Walton, S;
(2016)
The Anthropologist as Curator: Introducing a Digital Photography Exhibition as a Collaborative and Participatory Fieldwork Method.
Visual Ethnography
, 5
(1)
pp. 47-67.
10.12835/ve2016.1-0058.
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Abstract
Collaborative and participatory ethnographic methods present the possibility of an intriguing contemporary shift; from the anthropologist’s role as author to one of curator in/of the digital landscape. Photographs, blogs, and digital exhibitions can all be incorporated into the methodology and storytelling of Internet-related ethnographic research. In this article, I reflect upon the rationale of curating a digital photography exhibition as a fieldwork method during my research with Iranian photobloggers. I discuss how the digital exhibition offered me unique way of collaborating – remotely and online – with my interlocutors and other participants physically based in different countries. I conclude by evaluating the digital exhibition’s broader methodological and epistemological implications for digital/visual anthropology.
Type: | Article |
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Title: | The Anthropologist as Curator: Introducing a Digital Photography Exhibition as a Collaborative and Participatory Fieldwork Method |
Open access status: | An open access version is available from UCL Discovery |
DOI: | 10.12835/ve2016.1-0058 |
Publisher version: | http://dx.doi.org/10.12835/ve2016.1-0058 |
Language: | English |
Additional information: | This version is the version of record. For information on re-use, please refer to the publisher’s terms and conditions. |
Keywords: | Digital photography, digital exhibitions, collaborative visual methods, digital curation, remote ethnography |
UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Dept of Anthropology |
URI: | https://discovery.ucl.ac.uk/id/eprint/10052696 |
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