eprintid: 10155297 rev_number: 9 eprint_status: archive userid: 699 dir: disk0/10/15/52/97 datestamp: 2023-07-10 11:47:19 lastmod: 2023-07-10 11:47:19 status_changed: 2023-07-10 11:47:19 type: book metadata_visibility: show sword_depositor: 699 creators_name: Pinney, Christopher title: Bhopal: Blueprint, Endplan ispublished: pub divisions: C03 divisions: F22 divisions: B03 divisions: UCL note: This version is the version of record. For information on re-use, please refer to the publisher's terms and conditions. This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme under grant agreement No 695283. abstract: Citizens of photography: the camera and the political imagination is an empirical anthropological investigation of a hypothesis about the relationship between photographic self-representation and different societies' understanding of what is politically possible. date: 2022-06 date_type: published publisher: Department of Anthropology at UCL official_url: https://www.ucl.ac.uk/anthropology/research/photodemos oa_status: green full_text_type: pub book_type: book language: eng primo: open primo_central: open_green other_type_text: Other verified: verified_manual elements_id: 1975116 doi: 10.3030/695283 confidential: false lyricists_name: Pinney, Christopher lyricists_id: CPINN72 actors_name: Pinney, Christopher actors_id: CPINN72 actors_role: owner full_text_status: public series: PhotoDemos Pamphlet Series volume: 15 place_of_pub: London, UK pages: 20 citation: Pinney, Christopher; (2022) Bhopal: Blueprint, Endplan. [Book]. PhotoDemos Pamphlet Series: Vol.15. Department of Anthropology at UCL: London, UK. Green open access document_url: https://discovery.ucl.ac.uk/id/eprint/10155297/1/15%20Bhopal%20web%20%28spread%29.pdf