Mathews, T and Kay, S (Eds).
(2020)
The Modernist Bestiary: Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland.
[Book].
Comparative Literature and Culture.
UCL Press: London, UK.
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Abstract
The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'.
Type: | Book |
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Title: | The Modernist Bestiary: Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland |
ISBN-13: | 978-1-78735-151-6 |
Open access status: | An open access version is available from UCL Discovery |
DOI: | 10.14324/111.9781787351516 |
Publisher version: | https://10.14324/111.9781787351516 |
Language: | English |
Additional information: | Collection © Editors, 2020 Text © Contributors, 2020 Images © Copyright holders named in captions, 2020 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. A CIP catalogue record for this book is available from The British Library. This book is published under a Creative Commons 4.0 International licence (CC BY 4.0). This licence allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work, providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Kay, S. and Mathews, T. (eds.). 2020. The Modernist Bestiary: Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland. London: UCL Press. DOI: https://doi.org/10.14324/111.9781787351516 Further details about Creative Commons licences are available at http://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons licence unless indicated otherwise in the credit line to the material. If you would like to reuse any third-party material not covered by the book’s Creative Commons licence, you will need to obtain permission directly from the copyright holder. |
Keywords: | animal studies, musicology, art history, comparative literature |
UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS |
URI: | https://discovery.ucl.ac.uk/id/eprint/10098243 |
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