@book{discovery10097138,
           title = {Comparative Perspectives on the Rise of the Brazilian Novel},
          series = {Comparative Literature and Culture},
            year = {2020},
          editor = {A Suriani da Silva and S Guardini Vasconcelos},
           pages = {vii--322},
           month = {May},
         address = {London},
       publisher = {UCL Press},
            note = {Collection {\copyright} Editors, 2020
Text {\copyright} Contributors, 2020
The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as the authors of this work. This book is published under a Creative Commons 4.0 International licence (CC BY
4.0). This licence allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information:Silva, A.C.S. and Vasconcelos, S.G. (eds.). 2020. Comparative Perspectives on the Rise of the Brazilian Novel. London: UCL Press. DOI:https://doi.org/10.14324/111.9781787354715
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        keywords = {Brazil, Fiction, Literary Studies, Machado de Assis, nineteenth-century literature},
        abstract = {Comparative Perspectives on the Rise of the Brazilian Novel presents a framework of comparative literature based on a systemic and empirical approach to the study of the novel and applies that framework to the analysis of key nineteenth-century Brazilian novels. The works under examination were published during the period in which the forms and procedures of the novel were acclimatized as the genre established and consolidated itself in Brazil. The 15 original essays by experienced and early career scholars explore the links between themes, narrative paradigms, and techniques of Brazilian, European and North American novels and the development of the Brazilian novel. The European and North American novels cover a wide range of literary traditions and periods, and are in conversation with the different novelistic trends that characterize the rise of the genre in Brazil. Chapters reflect on both canonical and lesser-known Brazilian works from a comparatist perspective: from the first novel by an Afro-Brazilian woman, Maria Firmina dos Reis's Ursula (1859) to Machado de Assis's Dom Casmurro (1900); and from Jos{\'e} de Alencar's Indianist novel, Iracema (1865), to J{\'u}lia Lopes de Almeida's A Fal{\^e}ncia (The Bankruptcy, 1901).},
             url = {https://doi.org/10.14324/111.9781787354715}
}