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<https://discovery.ucl.ac.uk/id/eprint/1360345> <http://purl.org/dc/terms/title> "Idols in exile. making sense of prehistoric human pottery figurines from Dos Mosquises Island, Los Roques archipelago, Venezuela"^^<http://www.w3.org/2001/XMLSchema#string> .
<https://discovery.ucl.ac.uk/id/eprint/1360345> <http://purl.org/ontology/bibo/abstract> "This dissertation examines the `social reality' of the prehistoric figurines recovered on the tiny\r\ncoral island of Dos Mosquises, located off the Venezuelan coast. There, over three hundred\r\nfigurine specimens altogether with numerous other items of material culture were recovered by\r\nthe author during systematic excavations. The site was interpreted as a temporary camp where\r\nQueen Conch (Strombus gigas), turtle, fish, birds and salt were processed/consumed, between ad.\r\n1300 and 1500. The vast majority of the artefacts, including figurines, were not local products,\r\nbut related to the Valencia culture from the north-central Venezuela mainland.\r\nIn South America and the Caribbean, prehistoric figurines are traditionally approached as objects\r\nof ancient art or cult, or as typological devices. I reject both the a priori assumptions of figurine\r\nmeaning/function that neglect the particular socio-historical contexts of their creation/use, and the\r\nepiphenomenological approach to these artefacts. Drawing from Social Theory, Material Culture\r\nStudies, Contextual Archaeology, Sociology of Knowledge and some traditional procedures of\r\nartefact analysis, I generate an `integrative' approach that combines analyses of the form (the\r\nobject and its image), context (archaeological and social) and content (subject matter and\r\nsignifying practice). In the analytical framework used in this dissertation, the figurine is regarded\r\nnot as a mute product of a past culture, but as an `actor' that participated in the negotiation of\r\ncomplex social strategies in late prehistoric north Venezuela.\r\nThe fact that the island figurines were produced on the mainland has direct influence on the\r\nstructure of this research, demanding analysis of all available mainland material and its contexts.\r\nIn consequence, `bricks' for the construction of the social reality of the Dos Mosquises figurines\r\nhave been sought on the mainland. I interpret mainland specimens as metaphors of the social\r\ncontrol of elder women over their younger female kin, as a strategy used in alliance building. The\r\n(re)constructed social context of the Dos Mosquises site suggests that it was largely occupied by\r\nadult and adolescent males. The confrontation of the archaeological and social contexts, types\r\nand images of mainland and island specimens, resulted in the disclosure of the polyvalent,\r\ncontext-dependent roles of the Valencioid figurines. Some of the island specimens indicate use in\r\nritual activities and as burial furniture. Their social roles were essential to sustaining everyday life at\r\nthe DM site by suppressing the threats of supernatural powers related to the marine environment and\r\nits creatures.\r\nAlthough specific interpretations are discussed in this study, its primary contribution lies rather in\r\nthe methods developed to address questions regarding the social reality of prehistoric figurines.\r\nThe emphasis is put on systematic and controlled ways of working `between or around data and\r\ntheory', so that diverse sources of data can be put together to explore the meaningful connections\r\nthat may link them within the overall humanistic approach. It is anticipated that the open-ended\r\nnature of this research will indicate paths for further inquiry and stimulate future research on the\r\nfigurines and other material culture in north-central Venezuela."^^<http://www.w3.org/2001/XMLSchema#string> .
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