, TRD; Silva, ACSD; (2022) Maria Amália Vaz de Carvalho nas páginas de O Paiz (1884-1889): levantamento dos textos e notas iniciais de pesquisa = The collaboration of Maria Amália Vaz de Carvalho with O Paiz (1884-1889): survey of texts and preliminary research notes. Herança , 5 (1) pp. 7-37. 10.52152/heranca.v5i1.454.

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Abstract

O projeto “É preciso falar sobre as ausentes: mulheres cronistas na imprensa oitocentista: Pesquisa em acervos” (UCL, Unesp, Unicamp) visa localizar, de forma sistemática, a colaboração das escritoras Maria Amália Vaz de Carvalho (1847-1921), Maria Benedita Câmara Bormann (pseudônimo Délia, 1853-1895), Emília Moncorvo Bandeira de Melo (pseudônimo Carmen Dolores, 1852–1910) e Júlia Lopes de Almeida (1862-1934) na imprensa do Rio de Janeiro no período da chamada Belle Époque. A pesquisa parte do acervo digital de periódicos disponíveis na Hemeroteca Digital Brasileira, da Fundação Biblioteca Nacional, e, além de ter em vista a organização de edições digitais de livre acesso, pretende reavaliar a presença feminina na imprensa de fins do Oitocentos, de modo a contribuir para dar visibilidade e construir novas narrativas acerca das vozes femininas, em grande parte, ainda silenciadas. O artigo detém-se na trajetória de Maria Amália até sua entrada em O Paiz, apresenta a publicação na qual a escritora contribui por cinco anos, ainda que não de maneira continua, e em cujas páginas esteve presente quase uma centena de vezes. Objetiva-se apresentar os traços gerais desse volumoso conjunto de textos de gêneros diversos – crônicas, contos, ensaios e resenhas de livros – e indicar algumas de suas múltiplas possibilidades analíticas. Destaque-se que se trata de um primeiro ensaio, uma vez que a pesquisa encontra-se em seus primórdios. / The project “It is necessary to talk about the absent ones: women chroniclers in the nineteenth century press: Research in collections” (UCL, Unesp, Unicamp) aims to systematically locate the collaboration of writers Maria Amália Vaz de Carvalho (1847-1921), Maria Benedita Câmara Bormann (pseudonym Délia, 1853-1895), Emília Moncorvo Bandeira de Melo (pseudonym Carmen Dolores, 1852–1910) and Júlia Lopes de Almeida (1862-1934) in the press in Rio de Janeiro during the period of the so-called Belle Époque. The research is based on the digital collection of periodicals available at the Hemeroteca Digital Brasileira, from the National Library Foundation, and, in addition to organizing free access digital editions, it intends to reassess the female presence in the late 1800s press, in order to contribute to giving visibility and building new narratives about female voices, which are largely still silenced. The article focuses on Maria Amália's trajectory until her entry into O Paiz, presents the publication in which the writer has contributed for five years, although not continuously, and in whose pages she has been present almost a hundred times. The objective is to present the general features of this voluminous set of texts from different genres – chronicles, short stories, essays and book reviews – and to indicate some of its multiple analytical possibilities. It should be noted that this is a first essay, since research is in its infancy. // The project “The necessity for discussing the absent: women chroniclers in the nineteenth century press: Research in collections” (UCL, Unesp, Unicamp) aims to systematically locate the collaboration of writers Maria Amália Vaz de Carvalho (1847-1921), Maria Benedita Câmara Bormann (pseudonym Délia, 1853-1895), Emília Moncorvo Bandeira de Melo (pseudonym Carmen Dolores, 1852–1910) and Júlia Lopes de Almeida (1862-1934) in the Rio de Janeiro press during the Belle Époque. The survey is based on the digital collection of periodicals available at the Hemeroteca Digital Brasileira, Brazilian National Library. In addition to organizing free access digital editions, it intends to reassess the female presence in the late nineteenth-century press, in order to give more visibility to women’s journalism and construct new narratives around female voices, which are still largely silent. The article focuses on Maria Amália’s career until joining O Paiz, and presents her five-year collaboration with this daily newspaper which (although not continuously) amounts to almost one hundred articles. This paper aims to present the general features of this voluminous set of texts from a diverse range of genres – crônicas, short stories, essays and book reviews – and to highlight its multiple possibilities for analysis. It should be noted that this is a work in progress.

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