Colletti, M;
(2019)
Ambiguous, Bipolar Beauty: And Similarly Agile and Fragile Post‐Digital Practices.
Architectural Design
, 89
(5)
pp. 90-97.
10.1002/ad.2484.
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Abstract
Architect and educator Marjan Colletti considers beauty in what he calls the ‘fourth Industrial Revolution’ – the post‐digital age. He begins with an ode to Beauty and continues in an autobiographical mode blending fact and personal experience. At points he evokes chimeras, myths and the South Tyrolean landscape; at others he describes aesthetic arousal in art and architecture as well as its power to scare – all in search of a personal beauty.
Type: | Article |
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Title: | Ambiguous, Bipolar Beauty: And Similarly Agile and Fragile Post‐Digital Practices |
Open access status: | An open access version is available from UCL Discovery |
DOI: | 10.1002/ad.2484 |
Publisher version: | https://doi.org/10.1002/ad.2484 |
Language: | English |
Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
Keywords: | Umberto Eco, Jan Turnovksy, Walter Benjamin, South Tyrol, Frogger, Donkey Kong, Star Wars, Carlo Mollino, Gaston Bachelard, Dario Argento, La Sindrome di Stendhal, Anna Manni, Pieter Bruegel the Elder, Landscape with the Fall of Icarus, Uffizi Gallery, Florence, hyperkulturemia or Florence syndrome, Graziella Magherini, Marie‐Henri Beyle, Rome, Naples, Parthenon, Santa Croce, San Carlino, St Stephen's Cathedral, Jerusalem, Rubens, St Thomas Aquinas, Alexander McQueen, Rainer Maria Rilke, Albert Camus, André Breton, Paul Virilio, Colin Rowe |
UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL BEAMS UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment > The Bartlett School of Architecture |
URI: | https://discovery.ucl.ac.uk/id/eprint/10094098 |
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