TY  - CHAP
ED  - Malmkjaer, Kirsten
A1  - Brodie, Geraldine
PB  - Cambridge University Press
SP  - 423
UR  - https://doi.org/10.1017/9781108616119.022
ID  - discovery10145363
N2  - Chapter 21 looks at how theatre translation has connections with literary and poetry translation but is always focused on a performed text and its users. The readers of translated theatrical texts encompass theatre practitioners engaged in the design and development of performance, and actors who learn and reproduce the text as dialogue and movement. The chapter contrasts direct translation of a text by a specialist translator with the frequent practice of commissioning an expert linguist to make a literal translation to be used by a theatre practitioner to create a text for performance. It considers the role of the translator in the theatrical environment, investigating the extent to which theatrical collaborative practices are reflected in theatre translation. The chapter ends with a discussion of the implications for theatre translation of relevant theories from the wider translation arena.
Y1  - 2022///
KW  - Text for performance
KW  -  practitioners
KW  -  direct translation
KW  -  expert linguist
KW  -  literal translation
N1  - This version is the author accepted manuscript. For information on re-use, please refer to the publisher's terms and conditions.
T2  - The Cambridge Handbook of Translation
EP  - 439
AV  - public
TI  - Translating for the theatre
CY  - Cambridge, UK
SN  - 1108616119
ER  -