Branscome, E;
(2019)
A Portrait of the Architect as a Wood Model: Niall McLaughlin's 2018 Venice Biennale model finds a temporary home in London.
The Architect's Newspaper
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Abstract
While the U.K. parliament was voting down their prime minister’s Brexit deal with the E.U., London’s architecture world crowded into the Art Deco Jarvis Hall of the Royal Institute of British Architects (RIBA). Ignoring the overheated political debacle taking place a mile away, they went there instead to celebrate the homecoming of Níall McLaughlin’s 2018 Venice Biennale model. The event was sold out and the institution’s Facebook page showed individuals begging for tickets as if for a music or sports event. But people did not just come to see this installation that will be on display from January 10 to 28—they came to hear Níall speak to them of architecture, culture, nature, and light. He is a storyteller: the poetics of his language seeping into his architecture and vice versa, infusing each other within a reciprocal process.
| Type: | Article |
|---|---|
| Title: | A Portrait of the Architect as a Wood Model: Niall McLaughlin's 2018 Venice Biennale model finds a temporary home in London |
| Open access status: | An open access version is available from UCL Discovery |
| Publisher version: | https://www.archpaper.com/2019/01/niall-mclaughlin... |
| Language: | English |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher's terms and conditions. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL BEAMS UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment > The Bartlett School of Architecture |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10116134 |
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