Baron, SA; (2019) ‘Bloom, nodding, said he perfectly understood’: James Joyce and the Meanings of Translation. In: Harding, J and Nash, J, (eds.) Modernism and Non-Translation. Oxford University Press: Oxford, UK.

Preview

Text James Joyce and the Meanings of Translation.pdf - Accepted Version Download (321kB) | Preview

Abstract

This chapter examines Joyce’s uses of several languages, especially in Stephen Hero, A Portrait of the Artist as a Young Man, and Ulysses, and puts forward a taxonomy of foreign language use in Ulysses. The four types identified are: Latin terms associated with the Catholic mass; Italian musical terms; phrases that are deployed in a political context; and untranslated clichés that signify cultural aspiration or pretension. Drawing on examples across the range of Joyce’s writing, the chapter argues that translation can operate in part as a means to overcome forms of social division, as instanced by Stephen and Bloom, while suggesting that all language is already translated, and that translation can never be fully achieved.

Download activity - last month

Export as XMLCSVJSON

Download activity - last 12 months

Export as JSONCSVXML

Downloads by country - last 12 months

Export as CSVXMLJSON

Archive Staff Only

View Item