Murray, S;
(2018)
Surrealist Thames-side Piers Tellurian Relics.
Architectural Design
, 88
(2)
pp. 78-83.
10.1002/ad.2283.
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Abstract
For Shaun Murray – an architect and architectural teacher at the Architectural Association and University of Greenwich – the design of architecture is more than the deployment of discrete objects in space. Rather, it is the marshalling and bottom‐up choreography of highly complex spacetime entities that are both organic and inorganic. So objects become ‘things’ of indeterminate duration, highly networked, always reconfiguring and morphing. Murray has developed notations and drafting techniques that facilitate his understanding of architectural space and which he uses in his experimental practice – ENIAtype, based in London.
| Type: | Article |
|---|---|
| Title: | Surrealist Thames-side Piers Tellurian Relics |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.1002/ad.2283 |
| Publisher version: | https://doi.org/10.1002/ad.2283 |
| Language: | English |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
| Keywords: | Tellurian Relics Project, River Thames, London, Umwelten, Clove Hitch Quay, Battersea Reach, Chthonic Relic, Surrealist Thames‐side Piers, ENIAtype |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL BEAMS UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of the Built Environment > The Bartlett School of Architecture |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10090984 |
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