Thomson, C;
(2018)
Graphofilia, film, typewriter.
Short Film Studies
, 8
(2)
pp. 171-174.
10.1386/sfs.8.2.171_1.
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Abstract
Flimmer’s narrator ‘never wrote back’, but the film engraves her words on the affair’s detritus: cigarettes, spilt milk, a doll, typewriter keys and the film’s surface. Flimmer thus uses nostalgia for technologies of indexical inscription, such as the typewriter to respond to emerging digital practices such as the RED camera.
| Type: | Article |
|---|---|
| Title: | Graphofilia, film, typewriter |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.1386/sfs.8.2.171_1 |
| Publisher version: | https://doi.org/10.1386/sfs.8.2.171_1 |
| Language: | English |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
| Keywords: | RED camera; digital cinema; indexical inscription; obsolete media; technological nostalgia; typewriter |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10043403 |
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