eprintid: 1473689
rev_number: 40
eprint_status: archive
userid: 608
dir: disk0/01/47/36/89
datestamp: 2021-05-10 14:28:01
lastmod: 2021-05-11 14:22:25
status_changed: 2021-05-11 14:22:25
type: book_section
metadata_visibility: show
creators_name: Klautke, EF
title: Die „britische Invasion“: britische Pop- und Rockmusik in den USA
ispublished: pub
divisions: UCL
divisions: A01
divisions: B03
divisions: D92
keywords: rock music, USA, UK, Americanization, 1960s, Beatles, popular culture
note: This version is the version of record. For information on re-use, please refer to the publisher’s terms and conditions.
abstract: The chapter focuses on the “British Invasion” of the American music market. It presents the success of the Beatles, as well as a number of further British bands as a decisive moment in the history of modern pop- and rock music, which put an end to the global domination of American popular music. While the U.S. had dominated the development of modern popular music since the beginning of the twentieth century, the “British Invasion” increasingly complicated the direction of transfers between “old” and “new”world. From 1964, the modes of reception between the U.S. and Europe – thus far one-sided – changed suddenly, and for good. The history of the “British Invasion” does not fit into attempts to explain popular culture as part of the global, irresistible and unstoppable “Americanization” of the world. Rather, the successes of British pop- and rock music in the United States tell a different, more complicated story of the transatlantic transfers of popular culture. Therefore, the history of the “British Invasion” forces us to re-think concepts such as “Americanization” or “Europeanization”.
date: 2017-10-01
date_type: published
publisher: Transcript
official_url: https://doi.org/10.14361/9783839431337-005
oa_status: green
full_text_type: pub
language: ger
primo: open
primo_central: open_green
verified: verified_manual
elements_id: 1098711
doi: 10.14361/9783839431337-005
isbn_13: 978-3-8376-3133-3
lyricists_name: Klautke, Egbert
lyricists_id: EKLAU55
actors_name: Dewerpe, Marie
actors_id: MDDEW97
actors_role: owner
full_text_status: public
place_of_pub: Bielefeld, Germany
pagerange: 107-125
pages: 18
book_title: Populärkultur–transnational: Sehen, Hören, Lesen, Erleben im Europa der langen 1960er Jahre
editors_name: Hüser, D
citation:        Klautke, EF;      (2017)    Die „britische Invasion“: britische Pop- und Rockmusik in den USA.                    In: Hüser, D, (ed.) Populärkultur–transnational: Sehen, Hören, Lesen, Erleben im Europa der langen 1960er Jahre. (pp. 107-125).   Transcript: Bielefeld, Germany.       Green open access   
 
document_url: https://discovery.ucl.ac.uk/id/eprint/1473689/9/Klautke_10.14361_9783839431337-005.pdf