eprintid: 10155297
rev_number: 9
eprint_status: archive
userid: 699
dir: disk0/10/15/52/97
datestamp: 2023-07-10 11:47:19
lastmod: 2023-07-10 11:47:19
status_changed: 2023-07-10 11:47:19
type: book
metadata_visibility: show
sword_depositor: 699
creators_name: Pinney, Christopher
title: Bhopal: Blueprint, Endplan
ispublished: pub
divisions: C03
divisions: F22
divisions: B03
divisions: UCL
note: This version is the version of record. For information on re-use, please refer to the publisher's terms and conditions. This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme under grant agreement No 695283.
abstract: Citizens of photography: the camera and the political imagination is an empirical anthropological investigation of a hypothesis about the relationship between photographic self-representation and different societies' understanding of what is politically possible.
date: 2022-06
date_type: published
publisher: Department of Anthropology at UCL
official_url: https://www.ucl.ac.uk/anthropology/research/photodemos
oa_status: green
full_text_type: pub
book_type: book
language: eng
primo: open
primo_central: open_green
other_type_text: Other
verified: verified_manual
elements_id: 1975116
doi: 10.3030/695283
confidential: false
lyricists_name: Pinney, Christopher
lyricists_id: CPINN72
actors_name: Pinney, Christopher
actors_id: CPINN72
actors_role: owner
full_text_status: public
series: PhotoDemos Pamphlet Series
volume: 15
place_of_pub: London, UK
pages: 20
citation:        Pinney, Christopher;         (2022)    Bhopal: Blueprint, Endplan.       [Book].            PhotoDemos Pamphlet Series: Vol.15.  Department of Anthropology at UCL: London, UK.       Green open access   
 
document_url: https://discovery.ucl.ac.uk/id/eprint/10155297/1/15%20Bhopal%20web%20%28spread%29.pdf