Martin, D;
Shaw, D;
(2021)
Chilean and Transnational Performances of Disobedience: LasTesis and the Phenomenon of Un violador en tu camino.
Bulletin of Latin American Research
10.1111/blar.13215.
(In press).
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Abstract
This article analyses the performance Un violador en tu camino created by Chilean feminist theatre collective LasTesis, shared by millions and re‐staged across the globe. It explores the relationship between the original piece and theorist Rita Segato's insights on rape culture, and how it counters aspects of this culture. It examines how the transnational spread of Un violador counters tendencies of MeToo, and examines four cases of the performance's re‐staging in Latin America and beyond, showing how they make manifest the pervasiveness of rape culture as well as how groups have adapted them to speak to local issues.
| Type: | Article |
|---|---|
| Title: | Chilean and Transnational Performances of Disobedience: LasTesis and the Phenomenon of Un violador en tu camino |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.1111/blar.13215 |
| Publisher version: | https://doi.org/10.1111/blar.13215 |
| Language: | English |
| Additional information: | This is an open access article under the CC BY license (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10112610 |
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